{"title":"Echo","authors":"Magnus von Horn","doi":"10.1386/sfs_00033_7","DOIUrl":"https://doi.org/10.1386/sfs_00033_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42313624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spectatorship and affective investment in La Vis","authors":"Richard Neupert","doi":"10.1386/sfs_00029_1","DOIUrl":"https://doi.org/10.1386/sfs_00029_1","url":null,"abstract":"The narrative strategies at work within La Vis challenge viewers to construct an empathetic protagonist, even from challenging, parodic cues. Ultimately, Didier Flamand’s film is as much about how we watch films as it is about a fellow irritated by a faulty screw.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66764352","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bullet sized","authors":"P. March-Russell","doi":"10.1386/sfs_00017_1","DOIUrl":"https://doi.org/10.1386/sfs_00017_1","url":null,"abstract":"Abstract Taking as a touchstone A. L. Kennedy's observation about the disproportionate impact of the short story compared to its size, this article explores the extent to which David Von Ancken's adaptation of Tobias Wolff's text finds, via montage and perspective, a cinematic\u0000 analogue to the aesthetic form of the short story.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45791307","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The end of time: Bullet in the Brain","authors":"R. Barton","doi":"10.1386/sfs_00016_1","DOIUrl":"https://doi.org/10.1386/sfs_00016_1","url":null,"abstract":"Abstract Bullet in the Brain departs interestingly from the original story in ways that affect how the central character is constructed. I focus on one particular addition ‐ where Anders points to his watch to insist that the bank has closed unduly early ‐\u0000 and discuss its significance.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44956591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Blow-Up","authors":"Siegfried A. Fruhauf","doi":"10.1386/sfs.10.1.91_7","DOIUrl":"https://doi.org/10.1386/sfs.10.1.91_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44872967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cinepulmonary resuscitation","authors":"Jaimie Baron","doi":"10.1386/sfs.10.1.107_1","DOIUrl":"https://doi.org/10.1386/sfs.10.1.107_1","url":null,"abstract":"Abstract One pronounced effect of Fruhauf's Blow-Up is the discomfort it produces due to the sound of breathing that accompanies the image. In this reediting of footage demonstrating CPR, not only are the dummy and the discarded footage resuscitated; we are also forcibly\u0000 synched to the rhythm of this archival fragment.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48844373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Remembrance","authors":"M. Ellis, S. Morgenstern","doi":"10.1386/sfs.10.1.19_7","DOIUrl":"https://doi.org/10.1386/sfs.10.1.19_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44076835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El Adiós – Death: Threat, transition or mystery?","authors":"Balász Zágoni","doi":"10.1386/SFS.9.2.149_1","DOIUrl":"https://doi.org/10.1386/SFS.9.2.149_1","url":null,"abstract":"The female characters in the film have very different approaches to death. Julia, the youngest, has to learn about death by observing Rosana’s and Mercè’s ways of processing it. This article will compare these death narratives and their visual representations.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46216051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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