{"title":"Ralph Ellison Travels to Denmark: Invisible Man/Usynlig Mand and the World Location of American Literature","authors":"Johs Rasmussen","doi":"10.22439/asca.v55i2.7043","DOIUrl":"https://doi.org/10.22439/asca.v55i2.7043","url":null,"abstract":"This essay argues that the Danish translation of Invisible Man (1952), Ralph Ellison’s prize-winning debut novel, offers a set of spatiotemporal coordinates with which the world location of postwar American literature can be mapped. By reconstructing how Invisible Man was received both in the United States and Denmark, I show that the evaluative criteria by which the novel was judged to be a valuable work of art breaks down the geographical delimitation of national literatures. To that effect, the construction of the author figure “Ralph Ellison” was contingent upon his fiction conforming to criteria of evaluation formalized by cultural institutions such as newspapers, universities, and literary prizes. These criteria were often derived from aesthetic principles associated with European modernism, and they come into full view in my reconstruction of Invisible Man’s publication and (Danish) translation history. I conclude that the residue of Invisible Man’s paratextual apparatus which has survived to this day, as well as the global connections this residue signifies, exposes the discursive construction of a nationally specific American literature as an ideological fiction, not a material fact. ","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139005300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Civil War Settlers: Scandinavians, Citizenship, and American Empire, 1848-1870","authors":"Julie K. Allen","doi":"10.22439/asca.v55i2.7047","DOIUrl":"https://doi.org/10.22439/asca.v55i2.7047","url":null,"abstract":"","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138976397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Dark Comedy of the Courtroom: Norman Jewison’s And Justice for All","authors":"Mikkel Jensen","doi":"10.22439/asca.v55i2.7042","DOIUrl":"https://doi.org/10.22439/asca.v55i2.7042","url":null,"abstract":"This article examines And Justice for All’s (1979) peculiar spin on the courtroom drama. Though the film embraces a mode of seriousness to portray sexual violence and an unjust criminal justice system, it also includes an undercurrent of dark comedy and absurdity. The article shows how the film incorporates dark-comedic absurdity to emphasize how severely malfunctional the criminal justice system is. While the film reproduces the lawyer-as-hero trope known from earlier eras in American film history, it is very disillusioned with the state of the criminal justice system as such. In this sense, it gives viewers a recognizable lawyer-hero to root for even though the film invites viewers to be very skeptical of the state of the system.","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139005270","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Is It Really Happening? The Postmodern Horror of Roman Polanski’s Rosemary’s Baby","authors":"Thorsten Carstensen","doi":"10.22439/asca.v55i2.7039","DOIUrl":"https://doi.org/10.22439/asca.v55i2.7039","url":null,"abstract":"\u0000This article examines Roman Polanski’s film Rosemary’s Baby (1968) as both a symptom and a manifestation of the cultural and political upheavals of the late 1960s. Released in an era marked by rampant conspiracy theories and a growing opposition to established hierarchies and institutions, the film constitutes a prime example of “paranoid horror.” Reflecting the collapse of commonly accepted metanarratives such as religion and the American nuclear family, Rosemary’s Baby adamantly rejects the restoration of order that earlier horror movies would have provided. In fact, by questioning ontological reliability, it epitomizes the shift from the classical to the postmodern horror narrative. \u0000","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139003680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"In the Womb of Utopia: Feminist Science Fiction, Reproductive Technology, and the Future","authors":"Jenny Bonnevier","doi":"10.22439/asca.v55i1.6858","DOIUrl":"https://doi.org/10.22439/asca.v55i1.6858","url":null,"abstract":"This article explores the ways in which reproductive technology is used as a literary trope to enable or embody adesired social order in a utopian setting. It discusses Ursula Le Guin’s The Left Hand of Darkness (1969) and “Coming of Age in Karhide” (1995), Joanna Russ’ The Female Man (1975), and Marge Piercy’s Woman on the Edge of Time (1976). In these American classics of feminist science fiction, reproduction is a key element, and they are rooted in a feminist understanding of power that sees the organization of both reproductive and child-care labor as central to analyses of patriarchy, as well as to any attempts to re-imagine patriarchal structures. The analysis draws on critical kinship studies that see the forming of kinship and families as a form of “cultural technology” and which thus opens these relationships to critical examination. It explores how the kind of change reproductive technologies can effect is not a property simply inherent in the technologiesthemselves. Rather, these medical technologies intersect with and become part of pre-existing cultural technologies of family and gender. Finally, the article addresses the question of how feminist futurities or feminist conceptions of time can be mobilized to enable resistance and change.","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48180752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Leo Marx's Legacy","authors":"D. Nye","doi":"10.22439/asca.v55i1.6855","DOIUrl":"https://doi.org/10.22439/asca.v55i1.6855","url":null,"abstract":"An assessment of Leo Marx’s career, from his youth in New York and Paris, Harvard education, and military service in World War II, to the major themes in his scholarship during 65 years of teaching at Minnesota, Amherst College, and MIT. Best known for his The Machine in the Garden, Marx was one of the founding scholars of American Studies, but he also made seminal contributions to the History of Technology and the environmental humanities. His work is a useful legacy for scholars assessing technological solutions proposed to deal with ecological crises.","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41880601","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The End of Ambition: The United States and the Third World in the Vietnam Era","authors":"Anne Mørk","doi":"10.22439/asca.v55i1.6870","DOIUrl":"https://doi.org/10.22439/asca.v55i1.6870","url":null,"abstract":"","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46713624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Editor's Note","authors":"Anders Bo Rasmussen","doi":"10.22439/asca.v55i1.6869","DOIUrl":"https://doi.org/10.22439/asca.v55i1.6869","url":null,"abstract":"","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135671140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"What American Readers Remember: A Case Study","authors":"Lovro Škopljanac","doi":"10.22439/asca.v55i1.6857","DOIUrl":"https://doi.org/10.22439/asca.v55i1.6857","url":null,"abstract":"This article describes an archive consisting of literary memories obtained via interviews from one hundred contemporary readers of literature, sourced from a college town in the United States. The memories were summarized and studied in order to establish what readers tend to remember as important and/or impressive in their everyday reading of literature. The summaries include both quantitative and qualitative data, which are presented in brief extracts (tables) referring to facts such as recall of textual elements, circumstances of reading, and most remembered texts and authors. Characteristics of non-professional readers and their readings are thus observed according to three distinct sources of information: (a) the type of text they preferred; (b) the context of their reading; (c) the textual elements they found most memorable. All of these are considered in turn, including more specific discussion on topics of attachments to texts; the role of “classics”; and the readers’ paracanon. The study concludes with three main findings: (1) the participating American readers are shown to have rich and diverse memories of literary works, (2) which usually consist of coherent mental representations of the texts accompanied by some sort of episodic memory attaching them to their lived experience, (3) and these representations mostly involve unusual and incongruous characters and plot occurrences set against the ground of narrative content, which might imply that literature is used as a form of simulation.","PeriodicalId":40729,"journal":{"name":"AMERICAN STUDIES IN SCANDINAVIA","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44451539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}