发布求助
文献互助 智能选刊 最新文献

Jazz Research Journal最新文献

筛选
英文 中文
Amy: Beyond the Stage 艾米：超越舞台
Jazz Research Journal Pub Date : 2022-12-20 DOI: 10.1558/jazz.24224
L. Weston
{"title":"Amy: Beyond the Stage","authors":"L. Weston","doi":"10.1558/jazz.24224","DOIUrl":"https://doi.org/10.1558/jazz.24224","url":null,"abstract":"Amy: Beyond the Stage, Design Museum, London, 26 November 2021–10 April 2022","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41687401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Calling Planet Earth!!! Is anybody listening…? 呼唤地球！！！有人在听吗…？
Jazz Research Journal Pub Date : 2022-12-20 DOI: 10.1558/jazz.22954
Clare Lesser
{"title":"Calling Planet Earth!!! Is anybody listening…?","authors":"Clare Lesser","doi":"10.1558/jazz.22954","DOIUrl":"https://doi.org/10.1558/jazz.22954","url":null,"abstract":"Travelling the space-ways, two figures. One from Saturn, one from Sirius: brought together in a speculative conversation that crosses space and time. A message to Earth: ‘Get your house in order!’ Sun Ra (1914–1993) wrote extensively throughout his life. Of his over 350 prose-poems, nearly half are directly concerned with exploring concepts of meta-reality, astro-Black identity, and lost time via the coming and consequences of ‘the cosmic age’. For Karlheinz Stockhausen (1928–2007), the ‘astro’ played out through the interpenetration of the micro and the macro in text and music. Interplanetary vibrations mingle with earthly micro-particles, the celestial and the fantastic combine in music’s transformative ability to bring profound change. Using a combination of Jacques Derrida’s (1930–2004) deconstructive technique of the animadversion, and the interview ‘cut-up’, as employed by Christian Marclay (b. 1955), this provocation will take the form of a ‘sampled cosmic conversation’ of Ra and Stockhausen’s own words.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45096053","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Albert Ayler’s Ghost 阿尔伯特·艾尔勒的幽灵
Jazz Research Journal Pub Date : 2022-12-20 DOI: 10.1558/jazz.22906
Nicolas Pillai
{"title":"Albert Ayler’s Ghost","authors":"Nicolas Pillai","doi":"10.1558/jazz.22906","DOIUrl":"https://doi.org/10.1558/jazz.22906","url":null,"abstract":"This short play dramatizes the myth-making around a lost episode of the BBC’s Jazz Goes to College series—‘The Albert Ayler Quintet’ recorded by an Outside Broadcast unit at the London School of Economics on 15 November 1966. I use the event to explore questions of cultural ownership, institutional racism and academic hierarchy. The content of the play is based upon the archival, ethnographic and television production elements of my 2017–2019 Arts and Humanities Research Council project ‘Jazz on BBC-TV 1960–1969’ (AH/P007376/1). The play is an experiment in scholarly form, a challenge to the exclusionary structures of academia (including language) and an acknowledgment of the subjective and autobiographical impulses that inform historical narrative.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48922324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
reincarnation of an Egyptian queen 埃及王后转世
Jazz Research Journal Pub Date : 2022-12-20 DOI: 10.1558/jazz.22863
Richard Elliott
{"title":"reincarnation of an Egyptian queen","authors":"Richard Elliott","doi":"10.1558/jazz.22863","DOIUrl":"https://doi.org/10.1558/jazz.22863","url":null,"abstract":"This article proposes Nina Simone as an Afrofuturist artist who explores themes of utopia and dystopia in connection to posthuman discourses. Having established three main ways in which this is a speculative approach, it then explores gaps in existing theories of posthumanism and Afrofuturism. It also considers work that addresses the omission of female musicians in Afrofuturist theory and proposes alternative theories in the form of speculative fiction and Black utopias. The article discusses Simone’s frequent allusions to Egyptian myth, her self-identification as a ‘robot’ and her interest in other planets, planes and spheres. It argues that, beyond the unexplored parallels with ‘classic’ Afrofuturism, there is a sense of dystopianism, apocalypse and reterritorialization throughout Simone’s mature work. To explore these connections, three case studies are used: the 1969 album Nina Simone and Piano!, the song ‘22nd Century’, and Simone’s performance at the 1976 Montreux Jazz Festival.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43754340","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hip Bop 臀部防喷器
Jazz Research Journal Pub Date : 2022-12-20 DOI: 10.1558/jazz.23613
Liam Maloney
{"title":"Hip Bop","authors":"Liam Maloney","doi":"10.1558/jazz.23613","DOIUrl":"https://doi.org/10.1558/jazz.23613","url":null,"abstract":"This article explores Afrofuturist countermemory and alternative history, and the potential of these concepts to be applied to the legacy of Miles Davis’s final fusion concept. Through artistic practice and investigations into the role of such practice in musicological research, Kodwo Eshun’s ‘sonic fictions’ are leveraged as a lens to reclaim Davis’s experiments in jazz-hip hop fusion. Afrofuturism and its relation to speculative modalities is discussed, particularly in terms of its capacity for cultural recovery and historical disruption with a focus on recorded music via sonic fictions and their attendant considerations. The practice-led research brings the ‘conceptual collaboration’ paradigm of Amerigo Gazaway to bear on Davis’s work; four guiding principles in Gazaway’s concept are identified and discussed. The culmination of this research, an original album titled Hip Bop, imagines an alternative future for Miles Davis post-1992 that continues and expands the jazz-hip hop fusion of his final album. This new album is then discussed with reference to sonic fiction, and its relationship to authenticity and techno-political expression is questioned.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47275740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Editorial 社论
Jazz Research Journal Pub Date : 2021-12-16 DOI: 10.1558/jazz.21342
S. Raine, Emily Jones
{"title":"Editorial","authors":"S. Raine, Emily Jones","doi":"10.1558/jazz.21342","DOIUrl":"https://doi.org/10.1558/jazz.21342","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41275145","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Further thoughts, and a maniFESTo, on jazz (festivals) and the decolonization of music 关于爵士(音乐节)和音乐非殖民化的进一步思考和宣言
Jazz Research Journal Pub Date : 2021-12-16 DOI: 10.1558/jazz.43867
G. McKay
{"title":"Further thoughts, and a maniFESTo, on jazz (festivals) and the decolonization of music","authors":"G. McKay","doi":"10.1558/jazz.43867","DOIUrl":"https://doi.org/10.1558/jazz.43867","url":null,"abstract":"This short critical-creative piece originates in an EU-funded project on heritage in improvised music festivals (CHIME). It is a supplement to other recently published research by the author exploring the relation between the touristic offer of certain British jazz festivals and their lack of engagement with the significance of their own civic setting and heritage, focused on festivals held in Georgian or Regency locations (i.e., ones with strong links to the transatlantic slave trade). It explores and metaphorizes the double bass and its transatlantic resonances. It concludes with a small provocation in the form of a manifesto, aimed primarily at jazz festival directors.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48163156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Matt Brennan, When Genres Collide: Down Beat, Rolling Stone and the Struggle between Jazz and Rock. 马特·布伦南（Matt Brennan），《当流派碰撞：垮掉的节拍》（When Genres Collide:Down Beat），《滚石》（Rolling Stone）和《爵士乐与摇滚的斗争》（Struggle between Jazz and Rock）。
Jazz Research Journal Pub Date : 2021-10-01 DOI: 10.1558/jazz.43396
J. Spillane
{"title":"Matt Brennan, When Genres Collide: Down Beat, Rolling Stone and the Struggle between Jazz and Rock.","authors":"J. Spillane","doi":"10.1558/jazz.43396","DOIUrl":"https://doi.org/10.1558/jazz.43396","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49367457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the sunny side of the street: Sidestepping race for inclusion at the New Orleans Jazz Fest 在阳光明媚的街道上：参加新奥尔良爵士音乐节的竞走赛
Jazz Research Journal Pub Date : 2021-10-01 DOI: 10.1558/jazz.43394
Sonya A. Grier
{"title":"On the sunny side of the street: Sidestepping race for inclusion at the New Orleans Jazz Fest","authors":"Sonya A. Grier","doi":"10.1558/jazz.43394","DOIUrl":"https://doi.org/10.1558/jazz.43394","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49260830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Festa do Jazz: A case study on gender (im)balance in Portuguese jazz Festa do Jazz:葡萄牙爵士中性别(im)平衡的个案研究
Jazz Research Journal Pub Date : 2021-10-01 DOI: 10.1558/jazz.42077
José Dias, Beatriz Nunes
{"title":"Festa do Jazz: A case study on gender (im)balance in Portuguese jazz","authors":"José Dias, Beatriz Nunes","doi":"10.1558/jazz.42077","DOIUrl":"https://doi.org/10.1558/jazz.42077","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46116321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信