European Medieval Drama最新文献_第10页

Le Mystère de saint Clément de Metz, éd. par Frédéric Duval 《梅茨圣克莱门特之谜》，frederic Duval编辑

European Medieval Drama Pub Date : 2012-01-01 DOI: 10.1484/J.EMD.5.103765

M. Bouhaïk-Gironès

引用次数: 0

The Farce of the Fart and Other Ribaldries: Twelve Medieval French Plays in Modern English, éd. et trad. par Jody Enders 《屁的闹剧和其他讽刺剧:现代英语中的十二部中世纪法国戏剧》。传统的。帕乔迪·恩德斯

European Medieval Drama Pub Date : 2012-01-01 DOI: 10.1484/J.EMD.5.103766

Émilie Pilon-David

引用次数: 0

A Polemical Theatre Review on Stage: Johannes Cochlaeus’ Ein heimlich gsprech Vonn der Tragedia Johannis Hussen 美国好辩论的戏剧评论:约翰尼斯·考拉乌斯

European Medieval Drama Pub Date : 2012-01-01 DOI: 10.1484/J.EMD.5.103762

Cora Dietl

引用次数: 0

Interpreting the Role of Christ and His Donkey: The Palmesel as Actor in the Processional Theatre of Palm Sunday 解读基督和他的驴的角色:棕榈主日游行剧场中的棕榈男演员

European Medieval Drama Pub Date : 2012-01-01 DOI: 10.1484/J.EMD.5.103757

M. Harris

{"title":"Interpreting the Role of Christ and His Donkey: The Palmesel as Actor in the Processional Theatre of Palm Sunday","authors":"M. Harris","doi":"10.1484/J.EMD.5.103757","DOIUrl":"https://doi.org/10.1484/J.EMD.5.103757","url":null,"abstract":"One of the more popular features of the processional theatre of Palm Sunday in medieval Germany and its neighbours was a life-size, wheeled, wooden image of Christ on a donkey. First recorded in Augsburg in the late tenth century, the palmesel (palm donkey) was at the height of its urban ecclesiastical presence in the thirteenth and fourteenth centuries. Although the Protestant Reformation ended the use of the palmesel in much of northern Europe, it remained popular, albeit as an increasingly folk tradition, in southern Germany, Austria, and Switzerland until it was suppressed there, too, during the late eighteenth-century Catholic Enlightenment. The palmesel remains in use in a few communities in the Tyrol, Bavaria, Alsace, and lowland Bolivia. Most surviving palmesels, however, are now housed in museums, or displayed in churches where they were once used. Scholarship on the palmesel has largely come from German-speaking folklorists and, more recently, international art historians. Using examples from Augsburg (c. 970), Zurich (c. 1261-81), Essen (thirteenth-century), Biberach (c. 1530-35), Verona (1690), and San Jose de Chiquitos, Bolivia (2011), I assess the palmesel here less as an art object than as a dramatic participant in the processional theatre of Palm Sunday","PeriodicalId":39581,"journal":{"name":"European Medieval Drama","volume":"16 1","pages":"1-17"},"PeriodicalIF":0.0,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1484/J.EMD.5.103757","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66678221","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Fastnachtspiele. Weltliches Schauspiel in literarischen und kulturellen Kontexten, ed. by Klaus Ridder Fastnachtspiele .一场在文学和文化背景下的世俗表演，克劳斯·雷德

European Medieval Drama Pub Date : 2012-01-01 DOI: 10.1484/J.EMD.5.103767

Leif Søndergaard

引用次数: 0

‘Putting People in their Place in French Hagiographic Mystery Plays’: The Craft(s) of Medieval Theatre: Spaces and People “把人物放在他们的位置在法国的圣徒神秘戏剧”:中世纪戏剧的工艺(s):空间和人

European Medieval Drama Pub Date : 2012-01-01 DOI: 10.1484/J.EMD.5.103759

V. Hamblin

{"title":"‘Putting People in their Place in French Hagiographic Mystery Plays’: The Craft(s) of Medieval Theatre: Spaces and People","authors":"V. Hamblin","doi":"10.1484/J.EMD.5.103759","DOIUrl":"https://doi.org/10.1484/J.EMD.5.103759","url":null,"abstract":"Since the 1970s, scholars of medieval theatre have described late medieval vernacular performances as communal events on the one hand and as vehicles for demonstrating social authority on the other. This article steps into the space between collective intention and particular agency to compare three late medieval performance remnants with different histories. Using textual evidence of three types -prologues and epilogues, marginal staging notations, and embedded (spoken) cues about staging - 'Putting People in their Place in French Hagiographic Mystery Plays' re-imagines the spatial dimensions of three very different venues, including the construction of their stages, the relationship between player and spectator, and the social implications thereof. Ultimately, this study builds a case for the individual mandates, traditions, and performances of the Mystere de saint Laurent, which survives in an early sixteenth-century edition, the Jeu de saint Estienne pape et martire, a sixteenth-century manuscript copy of a three-session play that was performed in Saint-Mihiel (Belgium) in 1548, and the Mystere de saint Christofle, which survives in two sixteenth-century editions.","PeriodicalId":39581,"journal":{"name":"European Medieval Drama","volume":"16 1","pages":"33-51"},"PeriodicalIF":0.0,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1484/J.EMD.5.103759","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66678300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Universitätsangehörige als Dramenautoren und Regisseure - Wien als Fallbeispiel 作为剧作家兼导演维也纳作为案例分析

European Medieval Drama Pub Date : 2011-01-01 DOI: 10.1484/J.EMD.1.102933

K. Wolf

引用次数: 0

Hildegard of Bingen (1098–1179) and her Music Drama Ordo virtutum: A Critical Review of Scholarship and Some New Suggestions 宾根的希尔德加德(1098-1179)和她的音乐剧《奥多的美德》:学术评论和一些新建议

European Medieval Drama Pub Date : 2011-01-01 DOI: 10.1484/J.EMD.1.102935

Eckehard Simon

引用次数: 2

Dramatic Aspects of Medieval Magic in Scandinavia 斯堪的纳维亚中世纪魔法的戏剧性方面

European Medieval Drama Pub Date : 2011-01-01 DOI: 10.1484/J.EMD.1.102937

Leif Søndergaard