Building the Black Arts Movement最新文献

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CODA CODA
Building the Black Arts Movement Pub Date : 2019-03-30 DOI: 10.5406/j.ctvfrxq14.10
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引用次数: 0
Index 指数
Building the Black Arts Movement Pub Date : 2019-03-30 DOI: 10.5406/j.ctvfrxq14.13
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引用次数: 0
Designing the Future: 设计未来:
Building the Black Arts Movement Pub Date : 2019-03-30 DOI: 10.5406/j.ctvfrxq14.5
M. Papka
{"title":"Designing the Future:","authors":"M. Papka","doi":"10.5406/j.ctvfrxq14.5","DOIUrl":"https://doi.org/10.5406/j.ctvfrxq14.5","url":null,"abstract":"The Futures Lab was founded within the Mathematics and Computer Science Division of Argonne National Laboratory in the fall of 1994. The goal of the lab is develop new technology and systems to support collab-orative science. In order to meet this goal, the lab is organized around three research areas: advanced networking, multimedia, and virtual environments. The Argonne Computing and Communications Infrastructure Futures Laboratory (Futures Lab) was created in 1994 to explore, develop, and prototype next-generation computing and communications infrastructure systems. An important goal of the Futures Lab project is to understand how to incorporate advanced display and media server systems into scientiic computing environments. The objective is to create new collaborative environment technologies that combine advanced networking, virtual space technology, and high-end virtual environments to enable the construction of virtual teams for scientiic research. We believe that digital media, immersive displays, and networked collabora-tive spaces are critical elements of future computing environments and will be in common use by the end of the decade. We hope that our eeorts will provide new capabilities to scientiic computing systems and will accelerate development of virtual organizations to conduct experimental, computational, and theoretical science. Our eeorts are largely focused on technology development and integration with selected applications projects used to demonstrate the new technology. We are interested in driving large-scale supercomputer systems architecture to","PeriodicalId":402232,"journal":{"name":"Building the Black Arts Movement","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134416404","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Abandoning the Past: 抛弃过去:
Building the Black Arts Movement Pub Date : 2019-03-30 DOI: 10.5406/j.ctvfrxq14.9
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引用次数: 0
Expansion Plans: 扩张计划:
Building the Black Arts Movement Pub Date : 2019-03-30 DOI: 10.5406/j.ctvfrxq14.7
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引用次数: 0
Back Matter 回到问题
Building the Black Arts Movement Pub Date : 2019-03-30 DOI: 10.5406/j.ctvfrxq14.14
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引用次数: 0
Acknowledgments 致谢
Building the Black Arts Movement Pub Date : 2019-03-30 DOI: 10.5406/j.ctvfrxq14.3
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引用次数: 0
INTRODUCTION: 作品简介:
Building the Black Arts Movement Pub Date : 2019-03-30 DOI: 10.5406/j.ctvfrxq14.4
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引用次数: 0
A Local Construction Site: 当地建筑工地:
Building the Black Arts Movement Pub Date : 2019-03-30 DOI: 10.5406/j.ctvfrxq14.6
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引用次数: 0
Expansion Plans 扩张计划
Building the Black Arts Movement Pub Date : 2019-03-15 DOI: 10.5622/illinois/9780252042430.003.0004
Jonathan B. Fenderson
{"title":"Expansion Plans","authors":"Jonathan B. Fenderson","doi":"10.5622/illinois/9780252042430.003.0004","DOIUrl":"https://doi.org/10.5622/illinois/9780252042430.003.0004","url":null,"abstract":"This chapter recounts the international organizing efforts of Hoyt Fuller and the ways Black Arts activists understood their work as part of a larger Pan-African project. Spanning an explosive decade of decolonization on the African continent, this chapter uses Fuller’s experiences across three seminal African festivals to explore the ways US-based Black Arts movement discourses engaged with discussions of art and struggle on the African continent. The chapter recovers the varied roles Fuller played in organizing and participating in the First World Festival of Negro Arts, in Dakar, Senegal in 1966; the First Pan-African Cultural Festival, in Algiers, Algeria, in 1969; and the Second World Festival of Black and African Art, in Lagos, Nigeria, in 1977. It argues that Fuller’s festival experiences map the ruptures, strains, collective aspirations, and points of unity that constituted the asymmetries of Pan-African power in the late 1960s and 1970s.","PeriodicalId":402232,"journal":{"name":"Building the Black Arts Movement","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133627655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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