Journal of World Popular Music最新文献

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Francophone Hip-hop Studies and Its Discontents 法语嘻哈研究及其不满
Journal of World Popular Music Pub Date : 2022-06-13 DOI: 10.1558/jwpm.23064
Alice Aterianus-Owanga
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引用次数: 0
Introduction: Covid Recovery and Early Covid Music Literature 前言:新冠肺炎康复与早期新冠音乐文献
Journal of World Popular Music Pub Date : 2022-01-01 DOI: 10.1558/jwpm.23347
Paul Carr
{"title":"Introduction: Covid Recovery and Early Covid Music Literature","authors":"Paul Carr","doi":"10.1558/jwpm.23347","DOIUrl":"https://doi.org/10.1558/jwpm.23347","url":null,"abstract":"While commencing the introduction of this special edition in the early months of 2021, the live music industries across the world were just beginning to tentatively emerge from what one commentator described as their “biggest collective threat in living memory”—COVID-19 (Mullova 2020). In England for example, as part of the “post-Covid” recovery process, a government-sanctioned trial event took place in Liverpool’s Sefton Park on 2 May 2021, where 5,000 people attended with no masks or social distancing, in what Youngs (2021) described as “the largest number of people to have legally crammed into a small space in the UK since the start of the pandemic”. Despite this being an iconic occasion for both artists and audience, the event gave scientists the opportunity to study factors such as the impacts of audience movement and catering and alcohol consumption, with it being compulsory for all attendees to take supervised lateral flow tests. This concert, promoted by Festival Republic, was part of the UK Government’s broader “Events Research Programme”, which included activities such as the FA Cup final and the World Snooker Championships. This series of events, overseen by an industry-led steering group and taking place between 18 April and 15 May 2021, were used to inform UK Government policy on social distancing, ventilation and test and trace protocols (UK Government 2021). © Equinox Publishing Ltd 2022","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67598954","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Editors’ Introduction 编辑的介绍
Journal of World Popular Music Pub Date : 2021-12-10 DOI: 10.1558/jwpm.21546
Simone Krüger Bridge, J. Stock
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引用次数: 0
Sound Ties, ‘Rising from the Depths of Brine and Regions of Fire Deeper Still’: Knowing through Popular Music in the Western Pacific Island World 声音纽带,“从盐水深处升起,火焰更深”:通过西太平洋岛屿世界的流行音乐来了解
Journal of World Popular Music Pub Date : 2021-12-02 DOI: 10.1558/jwpm.20197
Birgit Abels
{"title":"Sound Ties, ‘Rising from the Depths of Brine and Regions of Fire Deeper Still’: Knowing through Popular Music in the Western Pacific Island World","authors":"Birgit Abels","doi":"10.1558/jwpm.20197","DOIUrl":"https://doi.org/10.1558/jwpm.20197","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45296862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rebels Without a Cause? Polish Rock and Metal Music After 1989 无因的反叛?1989年后的波兰摇滚和金属音乐
Journal of World Popular Music Pub Date : 2021-10-27 DOI: 10.1558/jwpm.17253
Andrzej Mądro
{"title":"Rebels Without a Cause? Polish Rock and Metal Music After 1989","authors":"Andrzej Mądro","doi":"10.1558/jwpm.17253","DOIUrl":"https://doi.org/10.1558/jwpm.17253","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45698974","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Theodosiou, Aspasia (Sissy), and Eleni Kallimopoulou. 2020. Μουσικές κοινότητες στην Ελλάδα του 21ου αιώνα: εθνογραφικές ματιές και ακροάσεις [Music Communities in Twenty-first-century Greece: Sonic Glances in the Field]. 狄奥多西、阿斯帕西娅(茜茜)和埃莱尼·卡利莫普洛。二十一世纪希腊的音乐社区:田野中的声波一瞥。
Journal of World Popular Music Pub Date : 2021-10-27 DOI: 10.1558/jwpm.19815
Alexandra Balandina
{"title":"Theodosiou, Aspasia (Sissy), and Eleni Kallimopoulou. 2020. Μουσικές κοινότητες στην Ελλάδα του 21ου αιώνα: εθνογραφικές ματιές και ακροάσεις [Music Communities in Twenty-first-century Greece: Sonic Glances in the Field].","authors":"Alexandra Balandina","doi":"10.1558/jwpm.19815","DOIUrl":"https://doi.org/10.1558/jwpm.19815","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47105655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sara Arenillas Meléndez. 2020. Discursos, identidades y transgresión en la música popular española (1980–2010): El caso del glam rock y sus variantes. Sara Arenillas melendez, 2019年。西班牙流行音乐中的话语、身份与越界(1980 - 2010):魅力摇滚及其变体的案例。
Journal of World Popular Music Pub Date : 2021-10-27 DOI: 10.1558/jwpm.21095
Manuela Belén Calvo
{"title":"Sara Arenillas Meléndez. 2020. Discursos, identidades y transgresión en la música popular española (1980–2010): El caso del glam rock y sus variantes.","authors":"Manuela Belén Calvo","doi":"10.1558/jwpm.21095","DOIUrl":"https://doi.org/10.1558/jwpm.21095","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42579396","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music. Farzaneh Hemmasi。2020.德黑兰人的梦想:南加州伊朗流行音乐中的亲密与想象。
Journal of World Popular Music Pub Date : 2021-10-27 DOI: 10.1558/jwpm.19682
N. Ahmadian
{"title":"Farzaneh Hemmasi. 2020. Tehrangeles Dreaming: Intimacy and Imagination in Southern California’s Iranian Pop Music.","authors":"N. Ahmadian","doi":"10.1558/jwpm.19682","DOIUrl":"https://doi.org/10.1558/jwpm.19682","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48109004","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ethnography in Western Popular Music Research Revisited: A Case Study and/as a Critique 西方通俗音乐研究中的民族志再探——个案研究与批判
Journal of World Popular Music Pub Date : 2021-09-10 DOI: 10.1558/jwpm.41162
David Verbuč
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引用次数: 0
“suh won’t we step inna hxr class”: journal entry feat. d’bi young anitafrika “这样我们就不会进入HXR类”:日志记录壮举。年轻的非洲蚁
Journal of World Popular Music Pub Date : 2021-08-13 DOI: 10.1558/jwpm.43086
C. Oliver
{"title":"“suh won’t we step inna hxr class”: journal entry feat. d’bi young anitafrika","authors":"C. Oliver","doi":"10.1558/jwpm.43086","DOIUrl":"https://doi.org/10.1558/jwpm.43086","url":null,"abstract":"","PeriodicalId":40750,"journal":{"name":"Journal of World Popular Music","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43005434","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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