{"title":"两部交响曲中的黑翼:勃拉姆斯第二交响曲和肖斯塔科维奇第十交响曲","authors":"Francis Maes","doi":"10.11116/MTA.3.1.4","DOIUrl":null,"url":null,"abstract":"Shostakovich research has focused mainly on the discovery of models and musical codes with political import. Other influences have remained undetected. This article argues for a reconsideration of Shostakovich's use of Brahms as a model through an intertextual reading of the first movements of Brahms's Second and Shostakovich's Tenth symphonies.","PeriodicalId":400508,"journal":{"name":"Dutch Journal of Music Theory","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Black Wings in Two Symphonies: Brahms's Second and Shostakovich's Tenth\",\"authors\":\"Francis Maes\",\"doi\":\"10.11116/MTA.3.1.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Shostakovich research has focused mainly on the discovery of models and musical codes with political import. Other influences have remained undetected. This article argues for a reconsideration of Shostakovich's use of Brahms as a model through an intertextual reading of the first movements of Brahms's Second and Shostakovich's Tenth symphonies.\",\"PeriodicalId\":400508,\"journal\":{\"name\":\"Dutch Journal of Music Theory\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-04-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dutch Journal of Music Theory\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.11116/MTA.3.1.4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dutch Journal of Music Theory","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.11116/MTA.3.1.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Black Wings in Two Symphonies: Brahms's Second and Shostakovich's Tenth
Shostakovich research has focused mainly on the discovery of models and musical codes with political import. Other influences have remained undetected. This article argues for a reconsideration of Shostakovich's use of Brahms as a model through an intertextual reading of the first movements of Brahms's Second and Shostakovich's Tenth symphonies.
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