Cuadernos de Rusistica Espanola最新文献

{"title":"Метафорический дискурс: в поисках сущности речевой образности","authors":"N. Alefirenko, Maral Nurtazina","doi":"10.30827/CRE.V14I0.6366","DOIUrl":"https://doi.org/10.30827/CRE.V14I0.6366","url":null,"abstract":"The metaphorical discourse is interpreted by the authors as a specific type of figurative speech speculation, which transforms the subject or sign information into figurative representations. It is justified that the semantic core of metaphorical discourse is the concept as an operational unit of commonplace (naive) consciousness. There is a study of the question upon the development of meanings in images and in verbal iconic signs. The mechanisms of synergy of these phenomena are revealed which arise through interiorization of the objective meanings that generate meaning-images and exteriorization of the verbalized meaning-images that produce cognitive metaphors – mental substratum of the semiosis of speech imagery. It is proved that the components of such linguistic semiosis that transforms a thought-code into a language of words are the processes of activity consciousness: acts of metaphorical nomination, search for the inner form of a secondary nominee, semantization, connotation, etc. It has been revealed that such processes of activity consciousness, responsible for speech speculation on the verge of the verbal and the averbal, constitute the essence of discursive consciousness. The results of the analysis showed that it is responsible for all the basic text-generating processes that are formed on the linguistic and extra-linguistic borders: a) for the search for meaning and its verbalization; b) for the development of meaning in images (including verbal iconic signs); c) for the search for equivalents of object-sensual images – to metaphorical ones; d) for the discursive activity of subjects of imagery communication (the author and the reader) whose linguistic consciousnesses directly participate in the generation and perception (understanding) of meaning in general and the personal meaning born in the depths of metaphorical discourse in particular.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69618932","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Россия, россияне и русскость в восприятии крымского студенчества: данные комплексного социологического исследования (сентябрь 2015 – апрель 2016 года)","authors":"E. Brodovskaya, A. Dombrovskaya, Dmitrij N. Karzubov","doi":"10.30827/CRE.V14I0.6429","DOIUrl":"https://doi.org/10.30827/CRE.V14I0.6429","url":null,"abstract":"русскийСтатья отражает основные результаты исследования образа России, граждан РФ и феномена русскости в представлениях студенческой молодежи полуострова Крым. Эмпирическая модель анализа включает массовый опрос студентов вузов Крыма, глубинное интервью с представителями студенческой молодежи Крыма, киберметрический анализ содержания крымского сегментасоциальных сетей. Переменными эмпирического исследования служили следующие индикаторы: восприятие молодыми крымчанами геополитического статуса России; оценка молодыми крымчанами культурного и духовно-нравственного потенциала России; мнение крымских студентов о качествах, которые необходимы для самореализации как гражданина РФ самоидентификация крымских студентов, в %; символы России в восприятии крымского студенчества; отношение крымских студентов к гимну России; отражение отношения к России в сообщениях крымских молодых пользователей социальных сетей. Осевые значения данных признаков дополнены результатами кластерного анализа опросного массива, позволившего выявить зависимость восприятия России, россиян и русскости студентами вузов Крыма от степени завершенности процесса их ресоциализации. EnglishThe article reflects the main results of the research of the images of \"Russia\", \"the citizen of the Russian Federation\" and of the phenomenon of Russianness in the representations of students of the Crimea Peninsula. The empirical analytic model includes a massive research of Crimean students, in-depth interviews with Crimean students, cyber analysis of Crimean social networking content. Variables of the empirical study included the following indicators: the perception of geopolitical status of Russia by young Crimeans; assessment of cultural and moral potential of Russia by young Crimeans; the opinion of Crimean students about the qualities needed for self-realization as a citizen of the Russian Federation; self-identification of the Crimean students; symbols of Russia in the perception of the Crimean students; the attitude of Crimean students to the national anthem; a reflection of the attitude to Russia in the messages of the Crimean people – young social network users. Axial values of these criteria are supplemented by results of cluster analysis. The results argue the correlation between the perception indicators and the degree of resocialization process completion.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69619072","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Воссоздание семантических и прагматических характеристик обряда в турецко-русском переводе (на материале романа О. Памука \"Имя мне – Красный\" и его русской версии)","authors":"L. Mirzoyeva, Oxana Syurmen","doi":"10.30827/CRE.V14I0.6431","DOIUrl":"https://doi.org/10.30827/CRE.V14I0.6431","url":null,"abstract":"В статье раскрываются особенности воссоздания семантических и прагматических особенностей описаний обрядов в турецко-русском художественном переводе; в качестве материала для сопоставительного исследования авторами избран роман О. Памука «Имя мне – Красный» и его русская версия (перевод М. Шарова). Авторы акцентируют внимание на применении стратегии доместикации, которая приближает текст как инокультурный феномен к восприятию русскоязычного реципиента путем использования понятий и явлений, зафиксированных в апперцепционной базе носителя русского языка. В то же время в работе отмечается, что потери, имеющие место при переводе текста, связаны с важными языковыми, культурными феноменами, с феноменами из сферы религии и соответствующего восприятия мира. В процессе исследования особое внимание уделяется реалиям оригинала, отраженным в тексте-рецепторе. Подчеркивается, что это влечет за собой использование близких, но не тождественных феноменов принимающей культуры и порождает определенный семантический и прагматический сдвиг.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69619094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rendering Lexical Units with Cultural Reference in the Narrative “Obelisk” by V. Bykov from Belarusian into Russian","authors":"Vasil Paputsevich","doi":"10.30827/CRE.V14I0.204","DOIUrl":"https://doi.org/10.30827/CRE.V14I0.204","url":null,"abstract":"Rendering lexical units with cultural reference plays an important role in retaining cultural colouring of the original literary work in translation, thus making cross-cultural communication through translating fiction possible in the contemporary global environment. Adequate means of rendering realias as culturally marked lexical units are the focus of attention in this article. The term “realia” is introduced, a categorization system for realias is presented, means of rendering Belarusian realias in the narrative “Obelisk” by Vasil Bykov are analyzed, and correlation between the nature of realia and the means of rendering it in the Russian language is proved. Continuous sampling, as well as statistical, parametric, descriptive-comparative and contextual analysis methods were used to achieve the research goals.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47239553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Употребление фразеологических единиц как черта языковой личности Л.Н. Толстого: из опыта анализа речи автора и персонажей художественных произведений","authors":"O. Lomakina","doi":"10.30827/CRE.V14I0.6422","DOIUrl":"https://doi.org/10.30827/CRE.V14I0.6422","url":null,"abstract":"The analysis of author's speech and character’s speech in fiction texts by L.N. Tolstoy showed that the phraseological means of the language are an integral part of a writer’s individual style, regardless of the form of the speech creation acts. The article concerns the role of phraseological units in creating the image of the author as well as speech of the characters. The examples of phraseological units functioning of in the author’s speech to represent the spatial and temporal characteristics are examined. The examples of using the phraseological units in reported speech are analyzed when the information about a character is given through the author’s speech. Special attention is being paid to the role of phraseologisms in character’s speech, for example the speech of Platon Karatayev uses 20 proverbs characterizing various situations and attitude to them. The use of phraseologisms in different genres (drama “The Power of Darkness”), epic novel (“War and Peace”) as a means of self characteristics is examined. Besides the contexts of using phraseologisms for protagonists featuring each other are shown.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69618995","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Persuadir mostrando: una mirada analítica del documental expresivo","authors":"Victoria Pérez","doi":"10.30827/CRE.V14I0.6428","DOIUrl":"https://doi.org/10.30827/CRE.V14I0.6428","url":null,"abstract":"En el presente escrito se ofrece un modelo de análisis del cine documental en su modalidad expresiva. Al inicio se establece una serie de rasgos distintivos de este género artístico y luego el objeto de nuestro estudio se ubica dentro del contexto histórico de su producción. Finalmente, se procede al estudio de la dimensión propagandística y emocional de la película Moscú contraataca (1942) que constituye nuestro corpus.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69619038","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Литературные реминисценции в национально-ориентированной рекламе России","authors":"E. Remchukova, Gueorgui Nenov Hristovski, Viktoriia A. Omelianenko","doi":"10.30827/CRE.V14I0.7311","DOIUrl":"https://doi.org/10.30827/CRE.V14I0.7311","url":null,"abstract":"The article describes the features of the functioning of reminiscences with \"Russian classical literature\" as the source field in the nationally oriented Russian advertising. Literary reminiscences in Russian advertising are considered as a form of manifestation of intertextuality and as a way of foregrounding the precedent text. Amid the general tendency towards linguistic creativity, they are often found in a transformed mode. The study presents an ethical assessment of the use of literary reminiscences in advertising and sets out their main functions. Special attention is paid to poetic reminiscences as the most common type of literary reminiscence in the analyzed material. The results of the linguistic and cultural and the pragmatic analysis of multimodal advertising texts showed that through literary reminiscences, commercial advertising appeals to the patriotic feelings of the mass viewer and thereby reinforces its main function – that of influence.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2018-12-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69619584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Silence in the Structure of Aggressive Speech Behavior (Case Study of Day-To-Day Communication)","authors":"T. A. Vorontsova, T. Kopylova","doi":"10.30827/CRE.V13I0.6388","DOIUrl":"https://doi.org/10.30827/CRE.V13I0.6388","url":null,"abstract":"Modern linguistics pays more than ever attention to the study of verbal aggression in various types of discourse. Day-to-day discourse is of special interest: on the one hand, communicants disclose their individual features in it; on the other hand, it most fully reflects the cultural and national specificity of communication. Speech aggression in day-to-day communication has a number of differences. So, both verbalized voiced elements and unvoiced ones - zero communication sign ‘silence’ - serve as a marker of this type of speech behavior. Silence is polyfunctional. This research studies silence as a speech act, as an elementary unit of speech interaction in an everyday life. The method of linguistic observation recorded dialogues where silence was included in the structure of speech behavior of participants. The analysis of functioning of this zero marker made it possible to identify the specifics of verbal aggression in day-to-day communication.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"13 1","pages":"97-109"},"PeriodicalIF":0.1,"publicationDate":"2017-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69618764","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Отрицание быта в контексте эволюции русской литературы и культуры 1920-1930-х годов","authors":"Алексей Юрьевич Овчаренко, Yanina Viktorovna Soldatkina, Ludmila Trubina","doi":"10.30827/CRE.V13I0.6342","DOIUrl":"https://doi.org/10.30827/CRE.V13I0.6342","url":null,"abstract":"The article examines the artistic embodiment of the concept of household in the literature of 1920-1930-ies in the context of real historical circumstances and philosophical explorations of the 20th century. The artistic themes characteristic of that period are as follows: denial of the household, idealization and ideologization of \"householdness” due to historical realities and ascetic revolutionary ideology. Particular attention is given to the antitheses of “household” and existence and related metaphors and images such as “satiety”, “material and spiritual property”, “family”, “house”, etc.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"13 1","pages":"157-167"},"PeriodicalIF":0.1,"publicationDate":"2017-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69619109","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Жанрово-стилистическое своеобразие «Баллады о чудном мгновении» П.Г. Антокольского","authors":"Tatyana Cherkes","doi":"10.30827/CRE.V13I0.6271","DOIUrl":"https://doi.org/10.30827/CRE.V13I0.6271","url":null,"abstract":"Статья посвящена исследованию жанрово-стилистических особенностей «Баллады о чудном мгновении» П.Г. Антокольского (1896 – 1978 г.г.) в связи с проблемой эволюции жанра баллады Нового времени. Анализ рамочных компонентов (заглавия, эпиграфа произведения) позволяет сделать вывод о мифической сущности сюжета «Баллады о чудном мгновении», прослеживание интертекстуальных связей с жанровой традицией приводят к определению художественной природы произведения. Рассмотрение субъектной и пространственно-временной организации текста способствует жанровой идентификации, раскрывая взаимодействие традиций жанра с эволюционными изменениями, наметившимися в русской балладе ХХ века. Доказывается, что произведение П.Антокольского, которое поэт номинирует балладой, можно отнести к балладным стихотворениям – произведениям неканонической жанровой формы, возникшим как результат и следствие художественных потребностей новой литературной эпохи.","PeriodicalId":40322,"journal":{"name":"Cuadernos de Rusistica Espanola","volume":"13 1","pages":"195-209"},"PeriodicalIF":0.1,"publicationDate":"2017-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47655392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}