4. 民间音乐

P. Bohlman
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引用次数: 0

摘要

如果说民间音乐使想象世界音乐成为可能,那么它是从欧洲的角度出发的。“民间音乐”考察了民间和民族的概念对匈牙利作曲家Bartók和Kodály的意义,并探讨了受民间启发的凯尔特音乐在全球的成功。音乐先驱经常跨越两种文化,比如利德贝利,他既演奏南方乡村蓝调,也演奏更为复杂的融合音乐。利德贝利和其他人的故事被民间音乐家学者洛马克斯家族记录下来。波尔卡在世界各地的传播表明,在世界音乐中有民间音乐的一席之地,这与世界音乐鼓励同质化的说法相矛盾。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
4. Music of the folk
If folk music made it possible to imagine world music, it did so from a European perspective. ‘Music of the folk’ examines what concepts of folk and nationality meant to Hungarian composers Bartók and Kodály and explores the global success of folk-inspired Celtic music. Musical pioneers often straddled two cultures, such as Leadbelly, who performed both rural Southern blues and more sophisticated fusion. Leadbelly’s story and others were documented by the Lomax family of folk musician scholars. The spread of polka across the world suggests that there is a place for folk music within world music, contradicting claims that the idea of world music encourages homogenization.
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