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An Indolent and Blundering Art?最新文献

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Private sociability versus professional status: etching clubs and societies in nineteenth-century England 私人社交与职业地位:19世纪英国的蚀刻俱乐部和社团
An Indolent and Blundering Art? Pub Date : 2018-08-10 DOI: 10.4324/9780429456800-3
Emma S. Chambers
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引用次数: 0
Etching from nature: urban texts and tourism 自然蚀刻:城市文本与旅游
An Indolent and Blundering Art? Pub Date : 2018-08-10 DOI: 10.4324/9780429456800-6
Emma S. Chambers
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引用次数: 0
Exhibition culture: the luxury commodity and the status of etching in the late nineteenth century 展览文化:奢侈品商品与蚀刻在19世纪末的地位
An Indolent and Blundering Art? Pub Date : 2018-08-10 DOI: 10.4324/9780429456800-7
Emma S. Chambers
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引用次数: 0
Introduction: 'An indolent and blundering art'? The Etching Revival and the redefinition of etching in England 1838–1892 导言:“一种懒惰而浮躁的艺术”?1838-1892年英国蚀刻术的复兴和蚀刻术的重新定义
An Indolent and Blundering Art? Pub Date : 2018-08-10 DOI: 10.4324/9780429456800-1
Emma S. Chambers
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引用次数: 0
Objects of desire: etching and print collecting 欲望对象:蚀刻和版画收藏
An Indolent and Blundering Art? Pub Date : 2018-08-10 DOI: 10.4324/9780429456800-4
Emma S. Chambers
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引用次数: 0
Medium and message: etching and the illustrated book 媒介与信息:蚀刻与绘本
An Indolent and Blundering Art? Pub Date : 2018-08-10 DOI: 10.4324/9780429456800-5
Emma S. Chambers
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引用次数: 0
From chemical process to the aesthetics of omission: etching and the languages of art criticism in nineteenth-century England 从化学过程到省略美学:蚀刻与19世纪英国艺术批评的语言
An Indolent and Blundering Art? Pub Date : 2018-08-10 DOI: 10.4324/9780429456800-2
Emma S. Chambers
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引用次数: 0
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