{"title":"Affect in the Margins:","authors":"Michael M. Gamer, K. O’Loughlin","doi":"10.2307/j.ctv13qftr6.7","DOIUrl":"https://doi.org/10.2307/j.ctv13qftr6.7","url":null,"abstract":"","PeriodicalId":399237,"journal":{"name":"Material Transgressions","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117174633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vibrant Art on the Grand Tour in Anna Jameson’s Diary of an Ennuyée","authors":"H. Gallagher","doi":"10.2307/j.ctv13qftr6.9","DOIUrl":"https://doi.org/10.2307/j.ctv13qftr6.9","url":null,"abstract":"Anna Jameson’s Diary of an Ennuyée, first published in 1826, follows an unnamed narrator, a dispirited female traveller, who moves through the locales of France and Italy, surveying the objects of the Grand Tour. In the reflective space of her diary, the ennuyée begins to synthesize this material world she moves in, to understand herself as part of that world of objects, and to challenge the art viewers and artists who instead perceive materiality from a distance. Following Jane Bennett’s proposition of the ‘active, earthy, not-quite-human capaciousness’ of matter, this essay argues that the diarist recognizes and contemplates the unexpected vibrancy of the materials that she encounters. The narrator demonstrates that art writing should be more than an absolute formal assessment of quality; instead, she shows how artifacts reveal their capacity to unsettle human viewers in unexpected ways and to shape networks composed of things from diverse spaces and times.","PeriodicalId":399237,"journal":{"name":"Material Transgressions","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116885870","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hester Stanhope, ‘Un être à part’:","authors":"Jillian Heydt-Stevenson","doi":"10.2307/j.ctv13qftr6.10","DOIUrl":"https://doi.org/10.2307/j.ctv13qftr6.10","url":null,"abstract":"","PeriodicalId":399237,"journal":{"name":"Material Transgressions","volume":"331 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116233558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Remapping the Printed Page in Women’s Post-Waterloo Poetry","authors":"Emily J. Dolive","doi":"10.2307/j.ctv13qftr6.8","DOIUrl":"https://doi.org/10.2307/j.ctv13qftr6.8","url":null,"abstract":"This chapter reveals how women poets in the brief Post-Waterloo period used linguistic and structural play to resist stable notions of femininity, war, and the text itself. Felicia Hemans and critically overlooked Jane Alice Sargant manipulated the printed page to map new movements between supposedly separate bodies and texts to uncover half-hidden voices that counter limited ideologies of wartime participation. Hemans and Sargant created this new page by guiding readers’ eyes across juxtaposing genres, gendered bodies, nonhuman natures, battlefield accoutrements, and quoted speech. The chapter argues that these manipulations of body, gender, and text critique expected materialities of war and war poetry that relied on gender distinctions to determine one’s role and place during war.","PeriodicalId":399237,"journal":{"name":"Material Transgressions","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131523796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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