ThresholdsPub Date : 2023-05-01DOI: 10.1162/thld_a_00780
Y. Wang
{"title":"Zhang 瘴, Shu 暑, and the Traveling Embassy Avoiding Heat at the Mountain Resort of Emperor Qianlong","authors":"Y. Wang","doi":"10.1162/thld_a_00780","DOIUrl":"https://doi.org/10.1162/thld_a_00780","url":null,"abstract":"","PeriodicalId":40067,"journal":{"name":"Thresholds","volume":"1 1","pages":"14-25"},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49068453","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ThresholdsPub Date : 2023-05-01DOI: 10.1162/thld_a_00802
Mark Anthony Hernandez Motaghy
{"title":"Distant Company (Con Pan)","authors":"Mark Anthony Hernandez Motaghy","doi":"10.1162/thld_a_00802","DOIUrl":"https://doi.org/10.1162/thld_a_00802","url":null,"abstract":"","PeriodicalId":40067,"journal":{"name":"Thresholds","volume":"1 1","pages":"192-203"},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43181901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ThresholdsPub Date : 2023-05-01DOI: 10.1162/thld_a_00775
Graylin Harrison
{"title":"Between Landscape and Hellscape Cultures of Volcanism in Early Modern Naples","authors":"Graylin Harrison","doi":"10.1162/thld_a_00775","DOIUrl":"https://doi.org/10.1162/thld_a_00775","url":null,"abstract":"drumming, almost","PeriodicalId":40067,"journal":{"name":"Thresholds","volume":"1 1","pages":"30-39"},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46909999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ThresholdsPub Date : 2023-05-01DOI: 10.1162/thld_a_00774
Yeo-Jin Katerina Bong
{"title":"The Architecture of Animation: Sungnyemun's Cultural Fire, Materiality, and Han","authors":"Yeo-Jin Katerina Bong","doi":"10.1162/thld_a_00774","DOIUrl":"https://doi.org/10.1162/thld_a_00774","url":null,"abstract":"Fires —contained or uncontained—share one chemical property, which is “a rapid oxidation of a fuel through combustion, which releases heat, light, and flame.” This constant, invisible fueling process projects as a visible phenomenon consisting of carbon dioxide, water vapor, oxygen, and nitrogen. Through chemical reaction, fire leaves traces by physically altering the burning matter’s original properties. Chemist Hazel Rossotti calls this transformative process “the most technologically significant gift bestowed by fire,” where “fire is used as a major promoter of chemical change.” Here, animation occurs in two layers: the chemical spurts of fire and the metamorphosis of matter.","PeriodicalId":40067,"journal":{"name":"Thresholds","volume":"1 1","pages":"150-161"},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42732382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ThresholdsPub Date : 2023-05-01DOI: 10.1162/thld_a_00800
Matthew A. Lopez
{"title":"Temperature and Textiles: Heat Management in British Industrial Mills","authors":"Matthew A. Lopez","doi":"10.1162/thld_a_00800","DOIUrl":"https://doi.org/10.1162/thld_a_00800","url":null,"abstract":"This passage, taken from the British engineer Robertson Buchanan’s 1807 Essay on the Warming of Mills, illustrates the fundamental importance that the management of heat played in the development of largescale industry. Characterized by a multistory brick structure that was supported by a grid of cast iron columns, the textile mill provided the paradigmatic figure for industrial society that emerged in England at the end of the eighteenth century. 1 The mill was, as the economic theorist Andrew Ure states in his 1835 text The Philosophy of Manufactures, the sole place in which “the perfection of automatic industry” could be observed. 2 In the mill, he claimed, “the elemental powers have been made to animate millions of complex organs, infusing into forms of wood, iron, and brass an intelligent agency.” Ure’s almost magical description of mechanized production, however, elides a critical environmental and structural problem that shaped the trajectory of textile manufacture in England: the control of thermal energy within the interior space of the mill. For reasons that ranged from the delicacy of textile fibers to the brittleness of wooden and leather millwork, the productivity of the mills relied on the maintenance of a stable ambient temperature. This was made extremely challenging, however, by the architecture of the mill itself, which was defined by a continuous interior (an “open floor plan” in contemporary terms) designed to facilitate the division of labor and distribution of machinery necessary for mass production (Fig 1). By drastically reducing the effectiveness of interior solutions such as stoves and fireplaces, the multiplication of floor space encouraged the formulation of comprehensive heating systems. As industrial textile manufacture proliferated, heat created a specific tension between structure and program that encouraged the evolution of the mill.","PeriodicalId":40067,"journal":{"name":"Thresholds","volume":"1 1","pages":"164-169"},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48690667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ThresholdsPub Date : 2023-05-01DOI: 10.1162/thld_a_00778
Kapp Singer
{"title":"Media against the Fire, or How to Secure the Forest for the Trees","authors":"Kapp Singer","doi":"10.1162/thld_a_00778","DOIUrl":"https://doi.org/10.1162/thld_a_00778","url":null,"abstract":"In Francis RoltWheeler’s 1910 novel, The Boy wiTh The US Foresters, a young man named Wilbur joins the US Forest Service, moves into a remote camp in California’s Sierra Nevada mountains, and shadows rangers to learn the timber management strategies of the day. Wildfire figures prominently throughout the entirety of the book, construed as a dangerous enemy able to strike at any moment and destroy huge swathes of valuable trees. This everpresent fear of conflagration comes to its apex in the narrative’s dramatic ending, where Wilbur spots a plume of smoke emanating from a stand of trees and rapidly rides his horse to the site of the blaze. After frantically attempting to smother the flames himself—heat blistering his hands and smoke filling his lungs—Wilbur realizes this is not a job for one. He heads back to his cabin and calls for support over the Forest Service’s telephone system. “There’s a fire here that looks big,” he says over the line, “and I nearly got it under, but when the wind rose it got away from me.” “Well, son, I s’pose you’re needin’ help,” his boss responds.","PeriodicalId":40067,"journal":{"name":"Thresholds","volume":"1 1","pages":"96-109"},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43286429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ThresholdsPub Date : 2023-05-01DOI: 10.1162/thld_a_00805
Clémentine Vaultier, Maximiliaan Royakkers
{"title":"The Atlas of Ovens: Hosting Heat","authors":"Clémentine Vaultier, Maximiliaan Royakkers","doi":"10.1162/thld_a_00805","DOIUrl":"https://doi.org/10.1162/thld_a_00805","url":null,"abstract":"Hosting Heat is a fragment of the Atlas of Ovens—an ongoing artistic research project that examines structures that contain heat, conducted by Ciel Grommen, Maximiliaan Royakkers","PeriodicalId":40067,"journal":{"name":"Thresholds","volume":"1 1","pages":"248-255"},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48087852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
ThresholdsPub Date : 2023-05-01DOI: 10.1162/thld_a_00793
Emily Madrigal
{"title":"Feverish Thumbs: Ceroplastic Tools","authors":"Emily Madrigal","doi":"10.1162/thld_a_00793","DOIUrl":"https://doi.org/10.1162/thld_a_00793","url":null,"abstract":"The class looks on curiously as our teacher, Suzanne Pugh, a renowned metalsmith and jeweler, spits out the small piece of brown wax that she had been warming in her mouth. Is this the only way to warm up the wax to a workable consistency? I try breathing on the wax—too cool. I try heating it with a small candle’s flame—too hot. I put the wax under my arms— just right. I can tuck a piece in my sleeve and then go work on other projects while waiting for it to adjust to the heat of my body. Though, sometimes I forget I’ve stored it there, and, later in the day, when I’m no longer in the metal studio, I’ll remember and pull some wax from my sleeve, like a magician who makes a coin appear from behind someone’s ear. The wax leaves a momentary impression upon my skin, like a clothing seam, and I return that press when I shape it with my hands. Here, at Penland School of Craft, we are learning the process of lostwax casting small objects (the maximum size being about 1 pound of bronze and measuring 4 x 4 x 9 inches). After days of modeling wax and preparing investment molds, the days when we cast the works buzz with an excitement reflected in the extreme heat of that moment. Forging, ceramics, glass blowing— art mediums that emerge directly from","PeriodicalId":40067,"journal":{"name":"Thresholds","volume":"1 1","pages":"86-89"},"PeriodicalIF":0.1,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42382740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}