{"title":"Ein Avantgardefilm im Medienumbruch – René Clairs erster Tonfilm Sous les toits de Paris","authors":"Marion Tendam","doi":"10.14361/9783839402795-011","DOIUrl":"https://doi.org/10.14361/9783839402795-011","url":null,"abstract":"","PeriodicalId":393610,"journal":{"name":"Französische Theaterfilme - zwischen Surrealismus und Existentialismus","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122396124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Georges Batailles unsichtbarer Film: Das Szenario La maison brûlée","authors":"H. Finter","doi":"10.3726/978-3-653-03748-7/36","DOIUrl":"https://doi.org/10.3726/978-3-653-03748-7/36","url":null,"abstract":"","PeriodicalId":393610,"journal":{"name":"Französische Theaterfilme - zwischen Surrealismus und Existentialismus","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114285892","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Marcel Pagnol auf dem Weg vom Theater zum Film: Marius, Fanny, César","authors":"D. Winkler","doi":"10.14361/9783839402795-006","DOIUrl":"https://doi.org/10.14361/9783839402795-006","url":null,"abstract":"","PeriodicalId":393610,"journal":{"name":"Französische Theaterfilme - zwischen Surrealismus und Existentialismus","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131329581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Le cinéma de Roger Vitrac","authors":"H. Béhar","doi":"10.14361/9783839402795-001","DOIUrl":"https://doi.org/10.14361/9783839402795-001","url":null,"abstract":"","PeriodicalId":393610,"journal":{"name":"Französische Theaterfilme - zwischen Surrealismus und Existentialismus","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131590258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Règle du jeu – eine surrealistische Phantasie von Jean Renoir?!","authors":"I. Queipo","doi":"10.14361/9783839402795-015","DOIUrl":"https://doi.org/10.14361/9783839402795-015","url":null,"abstract":"","PeriodicalId":393610,"journal":{"name":"Französische Theaterfilme - zwischen Surrealismus und Existentialismus","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115306700","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Schon tot? Szenen des Blicks bei Sartre","authors":"Michael Lommel","doi":"10.14361/9783839402795-008","DOIUrl":"https://doi.org/10.14361/9783839402795-008","url":null,"abstract":"","PeriodicalId":393610,"journal":{"name":"Französische Theaterfilme - zwischen Surrealismus und Existentialismus","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129643279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Backmatter","authors":"","doi":"10.1515/9783839402795-bm","DOIUrl":"https://doi.org/10.1515/9783839402795-bm","url":null,"abstract":"","PeriodicalId":393610,"journal":{"name":"Französische Theaterfilme - zwischen Surrealismus und Existentialismus","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126331683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Überholte Körper? Mensch und Mechanik im Avantgardefilm der 20er Jahre","authors":"Hanno Ehrlicher","doi":"10.14361/9783839402795-009","DOIUrl":"https://doi.org/10.14361/9783839402795-009","url":null,"abstract":"","PeriodicalId":393610,"journal":{"name":"Französische Theaterfilme - zwischen Surrealismus und Existentialismus","volume":"IA-13 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114121480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Theater/Film – der Konflikt Artaud/Dulac als Paradigma","authors":"Inga Lemke","doi":"10.14361/9783839402795-005","DOIUrl":"https://doi.org/10.14361/9783839402795-005","url":null,"abstract":"","PeriodicalId":393610,"journal":{"name":"Französische Theaterfilme - zwischen Surrealismus und Existentialismus","volume":"25 3-4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2004-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114038346","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}