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British Journal of Ethnomusicology最新文献

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The age of consent: Traditional music, intellectual property and changing attitudes in the People's Republic of China 同意的年龄:中华人民共和国的传统音乐、知识产权和态度的变化
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567356
Helen Rees
{"title":"The age of consent: Traditional music, intellectual property and changing attitudes in the People's Republic of China","authors":"Helen Rees","doi":"10.1080/09681220308567356","DOIUrl":"https://doi.org/10.1080/09681220308567356","url":null,"abstract":"The 1990s boom in world music sampling by commercially successful popular musicians has brought ethical and legal issues to the ethnomusicological fore. Taking the People's Republic of China as a case‐study, this article emphasizes the need for scholars to keep abreast of the often rapidly changing intellectual property laws and attitudes towards traditional music in countries outside the Western world, and to incorporate into the fieldwork process discussions and documented agreement of future uses of AV materials deemed permissible by originating musicians and communities.","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"82 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115659351","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
Barbadian tuk music: Colonial development and post‐independence recontextualization 巴巴多斯突克音乐:殖民发展和独立后的再语境化
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567364
S. Meredith
{"title":"Barbadian tuk music: Colonial development and post‐independence recontextualization","authors":"S. Meredith","doi":"10.1080/09681220308567364","DOIUrl":"https://doi.org/10.1080/09681220308567364","url":null,"abstract":"Tuk is a genre of fife and drum music found on the island of Barbados. While it exhibits a number of parallels with British military fife and drum music which may be attributable to the influence of the British army that was garrisoned on the island for over two hundred years, other influences have also played a part in the development of tuk, notably the musical heritage of the African‐descended population. The first part of this paper examines the early history of tuk and places it in its original performance contexts. In more recent times, the creation of a national identity drawing on the heritage of the majority African‐descended population has helped to preserve customs and traditions that may otherwise have died out. Although once looked down upon by some sectors of the population, these traditions have now been recontextualized to serve a specific purpose in post‐Independence Barbados and are more widely (though not universally) accepted. The way in which this transformation has been achieved is explored in the second part of the paper.","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122936148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 9
Fifteen fragments on my (field)work 在我的(野外)工作中有15个片段
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567354
G. Plastino
{"title":"Fifteen fragments on my (field)work","authors":"G. Plastino","doi":"10.1080/09681220308567354","DOIUrl":"https://doi.org/10.1080/09681220308567354","url":null,"abstract":"This paper is part of my effort to understand an awkward moment that occurred after my fieldwork in some communities of Bajo Aragón (Spain), where I was studying the drum rhythms performed during Holy Week. Alternating between first‐person narrative accounts of my experiences, photographs, copies of correspondence between myself and friends in the field, followed by interpretations and analysis, I hope to lead the reader to an understanding of the problem caused by the publication of my ethnography. Ultimately, eschewing summary conclusions, I leave the paper open for multiple interpretations.","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126458424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Fieldwork in common places: An ethnographer's experiences in Tory Island 在普通地方的田野调查:一个民族学家在托里岛的经历
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567355
Lillis Ó Laoire
{"title":"Fieldwork in common places: An ethnographer's experiences in Tory Island","authors":"Lillis Ó Laoire","doi":"10.1080/09681220308567355","DOIUrl":"https://doi.org/10.1080/09681220308567355","url":null,"abstract":"This paper examines some fieldwork experiences in Tory Island, Co. Donegal, Ireland, contextualizing them within a critique of Irish folklore studies. It also examines the position of a fieldworker who shares the ethnicity of those with whom he has worked, discussing the challenges and opportunities presented by such a situation. The notion of “field” is questioned, and it is argued that a reciprocal “equity consciousness “ towards an ethics of practice is crucial to any worthwhile engagement with the musical traditions of others. The limitations of such an engagement are also discussed and I argue that, if we are to avoid complacency and grave error, critical moments of distanciation must always mediate the activity of appropriation.","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122825080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 8
Theorizing fieldwork impact: Malinowski, peasant‐love and friendship 理论化田野调查的影响:马林诺夫斯基、农民之爱和友谊
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567349
Timothy J. Cooley
{"title":"Theorizing fieldwork impact: Malinowski, peasant‐love and friendship","authors":"Timothy J. Cooley","doi":"10.1080/09681220308567349","DOIUrl":"https://doi.org/10.1080/09681220308567349","url":null,"abstract":"In this introductory essay I toggle between my own fieldwork experiences and the historical legacies that I encounter in the field, especially that of Malinowski, who in his youth was a frequent visitor to the Polish mountain region that I study nearly a century later. I propose that Malinowski was influenced by a Slavic “peasant‐love” model of ethnography that shares much with the more current “friendship” model. Though I believe friendship model field‐work is unsurpassed, its relationship to peasant‐love fieldwork causes me to wonder if it too is motivated by ideologies that will be judged harshly by our intellectual descendants.","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116506520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 10
Note from the editors 编者注
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567348
Anonymous
{"title":"Note from the editors","authors":"Anonymous","doi":"10.1080/09681220308567348","DOIUrl":"https://doi.org/10.1080/09681220308567348","url":null,"abstract":"A clarification to the article about the use of hydroxychloroquine to treat the coronavirus 19 disease in a 2020 online issue is presented","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130974556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Following in the footsteps of a giant: When fieldwork past influences field‐work present, Karl Tirén and Die lappische Volksmusik 跟随巨人的脚步:当田野工作的过去影响田野工作的现在，Karl tir<s:1>和Die lappische Volksmusik
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567351
Richard Jones-Bamman
{"title":"Following in the footsteps of a giant: When fieldwork past influences field‐work present, Karl Tirén and Die lappische Volksmusik","authors":"Richard Jones-Bamman","doi":"10.1080/09681220308567351","DOIUrl":"https://doi.org/10.1080/09681220308567351","url":null,"abstract":"Between 1909 and 1916, the Swedish amateur folklorist Karl Tirén crisscrossed the northernmost regions of his country, collecting examples of joik, a vocal genre unique to Scandinavia's indigenous Sami populations. While the resulting book of his transcriptions. Die lappische Volksmusik, fell short of his goal to preserve this tradition for future generations of Sami singers, Tirén's legacy in the region remains a palpable presence, despite his demise in 1955. In this article, the author discusses the impact of this early twentieth century fieldwork on his own research with contemporary joik artists, with Tirén occasionally emerging as an unanticipated “partner” in the process.","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133001988","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
CDs cd
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567358
Vic Gammon
{"title":"CDs","authors":"Vic Gammon","doi":"10.1080/09681220308567358","DOIUrl":"https://doi.org/10.1080/09681220308567358","url":null,"abstract":"Classic mountain songs from Smithsonian Folkways. Smithsonian Folkways Recordings, CD SWF40094. October 2002. Booklet (26pp). Various performers. Classic bluegrass from Smithsonian Folkways. Smithsonian Folkways Recordings, CD SWF 40092. April 2002. Booklet (32pp). Various performers.","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130810745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the playing fields of the world (and Corsica): Politics, power, passion and polyphony 在世界(和科西嘉)的运动场上:政治，权力，激情和复调
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567353
Caroline Bithell
{"title":"On the playing fields of the world (and Corsica): Politics, power, passion and polyphony","authors":"Caroline Bithell","doi":"10.1080/09681220308567353","DOIUrl":"https://doi.org/10.1080/09681220308567353","url":null,"abstract":"In this article I consider issues relating to the impact of the fielclworker on the communities studied, both in the immediate present through our involvement in the field, and retrospectively (notably in cases where our recordings might serve to fuel musical revivals by future generations). In the process I revisit aspects of the post‐modern dilemma (representation, repatriation, etc.) in the context of my own fieldwork in Corsica, aiming to highlight the particular sensitivities called for in afield where questions of identity and tradition are keenly debated, where musical developments command widespread public attention, where there is an especially close relationship between musical discourse and political activity, and where representations constructed by the players themselves are already well‐established.","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127439824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Ethnographic reflections 人种志的反思
British Journal of Ethnomusicology Pub Date : 2003-01-01 DOI: 10.1080/09681220308567352
Nadia Maryniak‐Halstead
{"title":"Ethnographic reflections","authors":"Nadia Maryniak‐Halstead","doi":"10.1080/09681220308567352","DOIUrl":"https://doi.org/10.1080/09681220308567352","url":null,"abstract":"","PeriodicalId":404445,"journal":{"name":"British Journal of Ethnomusicology","volume":"65 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127106062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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