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Journal of Contemporary Painting最新文献

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Forging reality: Surface and reductionism in the work of Dick Bengtsson 锻造现实：Dick Bengtsson作品中的表面论和还原论
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-10-01 DOI: 10.1386/jcp_00002_1
S. Willems
{"title":"Forging reality: Surface and reductionism in the work of Dick Bengtsson","authors":"S. Willems","doi":"10.1386/jcp_00002_1","DOIUrl":"https://doi.org/10.1386/jcp_00002_1","url":null,"abstract":"This article considers the work of the late Swedish painter Dick Bengtsson. It is conceived in an attempt to locate Bengtsson’s complex use of surface beyond the discourse of ‘sign games’ that has largely surrounded his practice to date. In addressing the limitations\u0000 of a postmodern agenda concerned with Bengtsson’s prowess as a particular type of conceptual artist, this article explores his use of materials within individual artworks to elucidate less developed dimensions within his production.","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48052168","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Polycephalus 的Polycephalus
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-10-01 DOI: 10.1386/jcp_00005_7
M. Lawton
{"title":"The Polycephalus","authors":"M. Lawton","doi":"10.1386/jcp_00005_7","DOIUrl":"https://doi.org/10.1386/jcp_00005_7","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47569319","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Clyde Hopkins: Abstraction as experience 克莱德·霍普金斯：抽象为经验
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-10-01 DOI: 10.1386/jcp_00007_1
J. Key
{"title":"Clyde Hopkins: Abstraction as experience","authors":"J. Key","doi":"10.1386/jcp_00007_1","DOIUrl":"https://doi.org/10.1386/jcp_00007_1","url":null,"abstract":"Hopkins’ painterly abstraction reflects on a universe of disordering contingencies in everyday experience, questioning how painting can refer to such qualities of experience without engaging in representation. The immediate act of placing paint on the canvas extends to metaphorical\u0000 concerns with process: how to maintain that sensation of immediacy if repetitions occur within a sequence of gestural responses. Hopkins’ work adopts different approaches at different stages; degrees of immediacy remain a consideration while attachment to a variety of motifs develops.\u0000 Paintings remain continuously open to change as more reflexive approaches to the ironies of maintaining immediacy in re-presentation emerge. Resources are both visual and philosophical: the questioning of logic with ‘associationism’ found in the writings of David Hume and influencing\u0000 Lawrence Sterne, a fascination with Spanish painting and its influence on Robert Motherwell, who was in turn influenced by A. N. Whitehead.","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48078057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The context of medium specificity: From Riegl to Greenberg 媒介特异性的语境:从Riegl到Greenberg
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-10-01 DOI: 10.1386/jcp_00003_1
T. Palin
{"title":"The context of medium specificity: From Riegl to Greenberg","authors":"T. Palin","doi":"10.1386/jcp_00003_1","DOIUrl":"https://doi.org/10.1386/jcp_00003_1","url":null,"abstract":"By the mid-1960s the notion of medium specificity had come to define that which was most insular and protectionist about painting, with the idea of medium specificity entirely synonymous with the formalist criticism of Clement Greenberg. As such, the richness of the term, and its historical\u0000 situatedness, was lost behind a particular defence of the virtues of modernist painting. This article attempts to draw out the history and nuances of medium specificity: to trace its development within an extended body of speculation ‐ commonly termed formalist ‐ in order to\u0000 re-open a discussion, too often sidestepped within contemporary discourse, as to the relationship that exists between the work of art and that which the work of art can claim to bear witness to.","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43389611","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Methods of Modern Construction 现代建筑方法
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-10-01 DOI: 10.1386/jcp_00001_7
B. Harland
{"title":"Methods of Modern Construction","authors":"B. Harland","doi":"10.1386/jcp_00001_7","DOIUrl":"https://doi.org/10.1386/jcp_00001_7","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45793553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Painting Beyond Itself: The Medium in the Post-Medium Condition, Isabella Graw and Ewa Lajer-Burcharth (eds) (2016) 《超越自我的绘画：后媒介条件下的媒介》，Isabella Graw和Ewa Lajer Burcharth（编辑）（2016）
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-10-01 DOI: 10.1386/jcp_00006_5
Alison Green
{"title":"Painting Beyond Itself: The Medium in the Post-Medium Condition, Isabella Graw and Ewa Lajer-Burcharth (eds) (2016)","authors":"Alison Green","doi":"10.1386/jcp_00006_5","DOIUrl":"https://doi.org/10.1386/jcp_00006_5","url":null,"abstract":"Review of: Painting Beyond Itself: The Medium in the Post-Medium Condition, Isabella Graw and Ewa Lajer-Burcharth (eds) (2016)Berlin: Sternberg Press, 292 pp.,ISBN 978-3-95679-007-2, p/bk, £13.95","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48838769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Painting as ReModel 作为ReModel进行绘画
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-05-01 DOI: 10.1386/JCP.5.1.3_2
Daniel Sturgis, L. Lisbon, Mick Finch
{"title":"Painting as ReModel","authors":"Daniel Sturgis, L. Lisbon, Mick Finch","doi":"10.1386/JCP.5.1.3_2","DOIUrl":"https://doi.org/10.1386/JCP.5.1.3_2","url":null,"abstract":"Yve-Alain Bois’ Painting as Model was first published in 1993 and it still stands as one of the most important collection of essays, looking at painting as both a conceptual and material enquiry. The aim of this issue of the Journal of Contemporary Painting is to revisit Painting as Model from a contemporary perspective so as to examine its ongoing impact. To do this we have also translated into English key texts by Bois that throw new light on the context of his thinking. Also translated here, for the first time in English, is Hubert Damisch’s chapter, La Peinture est un vrai trois, from his 1984 book Fenetre jaune cadmium. Damisch’s book can be considered as the crucial contextual background to Bois’ methodology, as he explored in the article that gave Painitng as Model its title. We believe that the historical material provided here will give greater insight into Bois’ work. \u0000 \u0000Introduction co-written with Laura Lisbon and Dan Sturgis for an edition of the Journal of Contemporary Painting that revisits Yves-Alain Bois' Painting as Model, published in the 1990s that was an iconic text of the period that is still relevant today. \u0000 \u0000Mick Finch, Laura Lisbon and Dan Sturgis, co-edited this issue of the Journal.","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/JCP.5.1.3_2","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49264717","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Description and resistance: On Yve-Alain Bois’s Painting as Model 描述与反抗:论伊夫-阿兰·布瓦的绘画模式
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-04-01 DOI: 10.1386/JCP.5.1.83_1
Lisa Florman
{"title":"Description and resistance: On Yve-Alain Bois’s Painting as Model","authors":"Lisa Florman","doi":"10.1386/JCP.5.1.83_1","DOIUrl":"https://doi.org/10.1386/JCP.5.1.83_1","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44523039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The pin 的销
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-04-01 DOI: 10.1386/jcp.5.1.59_7
Yve-Alain Bois
{"title":"The pin","authors":"Yve-Alain Bois","doi":"10.1386/jcp.5.1.59_7","DOIUrl":"https://doi.org/10.1386/jcp.5.1.59_7","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43000304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Exhibition Reviews 展览回顾
IF 0.2
Journal of Contemporary Painting Pub Date : 2019-04-01 DOI: 10.1386/jcp.5.1.195_7
Joanne Morra, Ella S. Mills
{"title":"Exhibition Reviews","authors":"Joanne Morra, Ella S. Mills","doi":"10.1386/jcp.5.1.195_7","DOIUrl":"https://doi.org/10.1386/jcp.5.1.195_7","url":null,"abstract":"","PeriodicalId":40089,"journal":{"name":"Journal of Contemporary Painting","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49241408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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