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The Journal of Public Space最新文献

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Build Art, Build Resilience. Co-creation of Public Art as a Tactic to Improve Community Resilience 打造艺术，打造韧性。共同创作公共艺术作为提高社区弹性的策略
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1388
Guido Robazza
{"title":"Build Art, Build Resilience. Co-creation of Public Art as a Tactic to Improve Community Resilience","authors":"Guido Robazza","doi":"10.32891/jps.v5i4.1388","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1388","url":null,"abstract":"Temporary urbanism practices are forms of appropriation of the public space by the citizens. They can be a powerful engine for urban regeneration and social innovation, empowering local communities to take ownership of urban spaces, promoting positive urban change. In particular, the collective creation of temporary art installations in public spaces can foster a sense of belonging and define new forms of civic participation, including unrepresented voices, and re-activate the public realm. The portfolio narrates the development of the “Co-Creation of Temporary Interventions in Public Space as a Tool for Community Resilience” (University of Portsmouth) project, which promotes and develops a series of tactical, small-sized, co-created, temporary interventions in public spaces, bringing together various local actors and underrepresented groups. Temporary urbanism initiatives can be very powerful tools; while the change they bring may be small at first and incremental, the varied ways in which such initiatives affect the city and its citizens lead to an extremely meaningful and long-term impact.","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131436800","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Treegazing. How Art and Meditation Connect Peripatetic Practices as a Form of Subtle Activism Treegazing。艺术和冥想如何将游移实践作为一种微妙的行动主义形式联系起来
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1423
H. Hesterman, Amanda Hawkey
{"title":"Treegazing. How Art and Meditation Connect Peripatetic Practices as a Form of Subtle Activism","authors":"H. Hesterman, Amanda Hawkey","doi":"10.32891/jps.v5i4.1423","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1423","url":null,"abstract":"Treegazing was a public walking event held in the Fitzroy Gardens, Melbourne as part of Melbourne Design Week 2020 inviting the public to lift their gaze, be mindful whilst acknowledging the garden’s aesthetic design and history. This walk created a temporary community of strangers who co-experienced the majestic arboreal canopies of trees and plants, reducing ‘plant blindness’ (Schussler & Wandersee, 1998).\u0000Acknowledging the importance of ‘what stories are told’ and ‘making-kin’ (Haraway, 2016), this article explores collaborative visions between yoga and meditation practitioner Amanda Hawkey and artist Heather Hesterman. Investigating the dualities of silence/sound, open/enclosed, empty/busy and built/green spaces as a series of experiences. The act of mindful walking aims to connect the body to green spaces; to provide an embodied experience of nature. How might fundamental practices, as humans walking individually and together in public space be potential acts of transformation, of mindfulness, and environmental awareness - even subtle activism?\u0000We argue that encouraging an engagement with nature via haptic and ocular modes of art practice and meditation may facilitate a deeper engagement with and/or increased appreciation for flora. Treegazing implicates the walkers to become part of a connective- fluidity that enacts the space not within as participants, witness nor viewers but offers a shared collective experience of both mobility and stillness with the landscape, a subtle activism that looks up and treads lightly to ‘conspire – with nature.’","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115379453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Play in Melbourne City 在墨尔本玩
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1420
Suzannah Griffith
{"title":"Play in Melbourne City","authors":"Suzannah Griffith","doi":"10.32891/jps.v5i4.1420","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1420","url":null,"abstract":"Play in Melbourne City outlines a series of playful incursions in Melbourne, Australia’s central city that hopes to act as a reminder of the potential power and influence that individual citizens have in disrupting, creating and recovering public space.\u0000This is a practice-based exploration that uses Melbourne city as its site. Through a series of playful guerrilla theatre style incursions, the artist creates and embodies fictional characters that spontaneously appear throughout the city. Notions of the carnivalesque are harnessed through the use of masks, costumes and puppetry. Each character investigates and responds to a specific issue of spatial politics within the city, with the works importantly sitting outside of the scheduled template of gallery exhibitions and festivals.\u0000For the conceptual framework, the artist draws on Henri Lefebvre’s ideas of the production of space and Chantal Mouffe’s ‘agonistic’ model of public space.","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125648454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
In-Between Windowscapes. A Curator’s Perspective on Collaboration as Artistic Activation in Public Spaces 中间Windowscapes。一个策展人对公共空间艺术激活的合作的看法
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1418
Chun Wai (Wilson) Yeung
{"title":"In-Between Windowscapes. A Curator’s Perspective on Collaboration as Artistic Activation in Public Spaces","authors":"Chun Wai (Wilson) Yeung","doi":"10.32891/jps.v5i4.1418","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1418","url":null,"abstract":"This paper emphasizes that curatorial practice and site-specific art are essential aspects of the transition from artistic collaboration to collaborative curatorial practice and discovers the new potential of ‘curator as collaborator’ practice to cultivate community-based, collaborative and engaging cultural projects in public spaces. By examining the curatorial residency of my participation in Public Space 50 at RMIT University, Melbourne, Australia in 2017, this portfolio investigates how I, as a curator, explore art curation locations and methods to enable students to actively work collaboratively to plan, facilitate and produce public art projects. It asks how to turn public spaces into laboratories; how can student artists work together in public space; how to empower a creative student community through artistic collaboration and how artistic activation can be developed among creative participators of different cultures and backgrounds?","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116537682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Third Way Interventions in Public Space and Urban Design 公共空间和城市设计中的第三条道路干预
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1406
O. Perilla
{"title":"Third Way Interventions in Public Space and Urban Design","authors":"O. Perilla","doi":"10.32891/jps.v5i4.1406","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1406","url":null,"abstract":"As epitomized by the famous rivalry between Jane Jacobs and Robert Moses in the '60s New York, city planning and the understanding of public space has mainly oscillated between two opposing poles: the tidy and organized city planned with a top-down approach by architects using geometry to shape it, on one hand; and the messy and disorganized city, shaped with a bottom-up spirit, lacking planning, and allowing the traces of its inhabitants to take place, on the other. This article makes an analysis of the origin and nature of that opposition, putting in context different endeavors undertaken to tear it down. Going back to its Greek origin in the opposition between technē and mousikē, passing through Kant's concepts of the beautiful and the sublime, Nietzsche's opposition between the Apollonian and the Dionysian and ending up in Wölfflin's fundamental opposition between the Renaissance and the Baroque, it maps out this oscillating trend in history that favors the organized opposite full of rules in some periods, and the romantic one full of freedom in others, to provide a framework to explore endeavors that challenge those extremes in an attempt to take advantage of the benefits of both, as in 18th century picturesque, John Habraken's approach and Stan Allen's concept of infrastructural urbanism. Within this framework, it examines projects where we explore at Pontifical Xavierian University, innovative approaches to urban and public space design that empower inhabitants to shape their own city (bottom-up), whilst maintaining a sense of order and composition through designed structures (top-down) that challenge Leon Battista Alberti's foundational criterion of architectural beauty: you can neither add nor subtract any element without destroying the harmony achieved.","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125988326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Just Keep Going - Polyphony. Gentle Activism for Collective Survival 继续前进——复调。温柔的集体生存行动主义
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1422
Ryoko Kose
{"title":"Just Keep Going - Polyphony. Gentle Activism for Collective Survival","authors":"Ryoko Kose","doi":"10.32891/jps.v5i4.1422","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1422","url":null,"abstract":"This portfolio examines the possibility of my project ‘Just Keep Going’ series to nurture resilience for those experiencing uncanniness during periods of change and re-organization in the aftermath of extreme experiences. Experiences in an action-oriented non-verbal polyphony environment that prioritizes the uniqueness of a holistic self while accepting the existence of diverse individuals who are participating in collective survival could foster that resilience. My practice-led research aims to explore an expanded application of my Ikebana practice to my public Spatial Neural-Architectures while exploring a new way of understanding security, survival, and wellbeing. My research informs my art practice that includes the practices arising out of my life experience as a transnational voluntary evacuee to Australia from the 2011 Fukushima nuclear disaster in Japan. \u0000My portfolio shows the transformation of my artwork and my everyday life. I investigate how my art practice could offer a therapeutic experience as well as a new cultural framework by examining the methods of Open Dialogue, the Biophilia Hypothesis, Ikebana Philosophy, and Sand-play Therapy. These methods open up new possibilities for a socially engaged practice that addresses collective traumas in the midst/aftermath of global crisis and the social changes necessary for collective survival.","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122086233","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Monuments of Compassion 同情纪念碑
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1421
Linda Brant
{"title":"Monuments of Compassion","authors":"Linda Brant","doi":"10.32891/jps.v5i4.1421","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1421","url":null,"abstract":"The term ‘monument of compassion' is introduced to describe the essential features of the Monument To Animals We Do Not Mourn, as well as other animal monuments. Installed in Hartsdale Pet Cemetery in New York, The Monument To Animals We Do Not Mourn is unconventional in its representation of a marginalized group (farm animals), its challenge to dominant cultural narratives concerning this group, its interactivity, and its atypical location. It is an artist-driven, dialogic monument of dissent, offering cemetery visitors the opportunity to consider the suffering of farm animals in the same space that they mourn their beloved companion animals. The monument extends compassion to farm animals and affirms their value as individual beings, worthy of a full and natural life. Visitors who resonate with the monument’s message are invited to leave a stone at its base. As the stones accumulate, they will be collected and used to create another monument of compassion for typically unmourned animals.","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"22 2-3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130589497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Film Intervention in Public Space. A Phylogenetic Spatial Change 电影对公共空间的介入。A系统发育空间变化
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1384
Taher Abdel Ghani
{"title":"Film Intervention in Public Space. A Phylogenetic Spatial Change","authors":"Taher Abdel Ghani","doi":"10.32891/jps.v5i4.1384","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1384","url":null,"abstract":"Cinema has taken up the role of a social agent that introduced a variety of images and events to the public during critical times. This paper proposes the idea of using films as a tool to reclaim public space where a sense of belonging and dialogue restore to a meaningful place. During the January 2011 protests in Egypt, Tahrir Cinema, an independent revolutionary project composed of filmmakers and other artists, offered a space in Downtown Cairo and screened archival footage of the ongoing events to the protestors igniting civic debate and discussions. The traditional public space has undergone what Karl Kropf refers to as the phylogenetic change, i.e. form and function that is agreed upon by society and represents a common conception of certain spatial elements. Hence, the framework that this research will follow is a two-layer discourse, the existence of cinema in public spaces, and the existence of public spaces in cinema. Eventually, the paper seeks to enhance the social relationship between society, spaces, and cinematic narration – a vital tool to raise awareness about the right to the city.","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125001060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Temporary Text(iles) 临时文本(iles)
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1419
Thao Nguyen
{"title":"Temporary Text(iles)","authors":"Thao Nguyen","doi":"10.32891/jps.v5i4.1419","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1419","url":null,"abstract":"Text and textiles share etymological roots and also have cultural and historical similarities. Temporary Text(iles) is project led research which investigates the relationship between text and textiles in hopes of harnessing its communicative powers. Techniques such as subtraction cutting, embroidery and writing are utilised to produce textile installations that are both performative and ephemeral. These spatial interventions are activated within contemporary art contexts and public spaces such as Altona beach, Campbell Arcade, Testing Grounds and Assembly Point. These experimental sites offer a gentle disruption to people’s everyday routine as well as a space for critical reflection and conversation.\u0000In this chaotic time of global grief and tension, the author commits herself to understand the connections between environmental sustainability, forced migrations and the mistreatment against marginalized communities such as refugees and asylum seekers. Temporary Text(iles) describes the different spatial interventions in the research project and analyses its effect in relation to these major social issues.","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131091996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Making Space. Singapore, Artists & Art in the Public Realm 使空间。新加坡，公共领域的艺术家与艺术
The Journal of Public Space Pub Date : 2020-12-01 DOI: 10.32891/jps.v5i4.1408
Sharmila Wood
{"title":"Making Space. Singapore, Artists & Art in the Public Realm","authors":"Sharmila Wood","doi":"10.32891/jps.v5i4.1408","DOIUrl":"https://doi.org/10.32891/jps.v5i4.1408","url":null,"abstract":"In recent times Singaporean artists have undertaken audacious artistic performances, actions and interventions in public space, highlighting the role of artists as provocateurs of debates around public space and their engagement with issues related to ethical urbanism. Between 2010 – 2020 artists working in diverse fields of artistic practice including visual art, street art, performance art, community arts and new genre public art begun to locate their artwork in public spaces, reaching new audiences whilst forging new conversations about access, inclusion and foregrounding issues around spatial justice. In contesting public space, artists have centralized citizens in a collective discourse around building and shaping the nation. The essay documents key projects, artists and organisations undertaking artistic responses in everyday places and examines the possibility of public art in expanding concepts of ‘the public’ through actions in Singapore’s public space, and demonstrating the role of artists in civil society.","PeriodicalId":407771,"journal":{"name":"The Journal of Public Space","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127308216","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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