{"title":"From chemical process to the aesthetics of omission: etching and the languages of art criticism in nineteenth-century England","authors":"Emma S. Chambers","doi":"10.4324/9780429456800-2","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":394074,"journal":{"name":"An Indolent and Blundering Art?","volume":"38 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"An Indolent and Blundering Art?","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4324/9780429456800-2","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
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