Musica Hodie最新文献

Seguimiento Continuo de Infinitos Puntos..., de Sebastián Jatz: 连续跟踪无限点…sebastian Jatz说:

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2023-03-18 DOI: 10.5216/mh.v23.74061

Santiago Astaburuaga Peña

引用次数: 0

The Role of the Violin and Its Elements in Chinese Opera 小提琴在中国戏曲中的作用及其元素

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2023-03-18 DOI: 10.5216/mh.v23.72254

Q. Fu

{"title":"The Role of the Violin and Its Elements in Chinese Opera","authors":"Q. Fu","doi":"10.5216/mh.v23.72254","DOIUrl":"https://doi.org/10.5216/mh.v23.72254","url":null,"abstract":"Opera performances are a collection of dialogues, dances, and songs, accompanied by a variety of instruments. The paper primarily focuses on the specific features of the influence of various Chinese violins on opera performances. The authors analyzed jinghu, erhu, dahu, banhu, and gaohu, as well as outlined the elements that make up the melody for a particular instrument in opera performances. The survey outcomes suggested that improvement of the performance program requires, as part of the staged action: adding a melody that corresponds to the production’s mood (30% of respondents); playing tunes on jinghu more quietly (27% of respondents); removing the tightness when playing banhu (25%); eliminating gaohu (18%). Further survey suggested that melodies were most clearly and correctly played with erhu (27%) and jinghu (23%), with the soft tones and piercing sounds which are typical for these violins. 10% of respondents believed that gaohu was played with many mistakes and was described by a lack of distinctive clear sounds. The respondents' perceptions of, and playing different violins in, opera suggested that the best quality performance was observed with erhu (0.92), jinghu (0.83), banhu (0.81), and dahu (0.79). The calculation results were compared using the Student's t-distribution, which suggested the similarity of values for almost all violins, except for gaohu, because playing it in opera performances was not melodious. The research findings are valuable to opera violinists studying the specific features of musical instrument and the harmony of all elements.","PeriodicalId":41009,"journal":{"name":"Musica Hodie","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2023-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70684015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Chamber music for rock festivals: textural references to progressive rock in Ketil Hvoslef’s Konsert for violin og pop-band (1979) 摇滚音乐节的室内乐:Ketil Hvoslef为小提琴和流行乐队创作的Konsert中对前卫摇滚的纹理参考(1979)

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2023-03-05 DOI: 10.5216/mh.v23.73305

Iyán F. Ploquin

引用次数: 0

Being the other: defamiliarization processes in musical composition 成为他者：音乐创作中的陌生化过程

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2023-02-13 DOI: 10.5216/mh.v23.73322

Felipe de Almeida Ribeiro

引用次数: 0

Universalism, or the fabrication of concert music 普遍主义，或音乐会音乐的捏造

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2023-02-13 DOI: 10.5216/mh.v23.72129

Marta Castello Branco

引用次数: 0

Diseño de instrumentos virtuales: El caso de la guitarra flamenca 虚拟乐器设计:以弗拉门戈吉他为例

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2023-02-13 DOI: 10.5216/mh.v23.74380

Jagoba Santos Bengoechea, Carlos Duque

引用次数: 0

Periódicos acadêmicos brasileiros da área de Música 巴西音乐领域学术期刊

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2023-02-13 DOI: 10.5216/mh.v23.73612

Renato Borges

引用次数: 1

Features of Singing in Chinese Pop and Traditional Music: the Influence of the Music Genre on Vocal Music 中国流行音乐与传统音乐的歌唱特征——音乐流派对声乐的影响

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2022-12-12 DOI: 10.5216/mh.v22.73137

Mu Hu

{"title":"Features of Singing in Chinese Pop and Traditional Music: the Influence of the Music Genre on Vocal Music","authors":"Mu Hu","doi":"10.5216/mh.v22.73137","DOIUrl":"https://doi.org/10.5216/mh.v22.73137","url":null,"abstract":"Musical compositions require genre-specific sophisticated performance techniques. This paper focuses primarily on the features of Chinese pop and traditional music, based on the music genre’s influence on the vocal music. To achieve this goal, the analysis methods and the Shapiro-Wilk test were used. The study involved 218 music major students from the Beijing International Art School, Shanghai Normal University, and Guangzhou College of Music. The audience and respondents gave less preference to pop music (47% and 39%) compared to the traditional music (53% and 61%). The Shapiro-Wilk test revealed that, when it comes to pop music, the strongest preference was attributed to music geographical spread (0.867), and in the case of traditional music the strongest preference was for higher education (0.927). The paper established the specific features of different genres of music. The most common elements pertaining to pop music include: the option to apply a variety of music elements and singing techniques; rhythm stability; a simple form of vocal performance; extreme sound techniques; preserving the emotionality of the singing; a combination of Western and Chinese elements. Traditional music is characterized by a harmony of music elements and voice timbres, maintenance of the high-pitched voice, natural sound, throat singing, performance quality, preservation of Chinese traditional music elements. Traditional music instruction was the best thing for improving intonation (0.815), maintenance of sound quality (0.806), and development of vocal range (0.718). Pop music is known for a combination of various music elements (0.901), conveyance of the performance style (0.312). The paper’s practical implications boil down to determining the characteristic features of pop and traditional music, as well as elements describing vocal music. Further studies might involve a comparative analysis between Chinese pop music, traditional music, and Western pop and traditional music.","PeriodicalId":41009,"journal":{"name":"Musica Hodie","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44158760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Queixas e Sintomas auditivos em normo-ouvintes músicos e não músicos 听力正常的音乐家和非音乐家的抱怨和听力症状

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2022-12-02 DOI: 10.5216/mh.v22.73177

Sávia Leticia Menuzzo Quental, Maria Isabel Ramos do Amaral, Christiane Marques do Couto

引用次数: 0

Teaching Piano in Colleges and Universities Based on Cross-Cultural Music Education 基于跨文化音乐教育的高校钢琴教学

IF 0.2 4区艺术学

Musica Hodie Pub Date : 2022-12-02 DOI: 10.5216/mh.v22.73227

Zheyuan Wei

引用次数: 0