Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies最新文献_第6页

Title Pages in Sixteenth- and Seventeenth- Century Icelandic Manuscripts: The Development and Functions of Print Features in Manuscript Form 16和17世纪冰岛手稿中的标题页:手稿形式中印刷特征的发展和功能

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0018

Silvia Hufnagel

{"title":"Title Pages in Sixteenth- and Seventeenth- Century Icelandic Manuscripts: The Development and Functions of Print Features in Manuscript Form","authors":"Silvia Hufnagel","doi":"10.1353/mns.2021.0018","DOIUrl":"https://doi.org/10.1353/mns.2021.0018","url":null,"abstract":"Abstract:This article analyses the influence of the printing press on Icelandic handwritten manuscripts from the sixteenth and seventeenth centuries. Iceland has a particularly rich and long-lasting manuscript culture that did not cease until the early twentieth century. Many post-medieval manuscripts include paratextual features that are more commonly connected with printed books, such as title pages which were a true innovation of the printing press but which are found in manuscripts, too. The earliest Icelandic title pages are found in manuscripts that were written for or by highly educated men and that contain the same textual genres that were printed, too, although references to print are rare. Title pages appear frequently in hymn manuscripts and various scribal strategies can be detected, from strict copies of their printed exemplars to emulating title pages of learned works. Often the medium of reception, or more precisely, singing is mentioned. Title pages appear very seldom in saga manuscripts, a popular genre that was restricted to the handwritten medium at that time. These title pages show much more decoration than hymn title pages and are full of stylistic and rhetorical elements of Baroque literature, such as alliteration and accumulatio. Similar to hymn title pages, the medium of reception, of reading and listening to, is stated. This analysis proves that title pages in manuscripts derived from printed books but that they developed their own specific characteristics, depended on several factors: printed models, generic traditions, the medium of reception, and individual choices of scribes and patrons.","PeriodicalId":40527,"journal":{"name":"Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies","volume":"13 2 1","pages":"300 - 337"},"PeriodicalIF":0.2,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89929481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Splendors of the Serenissima in a Digital Age: The Master of the Murano Gradual Reconsidered 数字时代塞雷尼西马的辉煌:慕拉诺岛大师的逐渐反思

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0016

Stephanie Azzarello, Bryan C. Keene

{"title":"Splendors of the Serenissima in a Digital Age: The Master of the Murano Gradual Reconsidered","authors":"Stephanie Azzarello, Bryan C. Keene","doi":"10.1353/mns.2021.0016","DOIUrl":"https://doi.org/10.1353/mns.2021.0016","url":null,"abstract":"Abstract:The Master of the Murano Gradual is one of the most enigmatic illuminators working in early fifteenth-century Venice. The eponymous choir books were commissioned by the Camaldolese monastery of San Mattia a Murano and today comprise a single intact volume in the Kupferstichkabinett in Berlin (MS 78 F.1) and about fifty historiated initials dispersed in twenty-five public and private collections in Europe and the United States. The fragmentary nature of the overall corpus is a central challenge to studying the artist and to understanding the contours of the workshop. This article provides a reassessment of the corpus of work attributed to the Murano Master—including an appendix with provenances of the whereabouts of the series—and makes a case for future collaborations that can build upon digitization efforts that make the fragments available online and upon recent technical analysis into the pigments used by the illuminators.The methodological approach of the authors has been twofold. Firstly, to study each of the fragments and manuscripts in person, and to locate digital assets for as many works as possible with the aim of creating an eventual website or online repository for scholars to consult. Secondly, to investigate codicological features of the individual fragments that have been hitherto overlooked, including the measurement of musical stave heights or blind-ruled lines for song, and the possible relationship between decorated and filigree letters to over one-hundred cuttings with decorated letters that have also been associated with the San Mattia series. Finally, the study also clarifies the dating of the Murano choir books, which were most likely produced in the 1420s.","PeriodicalId":40527,"journal":{"name":"Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies","volume":"37 1","pages":"223 - 267"},"PeriodicalIF":0.2,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78057037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Critical Companion to English Mappae Mundi of the Twelfth and Thirteenth Centuries ed. by Dan Terkla and Nick Millea (review) 12和13世纪英国《世界地图》的重要补充，丹·特克拉和尼克·米勒主编(书评)

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0024

Martin Foys

引用次数: 0

History from the Margins: Literary Culture and Manuscript Production in Western India in the Vernacular Millennium 边缘的历史:白话文千年中西印度的文学文化和手稿生产

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0015

Jahnabi Barooah Chanchani

{"title":"History from the Margins: Literary Culture and Manuscript Production in Western India in the Vernacular Millennium","authors":"Jahnabi Barooah Chanchani","doi":"10.1353/mns.2021.0015","DOIUrl":"https://doi.org/10.1353/mns.2021.0015","url":null,"abstract":"Abstract:Scholars of South Asia have long known of praśastis, eulogistic verses often composed in the transregional Sanskrit language on copperplates, stone slabs, and temple walls, from the early centuries of the Common Era. They have traditionally sieved these documents to recover dynastic histories and have supposed that as a genre, it faded away in the second millennium CE when Islamic polities were established across the subcontinent and new genres of history writing were popularized. In making this supposition they have overlooked the fact that praśastis continued to be frequently composed and written. Yet, their appearance was neither in public spaces nor in public documents, but frequently at the ends of palm-leaf and paper manuscripts. In this paper, I carefully analyze a corpus of hitherto un-translated praśastis and other scribal remarks written at the end of oft illustrated sumptuous Jaina manuscripts prepared between c. 1000 – 1600 in western India. This was a period during which manuscript culture and literary production burgeoned in the region. Through my close reading of these genealogical micro histories, I shed new light on the emergence of new power elites, literati associations, centers of manuscript production, the rise of professional authors and scribes, and formation of kinship. I also consider the aesthetics and poetics of patronage in the region and ask why patrons in the early centuries of the second millennium CE sought to legitimize their family histories using an archaic genre.","PeriodicalId":40527,"journal":{"name":"Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies","volume":"35 1","pages":"197 - 222"},"PeriodicalIF":0.2,"publicationDate":"2021-11-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90483075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Book Conservation and Digitization: The Challenges of Dialogue and Collaboration ed. by Alberto Campagnolo (review) 《图书保护与数字化:对话与合作的挑战》，阿尔贝托·坎帕尼奥罗主编(书评)

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0021

Nancy K. Turner

引用次数: 0

Data Sanctorum: The Corpus Kalendarium Database of Devotional Calendars 数据圣殿:灵修历法的语料库历法数据库

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0019

A. Macks

引用次数: 0

The Oxford Handbook of Latin Palaeography ed. by Frank T. Coulson and Robert G. Babcock (review) 《牛津拉丁古学手册》，弗兰克·t·库尔森、罗伯特·g·巴布科克主编(书评)

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0022

L. Davis

引用次数: 0

The Ancient Sefer Torah of Bologna: Features and History ed. by Mauro Perani (review) 《博洛尼亚古代塞弗律法:特征与历史》，毛罗·佩拉尼主编(回顾)

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0023

F. Lelli

引用次数: 0

Robert Ashley and the Authorship of Newberry MS 5017, The Book of Magical Charms 罗伯特·阿什利和纽伯里MS 5017的作者，魔法咒书

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0017

Renae Satterley

引用次数: 1

Learning Through Images in the Italian Renaissance: Illustrated Manuscripts and Education in Quattrocento Florence by Federico Botana (review) 意大利文艺复兴时期的图像学习:费代里科·波塔纳的插图手稿和四世纪佛罗伦萨的教育(书评)

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Manuscript Studies-A Journal of the Schoenberg Institute for Manuscript Studies Pub Date : 2021-11-23 DOI: 10.1353/mns.2021.0013

Emanuele Lugli

引用次数: 0