Prague Journal of English Studies最新文献_第8页

Upheavals of Emotions, Madness of Form: Mary M. Talbot’s and Bryan Talbot’s Dotter of Her Father’s Eyes and a Transdiegetised (Auto)Biographical Commix 情感的剧变，形式的疯狂:玛丽·m·塔尔博特和布莱恩·塔尔博特的《她父亲眼中的波特》和一部跨叙事(自动)传记混合

Prague Journal of English Studies Pub Date : 2015-07-01 DOI: 10.1515/pjes-2015-0007

Robert Kusek

{"title":"Upheavals of Emotions, Madness of Form: Mary M. Talbot’s and Bryan Talbot’s Dotter of Her Father’s Eyes and a Transdiegetised (Auto)Biographical Commix","authors":"Robert Kusek","doi":"10.1515/pjes-2015-0007","DOIUrl":"https://doi.org/10.1515/pjes-2015-0007","url":null,"abstract":"Abstract In 2012, Mary M. Talbot and Bryan Talbot joined the likes of Richard Ellmann, Gordon Bowker and Michael Hastings and in their graphic memoir Dotter of Her Father’s Eyes (2012) offered a new re-telling of James Joyce’s life, focusing, in particular, on the difficult relationship between the great Irish writer, and his daughter Lucia. However, the story of a complicated emotional bond between Joyce and Lucia was only a framework for an autobiographical coming-of age narrative about Mary M. Talbot herself and her violent relationship with James S. Atherton, a celebrated Joycean scholar and her very own “cold mad feary father”. Following Martha C. Nussbaum’s conception about cognitive and narrative structure of emotions postulated in Love’s Knowledge (1990) and Upheavals of Thoughts (2001), this article wishes to argue in favour of an organic connection between the volume’s thematic concerns and its generic affiliation. In other words, it discusses how a specific class of emotions pertaining to Lucia’s gradual mental disintegration can be adequately told only in a specific literary form, i.e. in a transdiegetised “commix”, an (auto)biographical account which occupies a threshold space between a comic and a novel, fiction and non-fiction, biography and autobiography, words and pictures.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"124 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128143250","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

From One Master of Horror to Another: Tracing Poe’s Influence in Stephen King’s The Shining 从一个恐怖大师到另一个恐怖大师:追溯坡对斯蒂芬·金《闪灵》的影响

Prague Journal of English Studies Pub Date : 2015-07-01 DOI: 10.1515/pjes-2015-0003

Maroš Buday

引用次数: 2

Apocalyptic Kingship, Harmony and Political Expediency: the Challenges and Paradoxes of Andrew Marvell’s “First Anniversary” 末世王权、和谐与政治权宜之计:安德鲁·马维尔《一周年纪念》的挑战与悖论

Prague Journal of English Studies Pub Date : 2015-07-01 DOI: 10.1515/pjes-2015-0001

Tomáš Jajtner

引用次数: 0

“This fabulous flotsam”: Michael Moorcock’s Urban Anthropology in “London under London” “这艘神话般的漂浮物”:Michael Moorcock在《伦敦之下的伦敦》中的城市人类学

Prague Journal of English Studies Pub Date : 2015-07-01 DOI: 10.1515/pjes-2015-0004

Christoph Houswitschka

引用次数: 1

Martin Adam. Presentation Sentences (Syntax, Semantics and FSP) 马丁·亚当。表示句(语法、语义和FSP)

Prague Journal of English Studies Pub Date : 2015-07-01 DOI: 10.1515/pjes-2015-0010

R. Pípalová

引用次数: 0

“A Poetics of Disruption”: Farida Karodia’s A Shattering of Silence and the Exiled Writer’s Dihiliz Position “一种破坏的诗学”:法里达·卡罗迪亚的《沉默的破碎》与流亡作家的Dihiliz立场

Prague Journal of English Studies Pub Date : 2015-07-01 DOI: 10.1515/pjes-2015-0005

Isabel Alonso-Breto

{"title":"“A Poetics of Disruption”: Farida Karodia’s A Shattering of Silence and the Exiled Writer’s Dihiliz Position","authors":"Isabel Alonso-Breto","doi":"10.1515/pjes-2015-0005","DOIUrl":"https://doi.org/10.1515/pjes-2015-0005","url":null,"abstract":"Abstract Bearing in mind Edwidge Danticat’s ideas about writing being a dangerous affair, this paper reflects on authorial matters regarding Farida Karodia’s A Shattering of Silence (1993). Like other novels set in times of conflict, A Shattering of Silence can be seen to deploy what the researcher chooses to call a “poetics of disruption”. This is a poetics heavily at the service of politics, intended to disrupt and destabilise the blunt binaries lying at the heart of any armed conflict. In this sense, the main character in the story, Faith, embodies a poetics of disruption in so much as she problematises the binary dimension of the political situation in the Mozambique of the period, being a white woman who sympathises with the anti-colonial struggle. This article claims that, reproducing the dynamics of the poetics of disruption in a process which can be said to replicate that of her character, Farida Karodia herself makes the most of her strategic location in a liminal terrain across nations. Her position as an exilic author can be defined as dihiliz, that is, as a threshold vantage point which enables her to be both inside and outside the situation she reflects about. Karodia’s liminality is here more pointed than is usually the case with the exilic writer, since she chooses to write about Mozambique, in many senses close to her country of origin yet not her birth-place.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114406618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Landscapes of History in the Novels of Lawrence Norfolk 劳伦斯·诺福克小说中的历史景观

Prague Journal of English Studies Pub Date : 2015-07-01 DOI: 10.1515/pjes-2015-0006

Ladislav Nagy

引用次数: 0

Gender, Humour and Transgression in Canadian Women’s Theatre 加拿大女性戏剧中的性别、幽默与越界

Prague Journal of English Studies Pub Date : 2014-09-01 DOI: 10.2478/pjes-2014-0017

Natalie Meisner, Donia Mounsef

{"title":"Gender, Humour and Transgression in Canadian Women’s Theatre","authors":"Natalie Meisner, Donia Mounsef","doi":"10.2478/pjes-2014-0017","DOIUrl":"https://doi.org/10.2478/pjes-2014-0017","url":null,"abstract":"Abstract Are humour and laughter gender-specific? The simple answer, like most everything that is ideological, is “yes”. Many feminists in recent years have grappled with the question of humour and how it is often the site of much contestation when it comes to women using it as a tool of transgression. This paper probes the seemingly timeless antipathy between humour and representations of femininity through recourse to performance and theories of the body. This article holds the term “woman” up to scrutiny while simultaneously examining the persistence of both critical and philosophical recalcitrance and the way humour continues to function in both gendered and violent ways. How does gender “do” or “undo” humour? Laughter is no simple matter for women, due to the legacy of profoundly polarized and hyper-sexualized historical ambivalence between femininity and laughter. Acknowledging the problematic nature of the category “woman”, and after clearing some terminological distinctions (comedy, humour, irony, satire, and parody), this article investigates humour’s complicated and volatile relationship to gender and the way the laughing body of women on stage presents a fascinating double helix of sexual aggression and power","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116437749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

A Cross-Departmental Approach to Supporting Students with a Disability Affecting Foreign Language Acquisition 跨部门支持影响外语习得的残疾学生的方法

Prague Journal of English Studies Pub Date : 2014-09-01 DOI: 10.2478/pjes-2014-0019

F. Lys, Alison L. May, Jeanne Ravid

{"title":"A Cross-Departmental Approach to Supporting Students with a Disability Affecting Foreign Language Acquisition","authors":"F. Lys, Alison L. May, Jeanne Ravid","doi":"10.2478/pjes-2014-0019","DOIUrl":"https://doi.org/10.2478/pjes-2014-0019","url":null,"abstract":"Abstract In order to enhance mobility, competitiveness, and opportunities for work, the European Union lists the ability to communicate in a foreign language and to understand another culture as an important objective in their language education policy. Knowledge of a foreign language is also an important objective for many American universities, which require students to study a foreign language as a prerequisite to graduate. Students with documented disabilities affecting the learning of a foreign language or students with poor foreign language learning skills, therefore, pose a significant challenge, since a foreign language requirement may prevent such students from graduating unless universities are willing to make special arrangements such as having students graduate without fulfilling the requirement or letting them take substitution classes. The question of what to do with such students is at the heart of this article. It describes how one mid-sized private university with a two-year language proficiency requirement has approached the problem to ensure that policies are implemented fairly. Rather than pulling students out of the foreign language classroom, the university succeeded in keeping students engaged with foreign language study through advising and mentoring across departments","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117100837","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4

“A Very Remarkable Piece of Iron”: Towards a Theory of Material Imagination in Virginia Woolf’s “Solid Objects” “一块非凡的铁”:弗吉尼亚·伍尔夫《固体》中的物质想象理论

Prague Journal of English Studies Pub Date : 2014-09-01 DOI: 10.2478/pjes-2014-0015

M. Štefl

{"title":"“A Very Remarkable Piece of Iron”: Towards a Theory of Material Imagination in Virginia Woolf’s “Solid Objects”","authors":"M. Štefl","doi":"10.2478/pjes-2014-0015","DOIUrl":"https://doi.org/10.2478/pjes-2014-0015","url":null,"abstract":"Abstract This article examines the supposed lack of “humanity” in Woolf’s short stories and novels by identifying its source in the sphere of “solid objects” and in the way these “objects” destabilize the coherence of what the western philosophical tradition typically refers to as “subject” (in the Cartesian sense). Referring to Moore’s direct realism as well as James’s and Mach’s radical empiricism, the discussion focuses on specific states of heightened perceptive intensity in which the perceiving subject stumbles on the verge of collapse and “mixes” itself with what it perceives. By considering these limit cases, this paper tries to demonstrate the way in which Woolf’s fiction might in fact be understood as illustrative of the process of de-humanizing de-centralization and dispersion of the already fluid consciousness and its blending with the impersonal material objects, resulting in a complete loss of one idea of “the human” (an idea based on the intellectual autonomy and sovereignty of a unified subject) and pointing towards a post-human and post-modern condition in which human becomes defined by the ever-widening circle of its own outside","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126607847","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2