{"title":"‘Vrouwen baren het rijm’","authors":"J. Weijermars","doi":"10.5117/nedlet2019.3.001.weij","DOIUrl":"https://doi.org/10.5117/nedlet2019.3.001.weij","url":null,"abstract":"\u0000 \u0000 ‘Women bear the rhyme’\u0000 \u0000 \u0000 Prudens van Duyse (1804-1859) as mediator of female authors\u0000 \u0000 The Flemish poet, Prudens van Duyse (1804-1859), was a leading literary figure in the first half of the nineteenth century. In addition to his work as a writer, he also acted as a cultural mediator and it is striking that, in his work, he paid exceptional attention to female authors. This article examines, on the one hand, the relationship between Van Duyse's formulated beliefs and norms about female authors; and on the other, his motives and intentions for bringing these authors so prominently into the spotlight. In addition, it reveals how he incorporated female authors into his romantic poetics and employed them in his cultural-nationalist program.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48107479","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De reisbrieven van R.C. Bakhuizen van den Brink, geschreven gedurende zijn ‘ballingschap’, 1844-1851","authors":"R.J.M. van de Schoor","doi":"10.5117/nedlet2019.3.002.vand","DOIUrl":"https://doi.org/10.5117/nedlet2019.3.002.vand","url":null,"abstract":"\u0000 \u0000 R.C. Bakhuizen van den Brink’s travel letters, written during his ‘exile’, 1844-1851\u0000 \u0000 In the years 1844-1851, during his journey along libraries and archives in Germany and Austria, the young scholar and later writer and archivist Bakhuizen van den Brink (1810-1865) wrote extensive love letters to Julie Simon, who he had left behind in Liège. Expressing the emotions aroused by his exile from the Netherlands and the separation from the young woman whose heart he desired to win, Bakhuizen resorted to themes that are recurrent in other literary genres such as the epic and the Bildungsroman. Understanding the letters as works of art, this article sets out to trace and analyze these intertextual references between the letters and the genres of the epic and the Bildungsroman. References to the latter come to light when comparing the love letters to the letters Bakhuizen van den Brink wrote to his learned Dutch friends. By disclosing this intertextual network and by relating the themes from the epic and Bildungsroman to the repertoire of the young, 19th-century Dutch scholar, this article holds an attempt to deconstruct these 19th-century love letters.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47727337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Grenscontroles in het Nederlandse literaire veld van het interbellum","authors":"J. Wagner, R. Grüttemeier","doi":"10.5117/nedlet2019.3.003.wagn","DOIUrl":"https://doi.org/10.5117/nedlet2019.3.003.wagn","url":null,"abstract":"\u0000 \u0000 Border control in the Dutch literary field between the wars. The literary critic A.M. de Jong and Nieuwe Zakelijkheid\u0000 \u0000 \u0000 Powerful critics around the journal Forum (1932-1935) like Hendrik Marsman and Menno ter Braak branded authors of Nieuwe Zakelijkheid to be no more than reporters and imitating followers – as opposed to ‘real’ writers of literature. However, from a field theoretical perspective, what seems to be a critical judgment in a literary debate, on closer inspection turns out to be about delimitating the borders of the literary field against a young group of journalists trying to find their way into literature. Against this background the present article focuses on Forum-opponent A.M. de Jong and his use of Nieuwe Zakelijkheid, situated within the debate on the term and the concept in other art disciplines as painting or architecture. The article argues that De Jong’s concept of literature reveals more similarities with his assumed antagonists than current research claims.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46740862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Hij zou onder diens ogen een vent zijn’","authors":"S. Pieterse","doi":"10.5117/nedlet2019.2.002.piet","DOIUrl":"https://doi.org/10.5117/nedlet2019.2.002.piet","url":null,"abstract":"\u0000 \u0000 ‘He would be a man in his eyes. ’ Male homosocial desire in novels by Menno Ter Braak\u0000 \u0000 Menno ter Braak is one of the most prominent writers of Dutch high modernism. In his two novels, Hampton Court and Dr. Dumay verliest…, the double bind of homosocial desire is fully operative. Building on the critical work of Eve Kosofsky Sedgwick, this paper questions the role of the ‘epistemology of the closet’ in Ter Braaks literary oeuvre, which is peppered with scenes of closeted homosexual desire. Moreover, and in addition to Sedgwick, I pay special attention to the representation of emancipated women in Ter Braaks novels. As I aim to show, the male characters seem to have accepted (or even internalised) feminist notions. Yet, the relative closeness to, and sometimes even identification with, emancipated women, reinforces the conservative reflexes build within male homosocial bonds. So in the end, the conservative fear on which the homosocial bond feeds, trumps the desire for change and a loosening up of the erotic spectrum.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48306867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De nieuwe lichting","authors":"Sven Vitse","doi":"10.5117/nedlet2019.2.005.vits","DOIUrl":"https://doi.org/10.5117/nedlet2019.2.005.vits","url":null,"abstract":"\u0000 \u0000 ‘The new batch’. Anja Meulenbelt and men's liberation in the Netherlands\u0000 \u0000 Dutch writer and activist Anja Meulenbelt was a key figure in second wave feminism in the Netherlands. Her autofictional novel De schaamte voorbij is considered a milestone in feminist literature in Dutch. Besides her literary work, she had published widely on gender and literary criticism from the 1970s onwards and continues to do so today. A lesser known aspect of her writing and activism concerns masculinity and male emancipation. Second wave feminism was accompanied by a pro-feminist men’s movement which included a number of short-lived periodicals such as Mannentaal en Manuscript. Meulenbelt took serious interest in this movement and commented on it in various essays and articles, arguing that its questioning of the male gender role could contribute to gender equality. This article traces Meulenbelt’s involvement with men’s activism and masculinity studies and discusses the representation of men and masculinity in two novels: De schaamte voorbij and Alba. While the former suggests an impasse in heterosexual relationships with men, even with those of the ‘new generation’ who have been influenced by feminism, the latter depicts a more gratifying relationship with an emancipated male partner.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41671552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Leve de vrouw in al haar vrijheid. Rochelen is onfatsoenlijk’1","authors":"Liesbeth Minnaard","doi":"10.5117/nedlet2019.2.006.minn","DOIUrl":"https://doi.org/10.5117/nedlet2019.2.006.minn","url":null,"abstract":"\u0000 \u0000 ‘Long live woman and her freedom. It is indecent to gurgle.’ Muslims, masculinity and irony in Hafid Bouazza's work\u0000 \u0000 This article sets out to scrutinize the world of difference that lies between Hafid Bouazza’s story-collection De voeten van Abdullah from 1996, and his collection of essays De akker en de mantel from 2015. It does so by means of a critical re-reading of Bouazza’s celebrated 1996 debut, a work that at that time was primarily read as a tongue-in-cheek depiction of rural Muslim life. This re-reading positions De voeten van Abdullah in a ‘pre-post-erous’ relation to Bouazza’s later, Islam-critical, if not Islamophobic writing. This article’s comparative analysis of both works focuses in particular on the representation of Muslim masculinity and of the supposed threat that this particular masculinity poses to the position of women in society. As I will argue it is the transideological and elusive force of irony in Bouazza’s stories that makes them escape any final determination. The ‘pre-post-erous’ juxtaposition of the two works, however, not only reveals their ideological and historical situatedness, but also that of their readers/readings.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47035987","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Een man in het nauw maakt rare sprongen","authors":"Emma Gosses","doi":"10.5117/nedlet2019.2.007.goss","DOIUrl":"https://doi.org/10.5117/nedlet2019.2.007.goss","url":null,"abstract":"\u0000 \u0000 Desperate men leed to desperate deeds. Masculinity in Arthur van Amerongen's posture\u0000 \u0000 To study the dynamics in the alleged ‘crisis of masculinity’ through a case-study, this contribution makes a posture analysis of columnist Arthur van Amerongen. By exploring his posture and the field that speaks from it, it becomes clear how mechanisms such as sexual nationalism, masculinnocence, and recurring anti-feminism tropes give shape to masculinity. Van Amerongen performs a victimized hegemonic white masculinity: he embodies the type of dominant masculinity, but claims to have lost the hegemonic position in the gender hierarchy. Coming from a heteronormative, phallogocentric worldview, he portrays a domination over white masculinity by third wave feminism that favours potentially dangerous cultural and religious diversity. When speaking of topics regarding boundaries, sex, gender, or other ethnicities, his posture is repeatedly ambiguous. This use of detours to attain masculinity underscores the professed shift in the gender hegemony.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44056930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Opdat ik heenga als een man’","authors":"M. Meijer","doi":"10.5117/nedlet2019.2.004.meij","DOIUrl":"https://doi.org/10.5117/nedlet2019.2.004.meij","url":null,"abstract":"\u0000 \u0000 ‘That I may perish like a man’. War and masculinity\u0000 \u0000 This essay focuses on the cultural representation of masculinity in times of war. It unravels the gender effects of the topic ‘call to arms’ in which men are addressed as soldiers while women are often relegated to invisibility or to a helping role. Thus, the onset of war creates gender. The topic reconstitution of men and women in times of war is first analysed in a selected corpus of Dutch war poetry (Jan Camperts ‘Het lied der achttien dooden’ (1943) among others), secondly in Michael Curtiz’ classic film Casablanca (1942) and finally in W.F. Hermans’ novel De donkere kamer van Damocles (1958). Cultural texts can create genders, as I am demonstrating through a detailed analysis of Casablanca, but they can also resist this creation and critically enlighten its failure, which is, in my view, the gender scenario of De donkere kamer van Damocles.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42164117","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mannelijkheid in de Nederlandse literatuur","authors":"S. Pieterse, Sven Vitse","doi":"10.5117/nedlet2019.2.001.piet","DOIUrl":"https://doi.org/10.5117/nedlet2019.2.001.piet","url":null,"abstract":"","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48531186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"De mannenfantasieën van Lucebert","authors":"S. Bax","doi":"10.5117/nedlet2019.2.003.bax","DOIUrl":"https://doi.org/10.5117/nedlet2019.2.003.bax","url":null,"abstract":"\u0000 \u0000 Lucebert’s male fantasies. Bertus Swaanswijk/Lucebert’s early poetry read in the light of biographical information on Swaanswijk's war years\u0000 \u0000 In his biography of Dutch poet Lucebert, biographer Wim Hazeu published fragments of letters in which young Bertus Swaanswijk, who worked in a German factory during World War 2, spoke positive about nazi-Germany and used antisemitic discourse. In this article, the early poems of Swaanswijk/Lucebert are analysed from the perspective of Klaus Theweleits theories on ‘male fantasies’ in texts written by early 20th century Freikorps soldiers. This analysis will be used to reflect on the question whether the biographical knowledge should influence our interpretation of Lucebert’s poetry.","PeriodicalId":39266,"journal":{"name":"Nederlandse Letterkunde","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41434408","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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