{"title":"6. Performing Gender, Performing Documentary in Postsocialist China","authors":"","doi":"10.1515/9789048540075-009","DOIUrl":"https://doi.org/10.1515/9789048540075-009","url":null,"abstract":"","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127132221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"List of Figures","authors":"","doi":"10.1515/9789048540075-001","DOIUrl":"https://doi.org/10.1515/9789048540075-001","url":null,"abstract":"","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"129 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115562787","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"1. The Chinese Queer Diasporic Imaginary","authors":"","doi":"10.1515/9789048540075-004","DOIUrl":"https://doi.org/10.1515/9789048540075-004","url":null,"abstract":"","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126624617","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Frontmatter","authors":"","doi":"10.1515/9789048540075-fm","DOIUrl":"https://doi.org/10.1515/9789048540075-fm","url":null,"abstract":"","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128442407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Index","authors":"","doi":"10.1515/9789048540075-014","DOIUrl":"https://doi.org/10.1515/9789048540075-014","url":null,"abstract":"","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125783749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"4. Toward an Aesthetic of Tongzhi Camp","authors":"","doi":"10.1515/9789048540075-007","DOIUrl":"https://doi.org/10.1515/9789048540075-007","url":null,"abstract":"","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133625648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Conclusion","authors":"","doi":"10.1515/9789048540075-010","DOIUrl":"https://doi.org/10.1515/9789048540075-010","url":null,"abstract":"","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125224261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"3. Mass Camp in Contemporary Hong Kong Cinema","authors":"","doi":"10.1515/9789048540075-006","DOIUrl":"https://doi.org/10.1515/9789048540075-006","url":null,"abstract":"","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126932819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Two Stage Sisters:","authors":"","doi":"10.2307/j.ctv15vwkcc.6","DOIUrl":"https://doi.org/10.2307/j.ctv15vwkcc.6","url":null,"abstract":"","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115685162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"5. Coming Out of The Box, Lalas with DV Cameras","authors":"S. Chao","doi":"10.1515/9789048540075-008","DOIUrl":"https://doi.org/10.1515/9789048540075-008","url":null,"abstract":"This chapter focuses on China’s earliest documentaries about lesbian\u0000 subjects, The Box (Ying Weiwei, 2001) and Dyke March (Shi Tou/Ming Ming,\u0000 2004), examining the imbrication of technique and content, and the issue\u0000 of “objectivity” in documentary filmmaking. It further raises the question\u0000 of how we produce knowledge about social others. Foregrounding the\u0000 tension between The Box’s knowledge/power scheme and LGBTQ-oriented\u0000 politics, I then turn to Dyke March to explore the contrast in its sensitivity\u0000 to the socio-political specificities of its subjects, and its political activist\u0000 responsibility for its subjects. This chapter finally introduces four more\u0000 recent lesbian documentaries from China, highlighting a developing trend\u0000 in Chinese lesbian documentary filmmaking: independent production that\u0000 emphasizes both collaboration and the specificity of a lesbian identity.","PeriodicalId":397544,"journal":{"name":"Queer Representations in Chinese-language Film and the Cultural Landscape","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121503039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}