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“La memoria è un prodotto dell’oblio”. Un viaggio inutile (1981) di Rossana Rossanda nella Spagna franchista “记忆是遗忘的产物。”《无用的旅程》（1981），罗萨娜·罗桑达在西班牙特许经营
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.18
Angela Moro
{"title":"“La memoria è un prodotto dell’oblio”. Un viaggio inutile (1981) di Rossana Rossanda nella Spagna franchista","authors":"Angela Moro","doi":"10.24193/cechinox.2023.44.18","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.18","url":null,"abstract":"\"In 1962 Rossana Rossanda undertook, on behalf of the Italian Communist Party, a trip to Spain, aiming to strengthen the anti-Franco forces dispersed after the civil war. Instead, her intinerary seemed to be useless, as the title of the book collecting the report of the expedition suggests (1st edition Bompiani, 1981). Un viaggio inutile springs from a double mnemonic filter: the clandestine operation imposed a ban on transcribing travel notes, which Rossanda drafted only on the way back; secondly, eighteen years passed between the experience in Spain and the rewriting of the notes, which took place in 1980. The present work, therefore, aims to explore both the mnemonic devices of Rossanda’s journey and its reception by the Spanish public, also by resorting to the translation of the text (Un viaje inútil, Laia, 1984 and Tirant Humanidades, 2021).\"","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47829094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Strategie testuali, paratestuali e discorsive in Manuscrito cuervo di Max Aub 马克斯·奥布《手稿》中的语篇、副语篇和话语策略
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.15
L. Selvaggini
{"title":"Strategie testuali, paratestuali e discorsive in Manuscrito cuervo di Max Aub","authors":"L. Selvaggini","doi":"10.24193/cechinox.2023.44.15","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.15","url":null,"abstract":"\"Manuscrito cuervo is part of El laberinto mágico, the narrative cycle in which Max Aub returns his personal memory about the Spanish Civil War, the prison camps and exile. The tale is one of Aub’s apocryphal works. It is in fact a false manuscript written by a crow, who in Le Vernet internment camp studies the human species for the benefit of its own companions. As Aub did during his captivity, the crow notes what he observes and reports the facts in his own way. The result is an anthropological pseudo-reflection written by an unlikely chronicler, whose external point of view gives the real events – personally experienced by Aub, who is the true witness – the status of literary fiction. In this way, Aub speaks about his own experience but not from an autobiographical perspective, and transmits a personal memory that is both individual and collective.\"","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42366544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Scrittura postmemoriale: memoria e trauma nei romanzi di Herta Müller 小说的写作postmemoriale:和创伤记忆Herta Müller
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.12
C. Vogel
{"title":"Scrittura postmemoriale: memoria e trauma nei romanzi di Herta Müller","authors":"C. Vogel","doi":"10.24193/cechinox.2023.44.12","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.12","url":null,"abstract":"Herta Müller’s The Hunger Angel/ Atemschaukel is an innovative attempt to remember and narrate traumatic experiences. The novel reads like a document and, at the same time, like fiction. Through a complex overlapping and poetic condensation of the most diverse memories, Herta Müller has created a place where she and her readers commemorate all those who perished or were exterminated in dictatorships, labour camps and death camps. The challenge is to keep lived memories alive by reinventing them in the process of post-memorial writing.","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46443097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memoria e nazione: la poesia dell’esilio repubblicano del 1939 e la Transizione democratica 1939年共和党流亡和民主过渡的诗歌
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.16
José-Ramón López García
{"title":"Memoria e nazione: la poesia dell’esilio repubblicano del 1939 e la Transizione democratica","authors":"José-Ramón López García","doi":"10.24193/cechinox.2023.44.16","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.16","url":null,"abstract":"\"The poetry of the Republican exile of 1939 was judged on the basis of some clichés that led to the neutralization of its most critical components. Usually enclosed in the sphere of a time shift (melancholic and/or utopian), this poetry testifies an alleged detachment from the historical, political and cultural challenges of the Spain of its time. This reading also frequently included the Political Transition. After highlighting the critical possibilities of “reflective nostalgia” as an opening to the social and political dimension of memory, I analyse the cases of three exiled poets who wanted to join the project of the new nation that many wanted to build: Ernestina de Champourcin, Rafael Alberti and José Bergamín.\"","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47293073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Promethean Mnemotechnics: Memory, Forgetting, Episodic Future Thought and Nonviolent Revolution 普罗米修斯记忆技术:记忆、遗忘、情景未来思想和非暴力革命
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.05
Simona Beccone
{"title":"Promethean Mnemotechnics: Memory, Forgetting, Episodic Future Thought and Nonviolent Revolution","authors":"Simona Beccone","doi":"10.24193/cechinox.2023.44.05","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.05","url":null,"abstract":"\"In his Prometheus Unbound, Shelley reinterprets the Promethean mythologeme historicistically and psychodynamically as a response to his time’s political and ideological crisis. The Titan is resemiotised as the central figure of a metapsychological drama, in which the dialectic between the protagonist and his different chronoceptions, represented in the text as characters, takes the form of a complex multivocal negotiation between different types of memory and forgetting, synchronicistic contemplations of the present and protensive anticipations towards the future. These elements converge into a powerful strategy of mental action, or Promethean mnemotechnics, through which the protagonist first releases himself from the captivity of the tyrant Jupiter and then becomes a pragmatic model, to be followed in the reader’s extratextual dimension.\"","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47379041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memoria storica, riforma del teatro e identità nazionale nel ciclo di tragedie romane di Antonio Conti 安东尼奥·康迪的《罗马悲剧循环中的历史记忆、戏剧改革和民族身份》
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.04
Simone Forlesi
{"title":"Memoria storica, riforma del teatro e identità nazionale nel ciclo di tragedie romane di Antonio Conti","authors":"Simone Forlesi","doi":"10.24193/cechinox.2023.44.04","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.04","url":null,"abstract":"\"This essay aims to analyze the presence of historical memory in Antonio Conti’s poetical and theoretical reflection. Through his cycle of Roman tragedies, he staged some salient moments of Roman history which illustrated the transition from the monarchy to the republic, and from the republic to the empire. In the framework of the theatrical reform inaugurated at the beginning of the 18th century by Scipione Maffei’s Merope, Conti’s dramaturgical and theoretical work constitutes an extremely important contribution , starting from the tragedies’ ponderous paratexts, where the author gradually establishes the need for a national theatre, following the English and French models, while being centered exclusively on the events of Roman history.\"","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43097047","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Memoria storica, memoria letteraria e critica del presente nel Doktor Hoechst di Robert Menasse 罗伯特·梅纳斯的《赫斯特博士》中的历史、文学和批判性记忆
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.21
F. Rossi
{"title":"Memoria storica, memoria letteraria e critica del presente nel Doktor Hoechst di Robert Menasse","authors":"F. Rossi","doi":"10.24193/cechinox.2023.44.21","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.21","url":null,"abstract":"\"Doktor Hoechst by Robert Menasse (staged in 2009 and published in 2013) is a “Faust-Play” (subtitle) dense with references and allusions to Goethe’s Faust, whose purpose is not so much to provide a contemporary reinterpretation of the Faustian myth, but rather a Faustian interpretation of contemporaneity. This contribution will investigate the convergences that arise between this reinterpretation, charged with tensions with the present, and the theme of memory – a memory that, although it does not belong to the source text, is overwritten on it, reactivating some essential meanings.\"","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":"45 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41300051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
European Identities and Cultural Imaginaries 欧洲人的身份认同与文化想象
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.28
Corin Braga
{"title":"European Identities and Cultural Imaginaries","authors":"Corin Braga","doi":"10.24193/cechinox.2023.44.28","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.28","url":null,"abstract":"\"Although a geographically small continent, Europe has fostered, over the past millennia, the emergence of an impressive number of languages, cultures and civilizations. This constitutes its richness and also its challenge: how should all these local, regional and national cultural identities be harmonized and integrated, without destroying, but rather conserving and enhancing them? A seminal concept in the investigation of the cultural, literary and artistic representations is “the imaginary” (the equivalent of the French term l’imaginaire), as opposed to the traditional concepts of “imagination” and “fantasy”. Cultural imaginaries express the relations between individuals and groups, their representations of the self and the others, of the geographical and historical milieus, of the planet and the universe. The images of Europe, positive or negative, global or fragmented, define the conscious and unconscious attitudes and comportments, hopes and fears concerning the individual and common destiny of European peoples.\"","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49505221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cenotaph and Tumulus – Ethics and Memory. The Micronovel Dora Bruder by Patrick Modiano and the Fiction of Herta Müller 纪念碑与肿瘤——伦理与记忆。帕特里克·莫迪亚诺的微型小说《朵拉·布鲁德》与赫塔·米勒的小说
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.10
Ruxandra Cesereanu
{"title":"Cenotaph and Tumulus – Ethics and Memory. The Micronovel Dora Bruder by Patrick Modiano and the Fiction of Herta Müller","authors":"Ruxandra Cesereanu","doi":"10.24193/cechinox.2023.44.10","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.10","url":null,"abstract":"\"The present study approaches the micro-novel Dora Bruder by Patrick Modiano from the perspective of memory (and post-memory) which, through documentary work, restores the identity of the victims definitively annulled by the Nazi regime (victims who have no grave). Our hypothesis is that Modiano is building a literary cenotaph for Dora Bruder. For her part, Herta Müller tries, in at least two of her novels (The Land of Green Plums and The Appointment), to build for the victims of the Securitate (the Political Police in Communist Romania, during the neo-Stalinist regime under Nicolae Ceaușescu), a memorial, a literary tumulus. In this case, it is about victims who have a grave, but the author is building a second grave from an ethical point of view.\"","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41792393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tracce e corpi dal passato: uno sguardo al teatro della memoria spagnolo attuale (dal 2000 in poi) 过去的痕迹和尸体：当代西班牙记忆剧场（2000年起）
Caietele Echinox Pub Date : 2023-06-01 DOI: 10.24193/cechinox.2023.44.23
S. Trecca
{"title":"Tracce e corpi dal passato: uno sguardo al teatro della memoria spagnolo attuale (dal 2000 in poi)","authors":"S. Trecca","doi":"10.24193/cechinox.2023.44.23","DOIUrl":"https://doi.org/10.24193/cechinox.2023.44.23","url":null,"abstract":"\"That of the recent theatre of memory in Spain is a complex panorama which, while presenting various constants that constitute its distinctive features with respect to the historic theatre and the documentary theatre, also begins to manifest some variables that invite us to reflect on possible categorizations of the dramaturgical strategies put in place for the recovery of the past through the stage. We propose to start a reflection in this sense, examining some of these differential aspects through a selection of significant plays from an ever wider and more variegated corpus through the lens of the need for trauma negotiation.\"","PeriodicalId":40223,"journal":{"name":"Caietele Echinox","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42286963","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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