{"title":"Models of painterly abstraction and Strzemiński’s ‘Unist adventure’ (1923–1936)","authors":"A. Salamon","doi":"10.1386/JCP.5.1.163_1","DOIUrl":"https://doi.org/10.1386/JCP.5.1.163_1","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45085231","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Visual Essay","authors":"C. Bonnefoi","doi":"10.1386/jcp.5.1.65_7","DOIUrl":"https://doi.org/10.1386/jcp.5.1.65_7","url":null,"abstract":"As a dramatist, Kuo Pao Kun (1939–2002) has written, translated, adapted, directed and designed more than 40 theatre productions, many of which have introduced new dramaturgy and aesthetic experiences to the Singaporean audiences and beyond. He was also an inspiring teacher and a farsighted visionary, who founded various institutions for the cultivation of theatre practitioners, for the production of innovative theatrical pieces, for the incubation of artistic ideas, and for the facilitation of cross-cultural interactions and intellectual exchanges. This visual essay focuses on a selection of seminal works by Kuo, illustrating his creative journey spanning over three decades.","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42868003","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The anteriority of the future","authors":"Christian Bonnefoi","doi":"10.1386/JCP.5.1.77_7","DOIUrl":"https://doi.org/10.1386/JCP.5.1.77_7","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48225703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the Leper Squint paintings of Michael Simpson","authors":"A. Price","doi":"10.1386/jcp.4.2.249_1","DOIUrl":"https://doi.org/10.1386/jcp.4.2.249_1","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":"1 1","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41514397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Who killed Marthe Bonnard? Madness, morbidity and Pierre Bonnard’s The Bath","authors":"L. Wallace","doi":"10.1386/JCP.4.2.267_1","DOIUrl":"https://doi.org/10.1386/JCP.4.2.267_1","url":null,"abstract":": There is an ongoing revaluation of Pierre Bonnard, beginning with a retrospective at the Centre Georges Pompidou in 1984 and witnessed most recently in ‘Pierre Bonnard; Painting Arcadia’ at the Fine Arts Museum, San Francisco 2016. The resulting body of literature, from reviews to catalogue essays, operates to subsume Bonnard within the modernist canon. However the gender ambiguities in Bonnard’s practice problematize these attempts to read his paintings using modernist tropes. In particular, his depiction of his wife Marthe de Méligny in the bathtub does not fit easily within the genre of ‘the bather’. Across the literature there has been the occultation of a specific woman (Marthe), replacing her with the Ophelia stereotype through an extension of Toril Moi’s ‘death dealing’ binarism. As a consequence of reiterated speculation regarding Marthe’s mental health she continues to be characterised as the neurotic woman disintegrating in the bath/sarcophagus. This article argues that the literature creates a deathly and deadly porous woman. Reviewing the weight of gendered metaphoric language the article will offer a reading of the bath series and Bonnard’s late interiors based on the recognition of his difference – a difference which ruptures genre.","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46106762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Manifesto for Maintenance Art 1969! Proposal for an exhibition “CARE”","authors":"Mierle Laderman Ukeles","doi":"10.1386/JCP.4.2.233_7","DOIUrl":"https://doi.org/10.1386/JCP.4.2.233_7","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47949495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Toward understanding the nature of history and its limitations’: An interview with the American Artist David Schutter","authors":"C. Mieves","doi":"10.1386/JCP.4.2.285_1","DOIUrl":"https://doi.org/10.1386/JCP.4.2.285_1","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49277071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tilt Brush painting: Chronotopic adventures in a physical-virtual threshold","authors":"Tara Chittenden","doi":"10.1386/JCP.4.2.381_1","DOIUrl":"https://doi.org/10.1386/JCP.4.2.381_1","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/JCP.4.2.381_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46539401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Embedded still lifes: Mexican American heritage in the art of Maria Tomasula","authors":"S. Y. Kang","doi":"10.1386/JCP.4.2.363_1","DOIUrl":"https://doi.org/10.1386/JCP.4.2.363_1","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42100354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}