The International Visual Culture Review最新文献

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Albrecht Durer and the 16TH Century Melancholy 阿尔布雷希特·丢勒与16世纪的忧郁
The International Visual Culture Review Pub Date : 2020-06-10 DOI: 10.37467/gka-visualrev.v2.2547
M. Rodrigues
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引用次数: 0
Mining Textiles:Extracting multi-narrative responses from textiles to rethink a mining past 采矿纺织品:从纺织品中提取多重叙事反应,重新思考采矿的过去
The International Visual Culture Review Pub Date : 2019-02-07 DOI: 10.37467/GKA-VISUALREV.V1.1770
C. Barber
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引用次数: 0
On Kitsch in Nature & Technology: Redefining Kitsch for Posthuman Feminist Aesthetics 论自然与技术中的媚俗:后人类女性主义美学对媚俗的重新定义
The International Visual Culture Review Pub Date : 2019-02-06 DOI: 10.37467/gka-visualrev.v1.1747
Kristen Casey
{"title":"On Kitsch in Nature & Technology: Redefining Kitsch for Posthuman Feminist Aesthetics","authors":"Kristen Casey","doi":"10.37467/gka-visualrev.v1.1747","DOIUrl":"https://doi.org/10.37467/gka-visualrev.v1.1747","url":null,"abstract":"This research makes a case for a shift from thinking of kitsch as a phenomenon extending from the industrial revolution, to one that is considered preternatural, existing as a state of being or a process of becoming. This re-theorization co-opts the pejorative connotations of ‘bad’, ‘trash’, and ‘imitation’ and ‘failure’ into positive processes and useful metaphors for contemporary aesthetics, particularly for feminist aesthetics. Its ultimate goal is to articulate an aesthetic theory for Posthuman Feminist Aesthetics and to redefine kitsch as it exists in media culture.","PeriodicalId":388626,"journal":{"name":"The International Visual Culture Review","volume":"93 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133167036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Changing Perception of Beauty in India 印度人对美的看法正在改变
The International Visual Culture Review Pub Date : 2019-02-06 DOI: 10.37467/gka-visualrev.v1.1729
N. Seth
{"title":"Changing Perception of Beauty in India","authors":"N. Seth","doi":"10.37467/gka-visualrev.v1.1729","DOIUrl":"https://doi.org/10.37467/gka-visualrev.v1.1729","url":null,"abstract":"Key Words - Perception, Perfection, Stereotypes, Appearance, Transformation What do we perceive as beautiful and why? Is it a reflection of the social scenarios, economic backgrounds or perhaps our history that influences us? The paper investigates and analyses the reasons for the stereotypical perceptions of beauty and discusses the slow but evident transformation that is taking place in our country. With access to the world via social media there is an interesting emergence that seems to have gained momentum in the last decade. This instantaneous and uninterrupted access to all forms of media has left one either trapped in the hope to achieve superficial perfection or towards a sense of liberation. There is enough evidence that the hurried homogenized half-digested content being offered has led to an overwhelming obsession with one’s appearance. Feeding on the insecurities has benefited many organizations and individuals. The advent of this digital culture has also led to a change in the cosmopolitan ideal and the millennial woman of India does not want to conform to norms. Whether the consumption of both print and digital media as well as the visually illustrious embodiment of the shift in social power to the developing lifestyle results in a new wave for the legacy of perfection remains to be seen.","PeriodicalId":388626,"journal":{"name":"The International Visual Culture Review","volume":"63 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122306721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Persuasive Qualities of Games as an Artistic Medium with a Social Function 游戏作为一种具有社交功能的艺术媒介的说服力
The International Visual Culture Review Pub Date : 2019-02-06 DOI: 10.37467/GKA-VISUALREV.V1.1775
A. García Martínez
{"title":"Persuasive Qualities of Games as an Artistic Medium with a Social Function","authors":"A. García Martínez","doi":"10.37467/GKA-VISUALREV.V1.1775","DOIUrl":"https://doi.org/10.37467/GKA-VISUALREV.V1.1775","url":null,"abstract":"People who are not in the game world often comment that they will numb players, rob them of any sense of empathy and create a generation of isolated and antisocial loners. In this article we will try to affirm the opposite: that games can play a powerful role in the creation of empathy, as well as other positive emotional experiences thanks to their own structural processes and how this empathy is the necessary one to make up for the lack of involvement of society in artistic creation. We will deal with the persuasive properties of games as media and what differentiates them from other media. Also, we will explain what these qualities of the games can bring to the activist and social art.","PeriodicalId":388626,"journal":{"name":"The International Visual Culture Review","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131885509","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New Media Narratives and Visualization as an Alternative to Traditional Media: Youtuber Barış Özcan Sample 新媒体叙事和可视化作为传统媒体的替代品:Youtuber Barış Özcan样本
The International Visual Culture Review Pub Date : 2019-02-06 DOI: 10.37467/GKA-VISUALREV.V1.1751
Yunus Emre Ökmen
{"title":"New Media Narratives and Visualization as an Alternative to Traditional Media: Youtuber Barış Özcan Sample","authors":"Yunus Emre Ökmen","doi":"10.37467/GKA-VISUALREV.V1.1751","DOIUrl":"https://doi.org/10.37467/GKA-VISUALREV.V1.1751","url":null,"abstract":"The traditional storytelling has begun to disappear, as the modern culture seizes every aspect of life (Ramsden and Hollingsworth, 2017: 14). The narrators began to take the place of digital media such as photography, cinema, television and internet. At the same time, basic cultural periods in communication can be handled in five different ways. These; Oral culture, written culture, printed culture, electric and electronic culture were finally added to these cultures or periods Digital culture, different media tools were introduced in the forms of communication between people and people (Baldini, 2000: 6). The traditional storytelling that started in the oral culture period has been moved to a different dimension with the applications on the web during the digital culture period. Thus, storytelling has experienced many changes and transformations in structural and content. When the digital culture era and the \"Imagery Age\" were considered, narrators tried to convey how they were changing through storytelling, exploration, new forms of communication and use of new media tools. In particular, the work of Guy Debord's \"Show Society\" has been utilized. This study was carried out by the scanning model of qualitative research methods. Since the phenomenon \"Barış Özcan\" was studied as a Youtuber, it was realized by using Case Study Model (Karasar, 2014: 77-86). Rogers “Diffusion of Innovation Theory\" has become the most theoretical basis for his work. At the end of the study, it has been determined that there are structural and content differences between traditional media tools and traditional narrative style, digital media tools and digital narration style. With this changing and transforming narrative, the position of narrator and listener has been changed in many ways. The concept of time and space has been specifically addressed in this study. Traditional and digital narratives have changed in terms of time and space.","PeriodicalId":388626,"journal":{"name":"The International Visual Culture Review","volume":"2020 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115391011","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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