发布求助
文献互助 智能选刊 最新文献

Dutch Journal of Music Theory最新文献

筛选
英文 中文
Black Wings in Two Symphonies: Brahms's Second and Shostakovich's Tenth 两部交响曲中的黑翼:勃拉姆斯第二交响曲和肖斯塔科维奇第十交响曲
Dutch Journal of Music Theory Pub Date : 2016-04-30 DOI: 10.11116/MTA.3.1.4
Francis Maes
{"title":"Black Wings in Two Symphonies: Brahms's Second and Shostakovich's Tenth","authors":"Francis Maes","doi":"10.11116/MTA.3.1.4","DOIUrl":"https://doi.org/10.11116/MTA.3.1.4","url":null,"abstract":"Shostakovich research has focused mainly on the discovery of models and musical codes with political import. Other influences have remained undetected. This article argues for a reconsideration of Shostakovich's use of Brahms as a model through an intertextual reading of the first movements of Brahms's Second and Shostakovich's Tenth symphonies.","PeriodicalId":400508,"journal":{"name":"Dutch Journal of Music Theory","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132148730","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Instrumentation and Register as Form-Articulating Features in Elliott Carter's Concerto for Orchestra 在艾略特·卡特的管弦协奏曲中，乐器和音域作为形式发音的特征
Dutch Journal of Music Theory Pub Date : 2015-04-01 DOI: 10.11116/mta.2.1.5
Klaas Coulembier
{"title":"Instrumentation and Register as Form-Articulating Features in Elliott Carter's Concerto for Orchestra","authors":"Klaas Coulembier","doi":"10.11116/mta.2.1.5","DOIUrl":"https://doi.org/10.11116/mta.2.1.5","url":null,"abstract":"","PeriodicalId":400508,"journal":{"name":"Dutch Journal of Music Theory","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2015-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127443066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music Theory—and Analysis 音乐理论与分析
Dutch Journal of Music Theory Pub Date : 2014-09-17 DOI: 10.11116/MTA.1.1
Pieter Bergé, Steven Vande Moortele, Nathan John Martin
{"title":"Music Theory—and Analysis","authors":"Pieter Bergé, Steven Vande Moortele, Nathan John Martin","doi":"10.11116/MTA.1.1","DOIUrl":"https://doi.org/10.11116/MTA.1.1","url":null,"abstract":"","PeriodicalId":400508,"journal":{"name":"Dutch Journal of Music Theory","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125752497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Partimento, Waer bestu bleven? Partimento in the European Classroom: Pedagogical Considerations and Perspectives 帕提曼托，什么是最好的?欧洲课堂中的对话:教学思考与观点
Dutch Journal of Music Theory Pub Date : 2014-09-17 DOI: 10.11116/MTA.1.9
David Lodewyckx, P. Berge
{"title":"Partimento, Waer bestu bleven? Partimento in the European Classroom: Pedagogical Considerations and Perspectives","authors":"David Lodewyckx, P. Berge","doi":"10.11116/MTA.1.9","DOIUrl":"https://doi.org/10.11116/MTA.1.9","url":null,"abstract":"","PeriodicalId":400508,"journal":{"name":"Dutch Journal of Music Theory","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-09-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124085382","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Is There a “Musical Task” in the First Movement of Haydn’s “Oxford” Symphony? Voice- Leading Schemata and Intrinsic Formal Functions 海顿《牛津》交响曲第一乐章是否存在“音乐任务”?声导图式与内在形式函数
Dutch Journal of Music Theory Pub Date : 1900-01-01 DOI: 10.11116/mta.2.2.3
M. Neuwirth
{"title":"Is There a “Musical Task” in the First Movement of Haydn’s “Oxford” Symphony? Voice- Leading Schemata and Intrinsic Formal Functions","authors":"M. Neuwirth","doi":"10.11116/mta.2.2.3","DOIUrl":"https://doi.org/10.11116/mta.2.2.3","url":null,"abstract":"","PeriodicalId":400508,"journal":{"name":"Dutch Journal of Music Theory","volume":"109 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121820429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Repetitive Variety and Other Balancing Acts: Debussy's Transcendental Oscillations 重复变化与其他平衡行为:德彪西的超越振荡
Dutch Journal of Music Theory Pub Date : 1900-01-01 DOI: 10.11116/mta.7.2.1
M. Ramage
{"title":"Repetitive Variety and Other Balancing Acts: Debussy's Transcendental Oscillations","authors":"M. Ramage","doi":"10.11116/mta.7.2.1","DOIUrl":"https://doi.org/10.11116/mta.7.2.1","url":null,"abstract":"This article introduces the concept of the transcendental oscillation, in which two chords alternate with one another in a way that transcends traditional tonal practice. This harmonic device appears in a wide variety of settings from Wagner to modern pop music. After discussing some\u0000 theoretical properties of transcendental oscillations, including their interactions with modality and chromaticism, I analyze transcendental oscillations in the works of Debussy, who made the technique a central component of his style. In Debussy's music, transcendental oscillations may be\u0000 either intensifying or calming. They are symptomatic of what Sylveline Bourion calls Debussy's \"duplication\" tendency. As progressions foreign to common practice, they present a novel aspect, but as repetitive progressions, they are easy on the ears. These two central features of transcendental\u0000 oscillations—their harmonic freshness and their repetitive quality—combine to make them well suited to Debussy's compositional project and attractive to composers to this day.","PeriodicalId":400508,"journal":{"name":"Dutch Journal of Music Theory","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122676377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信