{"title":"The handling of time","authors":"Jacques Lefebvre-Linetzky","doi":"10.1386/SFS.9.2.165_1","DOIUrl":"https://doi.org/10.1386/SFS.9.2.165_1","url":null,"abstract":"The story unfolds chronologically and each sequence has a specific ‘time quality’ according to who appears on-screen. The death of the grandmother evokes the past, while most of the story takes place in the present as told by the omniscient camera. The future brings a paradoxical\u0000 sense of closure.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48731993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On voice in Haunted Memory","authors":"Libertad Gills","doi":"10.1386/SFS.9.2.207_1","DOIUrl":"https://doi.org/10.1386/SFS.9.2.207_1","url":null,"abstract":"This article will analyse the use of voice in this video essay and how the authors’ voice, spoken by Martin, engages with the images and sounds of Erice’s films, most importantly, with Erice’s voice. How do the voice of the video essayist and the voice of the director\u0000 differ? And what do these voices teach us about the possibilities of speaking with, over and about images?","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43158689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The last word, image, sound","authors":"Cristina A. López, A. Martin","doi":"10.1386/SFS.9.2.223_7","DOIUrl":"https://doi.org/10.1386/SFS.9.2.223_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45669403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A poetic approach to the cinema of Erice","authors":"F. Bonaddio","doi":"10.1386/SFS.9.2.211_1","DOIUrl":"https://doi.org/10.1386/SFS.9.2.211_1","url":null,"abstract":"Haunted Memory evokes those themes across Erice’s cinema that are of universal significance: memory, childhood, the nature of cinema itself. Mostly absent, however, is the specifically Spanish context, something that attests to this audio-visual essay’s engagement with the\u0000 predominantly poetic, rather than explicative, approach of Erice’s work.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42720332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A shot-by-shot breakdown of The Goodbye","authors":"R. Raskin","doi":"10.1386/SFS.9.2.116_7","DOIUrl":"https://doi.org/10.1386/SFS.9.2.116_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47782467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A shot-by-shot breakdown of Haunted Memory: The Cinema of Víctor Erice","authors":"R. Raskin","doi":"10.1386/SFS.9.2.184_7","DOIUrl":"https://doi.org/10.1386/SFS.9.2.184_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43940891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Retrieving trauma, overcoming trauma: Erice’s cinematic poetics","authors":"Gracia Ramirez","doi":"10.1386/SFS.9.2.203_1","DOIUrl":"https://doi.org/10.1386/SFS.9.2.203_1","url":null,"abstract":"This article examines Haunted Memory’s overall structure and how the voice-over commentary both caresses the images as treasured objects and inscribes new meaning. Thus, the video essay goes beyond paying homage to the celebrated film director and considers the universality of\u0000 the experiences of trauma and cinema.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46781093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A small and silent revolution","authors":"R. Prout","doi":"10.1386/SFS.9.2.153_1","DOIUrl":"https://doi.org/10.1386/SFS.9.2.153_1","url":null,"abstract":"Through explicitation of Roquet’s aesthetics – including echoes and reflections of Erice, Hammershøi and Martel – this article argues that The Goodbye harnesses intertextuality concisely to question how class, language, gender, servitude and race intersect.\u0000 It addresses the role of grief in illuminating the indignities of deeply entrenched power relations.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44645906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El Adiós (The Goodbye)","authors":"Clara Roquet","doi":"10.1386/SFS.9.2.113_7","DOIUrl":"https://doi.org/10.1386/SFS.9.2.113_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47600311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The strength of stillness","authors":"Iben Have","doi":"10.1386/SFS.9.2.169_1","DOIUrl":"https://doi.org/10.1386/SFS.9.2.169_1","url":null,"abstract":"The article discusses the strength of stillness both at a narrative level related to Rosana’s appearance and at an aesthetic level related to the soundtrack. The quiet sound design communicates intensity and meaning, as does Rosana, who is largely ignored by the family but is\u0000 an eminently strong character.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47556156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}