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Diversifying Greek Tragedy on the Contemporary US Stage by Melinda Powers (review) 梅琳达·鲍尔斯的《当代美国舞台上的希腊悲剧多样化》（综述）
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2022-02-17 DOI: 10.1353/cdr.2021.0023
Karelisa V. Hartigan
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引用次数: 0
Laughter and Civility: the Theater of Emma Gad by Lynn R. Wilkinson (review) 《笑声与礼貌:艾玛·盖德的戏剧》林恩·r·威尔金森著(书评)
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2022-02-17 DOI: 10.1353/cdr.2021.0026
Ulla Kallenbach
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引用次数: 0
Tennessee Williams, T-shirt Modernism and the Refashionings of Theater by S. E. Gontarski (review) 田纳西·威廉姆斯，S.E.Gontarski的T恤现代主义与剧院的重塑（评论）
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2022-02-17 DOI: 10.1353/cdr.2021.0027
J. Bak
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引用次数: 0
Dancing the Dharma: Religious and Political Allegory in Japanese Noh Theatre by Susan Blakely Klein (review) 《舞动佛法:日本能剧中的宗教与政治寓言》苏珊·布莱克利·克莱因著(书评)
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2022-02-17 DOI: 10.1353/cdr.2021.0028
Elizabeth A. Oyler
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引用次数: 1
Performing Commedia dell'Arte, 1570-1630 by Natalie Crohn Schmitt (review) 艺术表演喜剧，1570-1630，娜塔莉·克罗恩·施密特(评论)
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2022-02-17 DOI: 10.1353/cdr.2021.0037
R. Henke
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引用次数: 0
Theatre and Knowledge by David Kornhaber (review) 大卫·科恩哈伯《戏剧与知识》(评论)
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2022-02-17 DOI: 10.1353/cdr.2021.0024
Paul a. Kottman
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引用次数: 0
The Winter’s Tale: Decorum, Distinction, and Shakespeare’s Chaucer 《冬天的故事:礼仪、区别与莎士比亚的乔叟》
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2021-12-03 DOI: 10.1353/cdr.2021.0016
Jeff Espie
{"title":"The Winter’s Tale: Decorum, Distinction, and Shakespeare’s Chaucer","authors":"Jeff Espie","doi":"10.1353/cdr.2021.0016","DOIUrl":"https://doi.org/10.1353/cdr.2021.0016","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"283 - 306"},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45169061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Stealing Shives: Titus Andronicus as Chaucerian Anti-Romance 偷刀:作为乔叟式反浪漫主义的提图斯·安德洛尼克斯
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2021-12-03 DOI: 10.1353/cdr.2021.0012
K. Schreyer
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引用次数: 0
The Word of Apollo: Prophecy and Vatic Poetry in Geoffrey Chaucer’s Troilus and Criseyde and William Shakespeare’s Troilus and Cressida 阿波罗的话语:乔叟的《特洛伊罗斯与克里塞德》和莎士比亚的《特洛伊罗斯与克蕾西达》中的预言与诗歌
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2021-12-03 DOI: 10.1353/cdr.2021.0015
R. Stenner
{"title":"The Word of Apollo: Prophecy and Vatic Poetry in Geoffrey Chaucer’s Troilus and Criseyde and William Shakespeare’s Troilus and Cressida","authors":"R. Stenner","doi":"10.1353/cdr.2021.0015","DOIUrl":"https://doi.org/10.1353/cdr.2021.0015","url":null,"abstract":"G Chaucer’s Troilus and Criseyde (c. 1382–86) revolves around the sexual conduct of women in a martial society, most significantly, for the narrative’s avenging Greeks, the conduct of Helen of Troy, whose “ravyssyng to wreken . . . / By Paris done, they wroughten al hir peyne.”1 One of the poem’s less prominent assessments of Helen and Paris is that of Oenone, the shepherdess of Ovid’s epistolary Heroides 5 (c. 25–16 BCE).2 The former lover of Paris, Oenone lost his affections to Helen following the contest of beauty between Venus, Juno, and Minerva. Early in Book I of Troilus and Criseyde, Chaucer places Oenone’s story in the mouth of Pandarus, who comically discusses the Ovidian source as if it were a physical letter received within the fiction of the romance. Pandarus describes the epistle that Oenone “Wrot in a compleynte of hir hevinesse,” asking Troilus if he has seen “the lettre that she wroot” (I.655–56). When Troilus answers that he has not seen it, Pandarus recites part of its closing section. Neatly dodging readerly expectation that he might set out the directly relevant backstory of Helen and Paris that the letter contains, he rather quotes Oenone’s account of Apollo:","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"259 - 282"},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44797754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Chaucerian Topoi and Topography in Thomas Dekker’s (and John Webster’s) Westward Ho (1605) and Northward Ho (1607) 托马斯·德克尔(和约翰·韦伯斯特)《西行论》(1605年)和《北行论》(1607年)中的乔叟式地形与地形
3区 艺术学
COMPARATIVE DRAMA Pub Date : 2021-12-03 DOI: 10.1353/cdr.2021.0019
C. Li
{"title":"Chaucerian Topoi and Topography in Thomas Dekker’s (and John Webster’s) Westward Ho (1605) and Northward Ho (1607)","authors":"C. Li","doi":"10.1353/cdr.2021.0019","DOIUrl":"https://doi.org/10.1353/cdr.2021.0019","url":null,"abstract":"","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"55 1","pages":"355 - 379"},"PeriodicalIF":0.0,"publicationDate":"2021-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45068251","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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