Sanat Tarihi Dergisi-Journal of Art History最新文献

{"title":"AN EXAMINATION ON THE CARICATURES THEMED ABDÜLHAMİD II IN LE RIRE MAGAZINE","authors":"Özgür Gülbudak","doi":"10.29135/std.1022739","DOIUrl":"https://doi.org/10.29135/std.1022739","url":null,"abstract":"Caricature, in a historical sense, can be deemed as an application that reveals a human’s ability to paint. It is perceived that the caricature, which has been held in human life since cave paintings until today, has also a unique place in our modern life with different ways and various fields through the course of history. The caricature will continue to exist as an influential representative in the combination of painting and criticism. In this context, political caricatures are one of the most practical and efficient methods used to criticize notables of states. The dose of these caricatures is caused many controversies even today, as they increase their violence and cruelty in case of conflicts between states. There are many media outcomes published in Europe that collect with the developments worldwide. It is reasonable to confer following newspapers and magazines as examples in this field: La Silhouette (1829), La Caricature (1830), Penny Magazine (1832), Punch (1841), L’Illustration Journal Universel (1843), Harpers’s Magazine (1850), Le Monde Illustré (1857), The Illustrated London News (1842), Frank Leslie’s Illustrated News (1855), Puck (1871) etc. These newspapers and magazines have a unique place in the world press history in terms of showing all varieties of criticism, apart from being pioneers in many fields. Since these publications systematically followed the political and social events happening all over the world and included many illustrations, caricatures and columns on various topics according to the agenda. These descriptions are noteworthy documents for many disciplines today. In recent years, access to works has increased with the convenience provided by digitalization. Therefore, the descriptions in various printed publications have emerged in a way that supports the studies in many types of research, even with the potential to be the main topic directly. The journal, which addresses many people and issues critically, mainly in France and Europe, has established many studies on the Ottoman Empire and its leaders. Abdülhamid II (1876-1909), has been the subject of a notable amount of critical caricature during his long reign. Within the scope of this research, 15 caricatures that themed Abdülhamid II, which were selected from 836 numbers of Le Rire, published between 1894 and 1909, were determined and examined. The following subjects are processed in these caricatures: Some difficulties experienced by the Ottoman Empire in the Balkans and Eastern Anatolia, the rapprochement with the Germans, the endless negotiations in foreign policy, the turmoil in terms of the Ottoman sultanate and the joint studies with Europe. It is aimed to bring these caricatures, some of which are anonymous and some signed, as a consequence of various technical skills, to several fields of study and especially to the literature of art history by analyzing them in artistic and historical terms. Thus, Sultan Abdülhamid II, who had a very important sha","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48107506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ORIENTALISM IN THE LEVANT: SARIKISLA MILITARY OFFICE BUILDING, AS A LOST EXAMPLE OF ORIENTALIST ARCHITECTURE IN IZMIR","authors":"Halil Alpaslan","doi":"10.29135/std.1025646","DOIUrl":"https://doi.org/10.29135/std.1025646","url":null,"abstract":"This study aims to examine the history of the military Office building, which built in addition to the Sarikisla building in Izmir, one of the most important port cities of the Ottoman Empire, and to emphasize the importance of this building in terms of architectural history. The military office, which was dated to the beginning of the 20th century, was destroyed in 1955 with the Sarikisla, where it attached, after being used for nearly 50 years, and was replaced by the space called Konak Square today. However, neither Sarikisla nor the military office were forgotten after their destruction. Both structures are still present in the collective memory of the citizens, albeit indistinctly. \u0000Although it is not mentioned in detail in this study, Sarikisla building is one of the most important buildings of the city considering its location and size despite its simple character. Military office, on the other hand, is a qualified structure that bears the characteristics of the orientalist style in its architectural elements and decoration motifs in a way that contrasts with Sarikisla. \u0000It’s a fact, there is no comprehensive study on orientalist architecture in Izmir. It is difficult to make an inclusive and detailed assessment, as the structures showing these features are few. However, the fact that the Clock Tower, which is one of the most important structures of the city, is in the orientalist style is a sign that this style has a considerable effect on the city, especially at the turn of the century. \u0000Despite its special architecture, it is not possible to reach a detailed research or drawings on the structure of the military office. There is also no information on the architect of the building. Only some predictions can be made about this subject. Raymond Charles Péré, the architect of the Clock Tower, which was built in 1901 right in front of the military office and also has orientalist features, is the first name that comes to mind. The fact that the architect of the fountain pool in the courtyard of Sarıkışla is also Péré strengthens this possibility. About the construction date, as a result of the information obtained within the scope of the study, it was determined that the construction date of the said building should most probably be between 1913-1922.","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47708297","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TÜRK-İSLAM KÜLTÜRÜNDEKİ DESTİMAL GELENEĞİ İLE HRİSTİYAN İNANCINDAKİ KUTSAL MENDİL İKONOGRAFİSİNİN KARŞILAŞTIRILMASI","authors":"Nergiz Demir Solak, Yunus Berkli","doi":"10.29135/std.1078016","DOIUrl":"https://doi.org/10.29135/std.1078016","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41522010","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"SANATSAL İMGEDEN TIBBİ İMGEYE: SALPÊTRIÈRE FOTOĞRAFLARI VE HİSTERİK KADIN BEDENİNİN İNŞASI","authors":"T. Tas","doi":"10.29135/std.1033686","DOIUrl":"https://doi.org/10.29135/std.1033686","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45727908","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KASTAMONU’DA YIKILAN TARİHİ AHŞAP BİR KÖPRÜ BOZKURT - İLİŞİ KÖYÜ CUMAYANI KÖPRÜSÜ","authors":"M. Bayraktar","doi":"10.29135/std.1009589","DOIUrl":"https://doi.org/10.29135/std.1009589","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48644437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Trompe L’oeil Tekniği ile Doğa Estetiğine Öykünen Seramik Ağaçlar","authors":"Ş. Yılmaz","doi":"10.29135/std.935472","DOIUrl":"https://doi.org/10.29135/std.935472","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41695805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Erving Goffman'ın Benlik Sunumu Kuramı'na Göre Resimde Otoportre","authors":"Ferhunde KÜÇÜKŞEN ÖNER, Berna Fildiş","doi":"10.29135/std.1013402","DOIUrl":"https://doi.org/10.29135/std.1013402","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48248968","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BAFRA ARKEOLOJİ VE ETNOGRAFYA MÜZESİ’NDE SERGİLENEN BİR GRUP MADENİ ESER","authors":"Elif Yesi̇l, M. Bayraktar","doi":"10.29135/std.979643","DOIUrl":"https://doi.org/10.29135/std.979643","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42289331","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ANTALYA KALEİÇİ’NİN SİVİL VE DİNİ MİMARİ ÖRNEKLERİNDE GÖRÜLEN KÖŞE PAHLARI VE SÜSLEMELERİ","authors":"Serkan Kiliç","doi":"10.29135/std.1004885","DOIUrl":"https://doi.org/10.29135/std.1004885","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41700384","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ENDÜSTRİ MİRAS YAPISININ KÜLTÜR MEKÂNI OLARAK UYARLANABİLİR YENİDEN KULLANIMI: SAKARYA SANAT GALERİSİ","authors":"Melike Nur Sarayli, Kader Reyhan","doi":"10.29135/std.1020178","DOIUrl":"https://doi.org/10.29135/std.1020178","url":null,"abstract":"","PeriodicalId":40192,"journal":{"name":"Sanat Tarihi Dergisi-Journal of Art History","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43613108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}