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Contributors 贡献者

IF 0.1 3区艺术学

THEATRE HISTORY STUDIES Pub Date : 2022-04-26 DOI: 10.1353/ths.2021.0027

{"title":"Contributors","authors":"","doi":"10.1353/ths.2021.0027","DOIUrl":"https://doi.org/10.1353/ths.2021.0027","url":null,"abstract":"In lieu of an abstract, here is a brief excerpt of the content:\u0000 <ul> <li> Contributors </li> </ul> ANGEL A K. AHLGREN is an associate professor in the Department of Theatre and Film at Bowling Green State University, where she teaches performance studies and theatre history. She is the author of Drumming Asian America: Taiko, Performance, and Cultural Politics and articles on taiko, performance, and pedagogy. Her current research includes a study of Asian aesthetics and racial politics in American modern dance since the Cold War and an ethnographic study of stage managers, gender, and invisible labor in the performing arts. She is currently serving as VP of Awards for the Dance Studies Association and cochair of the Articles in Progress/Pitch Your Book sessions for the Mid-America Theatre Conference. JANE BARNETTE is an associate professor in the Department of Theatre and Dance at the University of Kansas, where she teaches courses in dramaturgy, theatre history, and script analysis and seminars in theatrical adaptation and the performance of gender and sexuality. Her book, Adapturgy: The Dramaturg's Art and Theatrical Adaptation, explores the powerful alchemy of dramaturgically savvy adaptations for the stage. Jane is a director, a dramaturg, and a theatre historian whose research includes Chicago-based touring theatre at the turn of the twentieth century, American pageantry, and depictions of witchy characters onstage as well as in popular culture. DAVID BISAHA is an assistant professor of theatre history and theory at Binghamton University, SUNY. David's research specializes in the history of scenic design in the United States and in the more recent history of immersive and participatory performance. His book project, \"American Scenic Design and Freelance Professionalism,\" is a history of scenic design praxis among twentieth-century designers and artists in New York City. At Binghamton, David teaches theatre history and acting/directing theory in the MA and BA programs. CHRYSTYNA DAIL is an associate professor of theatre history at Ithaca College. Her book, Stage for Action: U.S. Social Activist Theatre in the 1940s, is a part of the Theater in the Americas series published through Southern Illinois University Press. Her essays and reviews have appeared in the Journal of American Drama and Theatre, Theatre History Studies, Arthur Miller Journal, Theatre Journal, Theatre Annual, and Performing Arts Resources, as well as in the edited collection Working in the Wings: New Perspectives on Theatre History and Labor. REBECCA K. HAMMONDS is an independent scholar currently based in West Palm Beach, Florida. Her ongoing research investigates the construction of literary and scholarly (or \"bookish\") female characters in American musicals in the face of the genre's abiding connection with spectacle. Sh","PeriodicalId":40818,"journal":{"name":"THEATRE HISTORY STUDIES","volume":"36 2 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138531413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}