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Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean最新文献

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Vinni Lucherini, La Cronaca angioina dei re d’Ungheria. Uno specchio eroico e fiabesco della sovranità. Paris: Classiques Garnier, 2021 Vinni Lucherini，《匈牙利国王安杰文编年史》。英雄般的童话般的主权之镜。巴黎：卡尼尔经典，2021
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131125
Elisabetta Scirocco
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引用次数: 0
Color in Suger’s Saint-Denis: Matter and Light 萨格《圣丹尼斯》中的色彩：物质与光
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131116
Alberto Virdis
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引用次数: 0
“Romanesque” Conques as a Neo-Carolingian Project 新加洛林王朝的“罗马式”征服
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131121
Ivan Foletti, Adrien Palladino, Vincent Debiais, Éric Sparhubert, Cécile Voyer
{"title":"“Romanesque” Conques as a Neo-Carolingian Project","authors":"Ivan Foletti, Adrien Palladino, Vincent Debiais, Éric Sparhubert, Cécile Voyer","doi":"10.1484/j.convi.5.131121","DOIUrl":"https://doi.org/10.1484/j.convi.5.131121","url":null,"abstract":"– “Romanesque” Conques as a Neo-Carolingian Project – Begun in 2021, the first team encounter of the project “Conques in the Global World” generated an innovative reinterpretation of the site. Departing from the nineteenth-and twentieth-century explication of Conques as the ideal image of the Romanesque Middle Ages, the site is here envisaged as a space of memorialization of the past for the present. This memorialization, we argue, began in fact at the church’s conception, with the founders’ decision to reflect the character and significance of Carolingian antecedents. This Carolingian echo is evident in the material and epigraphic culture created at Conques around 1100, from the portal inscriptions to the reliquaries held below ground in the treasure. What is postulated here, and proposed for future research, is the understanding that Conques has been a memory space since it was conceived the eleventh century – a space in which a specific memory of an authoritative past is reinvented for the longue durée to confer legitimacy to a place and its religious community.","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43221474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
L’Image miraculeuse dans le christianisme occidental (Moyen Âge - Temps modernes), a cura di Nicolas Balzamo e Estelle Leutrat. Tours: Presses Universitaires François-Rabelais, 2020 《西方基督教的奇迹形象》(中世纪-现代)，尼古拉斯·巴尔扎莫和埃斯特尔·洛特拉特的cure。旅游:大学出版社francois - rabelais, 2020
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131127
Alberto Virdis
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引用次数: 0
Liturgical Furniture in the Basilica of San Marco. The Ciboria in the Main Chapel and in the Chapels of the Nicopeia and Sacramento 圣马可大教堂的外科家具。主礼拜堂的Ciboria以及尼科佩亚和萨克拉门托的礼拜堂
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131119
Martha A. Villano
{"title":"Liturgical Furniture in the Basilica of San Marco. The Ciboria in the Main Chapel and in the Chapels of the Nicopeia and Sacramento","authors":"Martha A. Villano","doi":"10.1484/j.convi.5.131119","DOIUrl":"https://doi.org/10.1484/j.convi.5.131119","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46059467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Il mosaico del battistero “monumentale” di Albenga e i primi Concili 阿尔本加的“纪念碑”浸礼会马赛克和第一次会议
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131117
M. Marcenaro
{"title":"Il mosaico del battistero “monumentale” di Albenga e i primi Concili","authors":"M. Marcenaro","doi":"10.1484/j.convi.5.131117","DOIUrl":"https://doi.org/10.1484/j.convi.5.131117","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66675791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Marco Aimone, The Wyvern Collection. Byzantine and Sasanian Silver, Enamels and Works of Art. With contributions by Erica Cruickshank Dodd, Rika Gyselen, Peter Northoven, and Jack Ogden. London / New York: Thames & Hudson, 2020. Marco Aimone，Wyvern系列。拜占庭和萨珊银、珐琅和艺术作品。由Erica Cruickshank Dodd、Rika Gyselen、Peter Northoven和Jack Ogden贡献。伦敦/纽约：泰晤士和哈德逊，2020年。
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131123
Adrien Palladino
{"title":"Marco Aimone, The Wyvern Collection. Byzantine and Sasanian Silver, Enamels and Works of Art. With contributions by Erica Cruickshank Dodd, Rika Gyselen, Peter Northoven, and Jack Ogden. London / New York: Thames & Hudson, 2020.","authors":"Adrien Palladino","doi":"10.1484/j.convi.5.131123","DOIUrl":"https://doi.org/10.1484/j.convi.5.131123","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47018309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Roland Betancourt, Byzantine Intersectionality. Sexuality, Gender & Race in the Middle Ages. Princeton and Oxford: Princeton University Press, 2020. 罗兰·贝当古，拜占庭交叉性。中世纪的性、性别与种族。普林斯顿和牛津:普林斯顿大学出版社，2020年。
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131126
Antonino Tranchina
{"title":"Roland Betancourt, Byzantine Intersectionality. Sexuality, Gender & Race in the Middle Ages. Princeton and Oxford: Princeton University Press, 2020.","authors":"Antonino Tranchina","doi":"10.1484/j.convi.5.131126","DOIUrl":"https://doi.org/10.1484/j.convi.5.131126","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45879025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Substitut des Königs. Mittelalterliche Throne mit Königsbildern als repräsentative Agenten 国王换来的人中世纪大帝，代表国王的代表
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131114
S. Sommerer
{"title":"Substitut des Königs. Mittelalterliche Throne mit Königsbildern als repräsentative Agenten","authors":"S. Sommerer","doi":"10.1484/j.convi.5.131114","DOIUrl":"https://doi.org/10.1484/j.convi.5.131114","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42611049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Between Alexandria and Rome? Reflections on Artistic Circulation and Cross-Cultural Interaction in Ethiopian Painting in the Fifteenth Century 在亚历山大和罗马之间?15世纪埃塞俄比亚绘画的艺术流通与跨文化互动思考
Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean Pub Date : 2021-07-01 DOI: 10.1484/j.convi.5.131113
Lenka Vrlíková
{"title":"Between Alexandria and Rome? Reflections on Artistic Circulation and Cross-Cultural Interaction in Ethiopian Painting in the Fifteenth Century","authors":"Lenka Vrlíková","doi":"10.1484/j.convi.5.131113","DOIUrl":"https://doi.org/10.1484/j.convi.5.131113","url":null,"abstract":"","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42470295","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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