OUD HOLLANDPub Date : 2018-08-21DOI: 10.1163/18750176-13101002
Jaap van der Veen
{"title":"De allegorische familiegroep van een echtpaar met twee kinderen door Gerard de Lairesse: De Amsterdamse apotheker Christoffel Sprongh en zijn gezin","authors":"Jaap van der Veen","doi":"10.1163/18750176-13101002","DOIUrl":"https://doi.org/10.1163/18750176-13101002","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"92 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2018-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75320760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUD HOLLANDPub Date : 2018-08-21DOI: 10.1163/18750176-13101004
Lieke van Deinsen
{"title":"Achter het masker van de Muiderkring: Een nieuw portret voor Roemer Visscher (1547-1620)","authors":"Lieke van Deinsen","doi":"10.1163/18750176-13101004","DOIUrl":"https://doi.org/10.1163/18750176-13101004","url":null,"abstract":"The authenticity of the portrait of the Amsterdam poet Roemer Pieterszoon Visscher (1547-1620)-depicted as an old man with a beard and distinctive hat-has been a subject of debate ever since it was printed in Jacobus Scheltema's Anna en Maria Tesselschade, de dochters van Roemer Visscher (1808).Although the portrait formed the basis for the likeness of Roemer Visscher in popular nineteenth-century depictions of the mythical Muiderkring,its accuracy was quickly put into question.In 1887, the matter resulted in a heated argument between Joseph Alberdingk Thijm (1820-1889) and Nicolaas de Roever (1850-1893) in the journal De Amsterdammer. The latter suspected that the iconic portrait was one of many historical falsifications of Jan Stolker (1724-1785) and was thereafter falsely incorporated into contemporary images that featured literary and intellectual frontrunners of the nation's Golden Age. According to De Roever,a far more likely representation of the seventeenth-century poet and his coat of arms was included on the militia piece Schutters van de compagnie van kapitein Egbert Vinck (1586).Unfortunately,the painting was lost and the composition survived only through a drawing by Jacob Colijn from almost a century later.By that time only a sketchy en profil portrait of Roemer Visscher was available. Due to a lack of conclusive evidence, the dispute eventually ended in an impasse.Although later research supported De Roever's suspicions and rejected the well-known portrait of Roemer Visscher as an accurate likeness, knowledge about the real portrait of the popular poet was still limited. However,a long lost early eighteenth-century portrait by Arnoud van Halen (1683-1732) sheds new light on the subject matter. The small oval painting was part of the so-called Panpoeticon Batavum,an eighteenth-century collection of author's portraits placed in a wooden cabinet,which features the highlights of Dutch literary and intellectual history. By presenting this portrait of Roemer Visscher,we can now,for the first time, connect the face with the words of one of the leading early modern Dutch poets.","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"61 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2018-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78737443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUD HOLLANDPub Date : 2018-08-21DOI: 10.1163/18750176-13101005
Patrick Larsen
{"title":"Niet Jürgen Ovens (1623-1678), maar een onbekende oude man in Houbrakens Groote Schouburgh (1718)","authors":"Patrick Larsen","doi":"10.1163/18750176-13101005","DOIUrl":"https://doi.org/10.1163/18750176-13101005","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"20 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2018-08-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90866084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUD HOLLANDPub Date : 2018-01-01DOI: 10.1163/18750176-1310304003
X. V. Eck
{"title":"Charity in the audience of John the Baptist","authors":"X. V. Eck","doi":"10.1163/18750176-1310304003","DOIUrl":"https://doi.org/10.1163/18750176-1310304003","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"16 1","pages":"133-138"},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83876041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUD HOLLANDPub Date : 2018-01-01DOI: 10.1163/18750176-1310304006
Editors Oud Holland
{"title":"The list of paintings of Isabella Van Laer with an introduction","authors":"Editors Oud Holland","doi":"10.1163/18750176-1310304006","DOIUrl":"https://doi.org/10.1163/18750176-1310304006","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"13 1","pages":"174-178"},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138532093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUD HOLLANDPub Date : 2018-01-01DOI: 10.1163/18750176-1310304008
T. Meedendorp, Y. Vasseur
{"title":"A case of mistaken identity: Concerning the photographic portrait of Vincent van Gogh, age thirteen","authors":"T. Meedendorp, Y. Vasseur","doi":"10.1163/18750176-1310304008","DOIUrl":"https://doi.org/10.1163/18750176-1310304008","url":null,"abstract":"Oud Holland 2018 3/4 volume 131 1 John Peter Russell, Portrait of Vincent van Gogh, 1886, oil on canvas, 60.1 x 45.6 cm, Amsterdam, Van Gogh Museum (Vincent van Gogh Foundation), inv. s0273V/1962. What did Vincent van Gogh (1853-1890) actually look like? We have self-portraits dating back to his time in Paris, when he was already thirty-three, but these ‘selfijies’ do not always give a consistent impression of the person depicted. The painterly aspect proved more important to Van Gogh than a faithful likeness. All the same, there are certain constants: the ginger hair and beard, a high and slightly sloping forehead, and somewhat deep-set green eyes.1 Interestingly, Van Gogh’s contemporary Archibald Standish Hartrick felt that the most faithful resemblance was found not in one of the self-portraits, but in the portrait that John Peter Russell made of Van Gogh toward the end of 1886, in which he looks searchingly over his shoulder at the viewer (fijig. 1).2 TEIO MEEDENDORP & YVES VASSEUR","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"24 1","pages":"193-206"},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83035661","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUD HOLLANDPub Date : 2018-01-01DOI: 10.1163/18750176-1310304007
A. Graciano
{"title":"A Dutch connection: Re-identifying a sitter at the National Portrait Gallery in London","authors":"A. Graciano","doi":"10.1163/18750176-1310304007","DOIUrl":"https://doi.org/10.1163/18750176-1310304007","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"72 1","pages":"179-192"},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90348885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUD HOLLANDPub Date : 2018-01-01DOI: 10.1163/18750176-1310304004
R. Landsman
{"title":"Caspar van Wittel's family ties","authors":"R. Landsman","doi":"10.1163/18750176-1310304004","DOIUrl":"https://doi.org/10.1163/18750176-1310304004","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"43 1","pages":"139-150"},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83876602","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUD HOLLANDPub Date : 2018-01-01DOI: 10.1163/18750176-1310304001
D. Heesch
{"title":"Out of Bosch’s shadow: A rediscovered altarpiece by Jan Mandijn","authors":"D. Heesch","doi":"10.1163/18750176-1310304001","DOIUrl":"https://doi.org/10.1163/18750176-1310304001","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"33 1","pages":"109-122"},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89431856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
OUD HOLLANDPub Date : 2018-01-01DOI: 10.1163/18750176-1310304002
E. Kolfin
{"title":"African man with a conch, ca. 1620-1625: A new attribution to Abraham Bloemaert","authors":"E. Kolfin","doi":"10.1163/18750176-1310304002","DOIUrl":"https://doi.org/10.1163/18750176-1310304002","url":null,"abstract":"","PeriodicalId":39579,"journal":{"name":"OUD HOLLAND","volume":"22 1","pages":"123-132"},"PeriodicalIF":0.3,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83824505","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}