CHALLENGES AND ACHIEVEMENTS OF EUROPEAN COUNTRIES IN THE AREA OF PHILOLOGICAL RESEARCHES最新文献

Мотиваційна маркованість відіменних дієслів у національно-мовному ландшафті писемних пам’яток староукраїнської мови XIV–XVII ст.

CHALLENGES AND ACHIEVEMENTS OF EUROPEAN COUNTRIES IN THE AREA OF PHILOLOGICAL RESEARCHES Pub Date : 2023-05-18 DOI: 10.30525/978-9934-26-027-8-17

Галина Кочерга

{"title":"Мотиваційна маркованість відіменних дієслів у національно-мовному ландшафті писемних пам’яток староукраїнської мови XIV–XVII ст.","authors":"Галина Кочерга","doi":"10.30525/978-9934-26-027-8-17","DOIUrl":"https://doi.org/10.30525/978-9934-26-027-8-17","url":null,"abstract":"У статті схарактеризовано староукраїнські відіменникові деривати за структурно-ономасіологічними і мотиваційними процесами, а тип мотивації, її різновид та компонент, вербалізований в ономасіологічній ознаці відіменникових дієслів, визначає семантичну групу предикатів, позначених дієслівними одиницями. Мотиваційні процеси староукраїнських відіменникових дієслів із суфіксами -ова-,(˃-ува-/,- юва-,-ева-///-ева-/) простежуються як у пропозиційно-диктумній, так і в асоціативно-термінальній мотивації. Пропозиційно-диктумна мотивація староукраїнських відіменникових дієслів є найбільш поширеною у дієслівній системі XIV–XVII ст., мотиватори дієслів вибираються зі сфери предикатно-аргументної структури концепту і мають прямі значення. З’ясовано асоціативно-термінальну мотивацію відіменникових дериватів у дієслівній системі староукраїнської літературної мови, що простежується на виборі мотиватора з компонента неістинних, метафоричних знань. У дієслівному словотворі староукраїнської літературної мови виокремлюються модусно мотивовані відіменні деномінативи, що характеризуються використанням оцінного сприймання мотиваторів мовцями. Словотвірно-ономасіологічний механізм творення відіменних дієслів у писемних пам’ятках XIV–XVII ст. є вербальним і граматикалізованим позначенням предикатної позиції концепту на підставі селекції одного із субстанційних компонентів пропозиції або його асоціата, висвітлених у певній когнітивній структурі ситуації шляхом внутрішнього програмування з огляду на структуру свідомості носіїв мовної картини світу.","PeriodicalId":403615,"journal":{"name":"CHALLENGES AND ACHIEVEMENTS OF EUROPEAN COUNTRIES IN THE AREA OF PHILOLOGICAL RESEARCHES","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123556036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Structural model of an impersonal sentence in Czech language 捷克语人称句的结构模型

CHALLENGES AND ACHIEVEMENTS OF EUROPEAN COUNTRIES IN THE AREA OF PHILOLOGICAL RESEARCHES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-027-8-12

M. M. Kalenychenko

{"title":"Structural model of an impersonal sentence in Czech language","authors":"M. M. Kalenychenko","doi":"10.30525/978-9934-26-027-8-12","DOIUrl":"https://doi.org/10.30525/978-9934-26-027-8-12","url":null,"abstract":"INTRODUCTION In modern Slavic science, the syntactic level remains one of the least studied structural levels of Slavic languages. Many current problems of Slavic syntax, which require a thorough theoretical coverage of a number of issues related both to understanding the intra-syntactic organization of monosyllabic, including impersonal, sentences in Slavic languages, and with the problem of modeling the relevant syntactic units, unfortunately, did not find a synonymous unambiguous solution in the scientific literature. As the analysis of the scientific literature on the researched problem shows, in modern linguistics sentence models are often analyzed without taking into account their functional characteristics 1 . This approach deprives syntactists of the opportunity to give an in-depth interpretation of many types of Slavic sentences, including impersonal, which are built on the same structural model, but differ in the nature of syntactic functions of components, which has been repeatedly drawn by the attention of a number of researchers. In linguoslavistics on the basis of different Slavic languages impersonal constructions have been thoroughly studied from their formal and grammatical organization (V.V. Babaytseva, L.I. Vasilevskaya, E.M. Galkina-Fedoruk, Y.V. Lokshin, G.M. Chirva, J. Bauer, F. Danesh, W. Schmilauer, etc.). The specificity of the structural parameters of impersonal sentences in Slavic languages was observed mainly within the use of lexical and grammatical means that form the grammatical center of impersonal units, identifying their syntactic labeling, correlation with other monosyllabic communicative units, the scope of different semantic and grammatical types of individual types, as well as the frequency of their use in different styles.","PeriodicalId":403615,"journal":{"name":"CHALLENGES AND ACHIEVEMENTS OF EUROPEAN COUNTRIES IN THE AREA OF PHILOLOGICAL RESEARCHES","volume":"235 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131968074","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Контекстний аналіз абревіатури COVID-19 та лексичних варіантів її на перетині лексикології, словотвору й синтаксису

CHALLENGES AND ACHIEVEMENTS OF EUROPEAN COUNTRIES IN THE AREA OF PHILOLOGICAL RESEARCHES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-027-8-25

Сергій Омельчук, Тамара Михайлівна Мандич

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Visual poetry of Ukrainian-Canadian émigré literature 乌克兰-加拿大移民文学的视觉诗歌

CHALLENGES AND ACHIEVEMENTS OF EUROPEAN COUNTRIES IN THE AREA OF PHILOLOGICAL RESEARCHES Pub Date : 1900-01-01 DOI: 10.30525/978-9934-26-027-8-23

I. Nakashydze

{"title":"Visual poetry of Ukrainian-Canadian émigré literature","authors":"I. Nakashydze","doi":"10.30525/978-9934-26-027-8-23","DOIUrl":"https://doi.org/10.30525/978-9934-26-027-8-23","url":null,"abstract":"INTRODUCTION Visual (concrete) poetry is the original part of the poetic art that can be positioned as the synthesis of literature and fine arts. It took a position as poetry of objectivity. Visual poetry has a long, complicated and contested history. However, for most scholars considered the emerge of contemporary concrete and visual poetry just before the official “International Concrete Poetry Movement” (1955–1970) with the works of Mallarmé and others involved in various Avant Garde movements interested in materialist aesthetics (such as Cubism, Dadaism, Vorticism, and Futurism). Obviously the birth of concrete poetry did not happen ex nihilo, and even the “creators” of the genre acknowledged their “predecessors”: Mallarme, Pound, Joyce, Cummings, and Apollinaire from literature; Mondrian and Max Bill from painting; Eisenstein from cinema; Webern from music 1 . In 1952 three poets in Sao Paulo (Brazil) – Haroldo de Campos, Augusto de Campos and Decio Pignatari – formed a group for which they took the name “Noigandres”. In the first half of 1953 Augusto de Campos wrote the first systematic set of poems which gave body to the new formal concept: a series of poems entitled “Poetamenos” inspired by the “Klangfarbenmelodie” (“Tone-Color Melodies”) of Anton Webern. The poems from “Poetamenos” are intended for both eye and ear. The colors function as directions for reading (male and female voices in “eis os sem senão os corpos”) and to designate word themes. It occurred to Augusto de Campos to use “luminous letters which could automatically switch on and off as in street advertisements” in the presentation of the “Poetamenos” poems, “but there was no money” so he used colors instead 2 . All definitions of concrete poetry can be reduced to the same formula: form = content/content = form. Individual poets tend to say this in less general terms to suit their own solutions of the form-content problem. Concrete poem is an object in and by itself not an interpreter of exterior","PeriodicalId":403615,"journal":{"name":"CHALLENGES AND ACHIEVEMENTS OF EUROPEAN COUNTRIES IN THE AREA OF PHILOLOGICAL RESEARCHES","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130198474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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