On Kitsch in Nature & Technology: Redefining Kitsch for Posthuman Feminist Aesthetics

Kristen Casey
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Abstract

This research makes a case for a shift from thinking of kitsch as a phenomenon extending from the industrial revolution, to one that is considered preternatural, existing as a state of being or a process of becoming. This re-theorization co-opts the pejorative connotations of ‘bad’, ‘trash’, and ‘imitation’ and ‘failure’ into positive processes and useful metaphors for contemporary aesthetics, particularly for feminist aesthetics. Its ultimate goal is to articulate an aesthetic theory for Posthuman Feminist Aesthetics and to redefine kitsch as it exists in media culture.
论自然与技术中的媚俗:后人类女性主义美学对媚俗的重新定义
这项研究提出了一个转变的案例,即从把媚俗视为一种从工业革命延伸到被认为是超自然的、作为一种存在状态或成为过程而存在的现象。这种重新理论化将“坏”、“垃圾”、“模仿”和“失败”等贬义的内涵纳入了当代美学,特别是女性主义美学的积极过程和有用的隐喻。其最终目标是为后人类女性主义美学阐明美学理论,并重新定义媚俗,因为它存在于媒体文化中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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