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World Music: A Very Short Introduction最新文献

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3. Between myth and history 3.在神话与历史之间
World Music: A Very Short Introduction Pub Date : 2020-07-23 DOI: 10.1093/actrade/9780192854292.003.0003
P. V. Bohlman
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引用次数: 0
1. In the beginning … Myth and meaning in world music 1. 一开始……世界音乐中的神话和意义
World Music: A Very Short Introduction Pub Date : 2020-07-23 DOI: 10.1093/actrade/9780198829140.003.0001
P. V. Bohlman
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引用次数: 0
4. Music of the folk 4. 民间音乐
World Music: A Very Short Introduction Pub Date : 2020-07-23 DOI: 10.1093/actrade/9780192854292.003.0004
P. Bohlman
{"title":"4. Music of the folk","authors":"P. Bohlman","doi":"10.1093/actrade/9780192854292.003.0004","DOIUrl":"https://doi.org/10.1093/actrade/9780192854292.003.0004","url":null,"abstract":"If folk music made it possible to imagine world music, it did so from a European perspective. ‘Music of the folk’ examines what concepts of folk and nationality meant to Hungarian composers Bartók and Kodály and explores the global success of folk-inspired Celtic music. Musical pioneers often straddled two cultures, such as Leadbelly, who performed both rural Southern blues and more sophisticated fusion. Leadbelly’s story and others were documented by the Lomax family of folk musician scholars. The spread of polka across the world suggests that there is a place for folk music within world music, contradicting claims that the idea of world music encourages homogenization.","PeriodicalId":409874,"journal":{"name":"World Music: A Very Short Introduction","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122078209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
6. Diaspora 6. 离散的犹太人
World Music: A Very Short Introduction Pub Date : 2020-07-23 DOI: 10.1093/actrade/9780198829140.003.0006
P. V. Bohlman
{"title":"6. Diaspora","authors":"P. V. Bohlman","doi":"10.1093/actrade/9780198829140.003.0006","DOIUrl":"https://doi.org/10.1093/actrade/9780198829140.003.0006","url":null,"abstract":"‘Diaspora’ explores the effect of human displacement on world music after the ‘discovery’ of the New World by Columbus in 1492, which set off a chain of diasporas. The music of diaspora addresses both place and homelessness, wandering and the dream of return. Three diasporas are investigated, beginning with the Sephardic diaspora, which arose in turn from the expulsion of Jews from Europe; the displacement of Africans resulting from colonial slave trade; and the South Asian diaspora, which draws upon music to represent the post-colonial world. Diasporic music is diverse, including reggae, klezmer, bhangra, Bollywood, and hip-hop among other genres.","PeriodicalId":409874,"journal":{"name":"World Music: A Very Short Introduction","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134266241","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
5. Music of the nations 5. 各国的音乐
World Music: A Very Short Introduction Pub Date : 2002-08-29 DOI: 10.1093/ACTRADE/9780192854292.003.0005
P. Bohlman
{"title":"5. Music of the nations","authors":"P. Bohlman","doi":"10.1093/ACTRADE/9780192854292.003.0005","DOIUrl":"https://doi.org/10.1093/ACTRADE/9780192854292.003.0005","url":null,"abstract":"Looking at the contentious history of the Eurovision Song Contest, ‘Music of the nations’ considers the complex relationship between world music, nationalism, and the modern nation-state. In her winning song in 2016, ‘1944’, the Ukrainian entry Jamala switched from English to Crimean Tatar, a political reference to the Russian annexation of Ukraine. Zimbabwe changed its anthem from ‘God Save the Queen’ to an African song via ‘Ode to Joy.’ ‘HaTikva’ went from a chorus at an international congress to the Israeli national anthem. There are also supra- or international anthems like the ‘Internationale’, a standard of the socialist movement worldwide.","PeriodicalId":409874,"journal":{"name":"World Music: A Very Short Introduction","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2002-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124857378","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
2. The West and the world 2. 西方与世界
World Music: A Very Short Introduction Pub Date : 2002-08-29 DOI: 10.1093/ACTRADE/9780192854292.003.0002
P. V. Bohlman
{"title":"2. The West and the world","authors":"P. V. Bohlman","doi":"10.1093/ACTRADE/9780192854292.003.0002","DOIUrl":"https://doi.org/10.1093/ACTRADE/9780192854292.003.0002","url":null,"abstract":"‘The West and the world’ investigates the unequal balance of power in the transcription, recording, and history of world music. World music may have been forged in the ‘Middle Passage’ from Africa to slavery elsewhere, but its musicians were nameless. Their music-making was documented by those with power. Collectors of world music have an anthological impulse, bringing together songs from different cultures. Johann Gottfried Herder’s collection of Volkslieder or ‘Folk Songs’ and two of the first anthologies on record—the Demonstration Collection and Music of the Orient—show that the products of the overarching anthological impulse can be very different.","PeriodicalId":409874,"journal":{"name":"World Music: A Very Short Introduction","volume":"66 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2002-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121083773","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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