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Studies in Theatre Production最新文献

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The Actor As Chameleon: experiments in style, genre and multi-media 作为变色龙的演员:风格、类型和多媒体的实验
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1995.10806910
Steve Dixon
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引用次数: 1
Computer Aided Scenography: some observations on procedures and concepts 计算机辅助布景:对程序和概念的一些观察
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1996.10806936
Gavin P. Carver
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引用次数: 0
Howard Brenton's Hitler Dances in Production 霍华德·布伦顿的《希特勒在生产中跳舞
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1990.10806822
Richard Boon, M. Mangan
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引用次数: 0
Colston Research Society: Conference on New Approaches to Theatre Studies and Performance Analysis 科尔斯顿研究学会：戏剧研究和表演分析新方法会议
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1995.10806920
G. Berghaus
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引用次数: 0
Show and tell: the delights of devising theatre 表演和讲述:设计戏剧的乐趣
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1997.10806946
Alison Oddey
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引用次数: 0
Memory play: role-play or leucotome? The case of Rose Williams and Suddenly Last Summer 记忆游戏:角色扮演还是白癜风?罗斯·威廉姆斯和去年夏天突然
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1997.10806961
Chris Banfield
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引用次数: 0
Atmosphere, Space, Stasis: Staging Pinter's Mountain Language and A Kind of Alaska using the techniques of Michael Chekhov 气氛、空间、静止:用契诃夫的手法演绎品特的《山地语言》和《一种阿拉斯加》
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1999.10807010
Jonathan Pitches, A. Shrubsall
{"title":"Atmosphere, Space, Stasis: Staging Pinter's Mountain Language and A Kind of Alaska using the techniques of Michael Chekhov","authors":"Jonathan Pitches, A. Shrubsall","doi":"10.1080/13575341.1999.10807010","DOIUrl":"https://doi.org/10.1080/13575341.1999.10807010","url":null,"abstract":"(1999). Atmosphere, Space, Stasis: Staging Pinter's Mountain Language and A Kind of Alaska using the techniques of Michael Chekhov. Studies in Theatre Production: Vol. 19, No. 1, pp. 36-66.","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"85 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115734653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Building a Barker Character: a methodology from The Last Supper 《最后的晚餐》中的方法论:塑造巴克角色
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1995.10806909
L. Tomlin
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引用次数: 16
The Sadista Sisters 萨迪斯塔姐妹
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1995.10806902
J. Alderson
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引用次数: 0
Video Performance: An Electronic Theatre of (Dis-)Illusion 影像表演:一个(非)幻觉的电子剧场
Studies in Theatre Production Pub Date : 1900-01-01 DOI: 10.1080/13575341.1996.10806935
G. Berghaus, B. Slater
{"title":"Video Performance: An Electronic Theatre of (Dis-)Illusion","authors":"G. Berghaus, B. Slater","doi":"10.1080/13575341.1996.10806935","DOIUrl":"https://doi.org/10.1080/13575341.1996.10806935","url":null,"abstract":"From Video Art to Video Performance The medium of electro-magnetic video recordings became first available in the early 1960s in an enormously expensive and cumbersome TV broadcast format. Artists began to avail themselves of the new technology when Sony released its first ponapak in 1965. Although not cheap, these new machines were offering unlimited possibilities of image transformation and manipulation in the recording or post-production process. Immediate live feedback meant that the recording and playback of the image occurred simultaneously and that the time lag between recording and viewing of images was cut to zero. Compared to celluloid film, the portapak was simple and flexible in its use; it rendered recording crews and operators superfluous and allowed individual work to replace that of large teams.","PeriodicalId":391451,"journal":{"name":"Studies in Theatre Production","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134157537","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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