{"title":"On Making Music with Heartbeats","authors":"E. Chew","doi":"10.1007/978-3-030-72116-9_9","DOIUrl":"https://doi.org/10.1007/978-3-030-72116-9_9","url":null,"abstract":"","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124348695","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Andrew Mcleod, Rodrigo Schramm, Mark Steedman, Emmanouil Benetos
{"title":"Automatic Transcription of Polyphonic Vocal Music","authors":"Andrew Mcleod, Rodrigo Schramm, Mark Steedman, Emmanouil Benetos","doi":"10.3390/APP7121285","DOIUrl":"https://doi.org/10.3390/APP7121285","url":null,"abstract":"This paper presents a method for automatic music transcription applied to audio recordings of a cappella performances with multiple singers. We propose a system for multi-pitch detection and voice assignment that integrates an acoustic and a music language model. The acoustic model performs spectrogram decomposition, extending probabilistic latent component analysis (PLCA) using a six-dimensional dictionary with pre-extracted log-spectral templates. The music language model performs voice separation and assignment using hidden Markov models that apply musicological assumptions. By integrating the two models, the system is able to detect multiple concurrent pitches in polyphonic vocal music and assign each detected pitch to a specific voice type such as soprano, alto, tenor or bass (SATB). We compare our system against multiple baselines, achieving state-of-the-art results for both multi-pitch detection and voice assignment on a dataset of Bach chorales and another of barbershop quartets. We also present an additional evaluation of our system using varied pitch tolerance levels to investigate its performance at 20-cent pitch resolution.","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127140655","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Structure, Abstraction and Reference in Artificial Musical Intelligence","authors":"Geraint A. Wiggins","doi":"10.1007/978-3-030-72116-9_15","DOIUrl":"https://doi.org/10.1007/978-3-030-72116-9_15","url":null,"abstract":"","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129834422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Human–Machine Simultaneity in the Compositional Process","authors":"Hanns Holger Rutz","doi":"10.1007/978-3-030-72116-9_2","DOIUrl":"https://doi.org/10.1007/978-3-030-72116-9_2","url":null,"abstract":"","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126437176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Vahri McKenzie, N. J. Thompson, D. Moore, G. Ben-Ary
{"title":"cellF: Surrogate Musicianship as a Manifestation of In-Vitro Intelligence","authors":"Vahri McKenzie, N. J. Thompson, D. Moore, G. Ben-Ary","doi":"10.1007/978-3-030-72116-9_32","DOIUrl":"https://doi.org/10.1007/978-3-030-72116-9_32","url":null,"abstract":"","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127954993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Human-Centred Artificial Intelligence in Concatenative Sound Synthesis","authors":"Noris Binti Mohd Norowi","doi":"10.1007/978-3-030-72116-9_21","DOIUrl":"https://doi.org/10.1007/978-3-030-72116-9_21","url":null,"abstract":"","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131041607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From Audio to Music Notation","authors":"Lele Liu, Emmanouil Benetos","doi":"10.1007/978-3-030-72116-9_24","DOIUrl":"https://doi.org/10.1007/978-3-030-72116-9_24","url":null,"abstract":"","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130176803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Francisco Vico, D. Albarracín-Molina, Gustavo Diaz-Jerez, L. Manzoni
{"title":"Automatic Music Composition with Evolutionary Algorithms: Digging into the Roots of Biological Creativity","authors":"Francisco Vico, D. Albarracín-Molina, Gustavo Diaz-Jerez, L. Manzoni","doi":"10.1007/978-3-030-72116-9_17","DOIUrl":"https://doi.org/10.1007/978-3-030-72116-9_17","url":null,"abstract":"","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116350883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
M. Ogihara, Brian Manolovitz, V. Y. Shinohara, Gang Ren, T. Tavares
{"title":"Graph-Based Representation, Analysis, and Interpretation of Popular Music Lyrics Using Semantic Embedding Features","authors":"M. Ogihara, Brian Manolovitz, V. Y. Shinohara, Gang Ren, T. Tavares","doi":"10.1007/978-3-030-72116-9_26","DOIUrl":"https://doi.org/10.1007/978-3-030-72116-9_26","url":null,"abstract":"","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116201615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Folk the Algorithms: (Mis)Applying Artificial Intelligence to Folk Music","authors":"Bob L. Sturm, Oded Ben-Tal","doi":"10.1007/978-3-030-72116-9_16","DOIUrl":"https://doi.org/10.1007/978-3-030-72116-9_16","url":null,"abstract":"","PeriodicalId":393493,"journal":{"name":"Handbook of Artificial Intelligence for Music","volume":"231 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114202457","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}