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Gendering journalistic voices for gendered political violence? Agential representations of Palestinian female suicide bombers in UK broadcast news media 性别政治暴力的性别新闻声音?巴勒斯坦女性自杀式炸弹袭击者在英国广播新闻媒体的代理代表
Northern Lights Pub Date : 2021-06-01 DOI: 10.1386/nl_00022_1
Matthew D. Kirk
{"title":"Gendering journalistic voices for gendered political violence? Agential representations of Palestinian female suicide bombers in UK broadcast news media","authors":"Matthew D. Kirk","doi":"10.1386/nl_00022_1","DOIUrl":"https://doi.org/10.1386/nl_00022_1","url":null,"abstract":"In the late twentieth century, the rise of the female suicide bomber phenomenon was prevalent in Chechnya, Lebanon and Sri Lanka. Arguably, in terms of academic engagement and visibility within the wider public consciousness, the first wave of Palestinian female suicide bombers during\u0000 the second intifada (2000‐05) encapsulates particular notoriety in relation to the perceived deviance of Palestinian female participation in political violence. Key to this construction is the role of news media as an agent of power. This article examines coverage of Palestinian female\u0000 suicide bombers during the second intifada period within the scarcely examined medium of British terrestrial broadcast news media. This article determines the impact of individual journalists' gender in producing forms of discourse that delegitimize political agency. In particular, it shall\u0000 establish if female journalistic voices are complicit in communicating intersectional gendered and Orientalist frameworks.","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46241753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Sport media and the cultural circulation of race/ethnicity: Moving from content analyses to production studies 体育媒体与种族/民族的文化传播:从内容分析转向生产研究
Northern Lights Pub Date : 2021-06-01 DOI: 10.1386/nl_00020_1
Arne van Lienden, Carmen Longas Luque, Jacco van Sterkenburg
{"title":"Sport media and the cultural circulation of race/ethnicity: Moving from content analyses to production studies","authors":"Arne van Lienden, Carmen Longas Luque, Jacco van Sterkenburg","doi":"10.1386/nl_00020_1","DOIUrl":"https://doi.org/10.1386/nl_00020_1","url":null,"abstract":"The racial/ethnic diversity that can be seen in televised football, together with its wide audience, makes it an interesting place to study meanings given to race/ethnicity. Previous research on the content of these discourses has found that televised football in different countries\u0000 reproduces a variety of racial/ethnic stereotypes. These discourses arguably help to perpetuate and ‘naturalize’ racial/ethnic inequities. In order to better illuminate how sport media serves as a site where discourses surrounding race/ethnicity are (re)constructed, a fruitful\u0000 yet understated direction of future research would be to look at the production process of such discourses. Although the theoretical value of production studies has been noted in previous work, there is at this time a shortage of empirical production studies in sport media. The present article\u0000 describes some of the main findings of previous research on the representation of race/ethnicity in televised football (a dominant subject of research in this area) and audience reception research. Furthermore, the article focuses on main findings from production studies in sport media, supplementing\u0000 a focus on race/ethnicity with describing production studies on gender ‐ as most production studies have mainly focused on gender and provide relevant insights for the study of race/ethnicity. We conclude with some future research avenues highlighting the importance of exploring production\u0000 processes in relation to meanings given to race/ethnicity in sport media.","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44320915","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women and peace-building in Northern Ireland’s print news media 北爱尔兰印刷新闻媒体中的妇女与和平建设
Northern Lights Pub Date : 2021-06-01 DOI: 10.1386/nl_00023_1
Ashleigh McFeeters
{"title":"Women and peace-building in Northern Ireland’s print news media","authors":"Ashleigh McFeeters","doi":"10.1386/nl_00023_1","DOIUrl":"https://doi.org/10.1386/nl_00023_1","url":null,"abstract":"This research sits at the nexus of women, peace-building and the news media in order to decipher how the representations of women and peace-building in post-conflict Northern Ireland affect women’s social situation in divided societies recovering from violent ethnonational conflict.\u0000 Women are habitually associated with non-political community-level reconciliation through an assumed innate and feminine propensity to peace. This is amplified through gendered news media portrayals which serve to reinforce patriarchal social knowledge, and in turn, this disenfranchises women\u0000 by foregrounding their femaleness rather than political expertise; and damages peace by marginalizing a significant demographic of the population and intensifying social inequality, which is the foundation for conflict.","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43210397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The media presentation of the migration crisis: An analysis of the discourse on the Croatian women politicians 移民危机的媒体呈现:对克罗地亚女政治家话语的分析
Northern Lights Pub Date : 2021-06-01 DOI: 10.1386/nl_00024_1
Nikolina Borčić, Sara Glavač
{"title":"The media presentation of the migration crisis: An analysis of the discourse on the Croatian women politicians","authors":"Nikolina Borčić, Sara Glavač","doi":"10.1386/nl_00024_1","DOIUrl":"https://doi.org/10.1386/nl_00024_1","url":null,"abstract":"This article analyses links between the archetypal myths in Croatian news stories and images of woman politicians transferring through the media to the public. A total of 73 articles have been empirically analysed using content analysis to identify master myths according to Jack Lule’s\u0000 classification in Croatian news articles about the migration crisis 2015. The analysis covers the period from 31 July 2015 to 8 November 2015. The articles have been selected by searching web extension of the newspapers Jutarnji list, Večernji list and 24sata from 31 July\u0000 2015 to 8 November 2015. The data has been selected, coded and analysed per chosen woman politicians, Kolinda Grabar-Kitarović, Vesna Pusić, Mirela Holy, Ruža Tomašić and Milanka Opačić. The results show that the dominant myth in all analysed\u0000 statements is the myth of a good mother. In doing so, the use of lexemes indicates a stereotyped and idealized social role of a woman who cares for and protects ‘her family’. Two framing perspectives are evident: one is a patriarchal, protective and defensive attitude towards migrants,\u0000 while the other is humanitarian, based on a positive attitude towards migrants. The article’s value is that it provides a perspective on mythological narration within media texts, whereby the mythological narration could be used as a tool for stereotypical and ideological construction\u0000 on politician’s images in the media.","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41986599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Out of bounds: The spatial politics of civility in The Square (Östlund, 2017) and Happy End (Haneke, 2017) 《越界:广场上的文明空间政治》(Östlund,2017)和《快乐结局》(Haneke,2017)
Northern Lights Pub Date : 2020-01-01 DOI: 10.1386/NL_00016_1
E. Ezra
{"title":"Out of bounds: The spatial politics of civility in The Square (Östlund, 2017) and Happy End (Haneke, 2017)","authors":"E. Ezra","doi":"10.1386/NL_00016_1","DOIUrl":"https://doi.org/10.1386/NL_00016_1","url":null,"abstract":"Abstract Ruben Östlund's The Square and Michael Haneke's Happy End, both released in 2017, skirt around the edges of immigration in Europe. Both address the question of who belongs and who does not in terms of boundaries ‐ not only the boundaries\u0000 that determine where one country ends and another begins but also (and especially) those that determine who is a member of civil society. These films explore how the bounds of what is considered appropriate are breached in specific spatial contexts, questioning the meaning of 'civility' in\u0000 both a social and a political sense, and prompting us to contemplate the various meanings of hospitality.","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49328585","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction 介绍
Northern Lights Pub Date : 2020-01-01 DOI: 10.1386/nl_00009_2
Temenuga Trifonova
{"title":"Introduction","authors":"Temenuga Trifonova","doi":"10.1386/nl_00009_2","DOIUrl":"https://doi.org/10.1386/nl_00009_2","url":null,"abstract":"","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45022556","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The flesh of the film: The camera as a body in neo-horror mockumentary and beyond 电影的肉体:摄影机在新恐怖伪纪录片中作为一个身体
Northern Lights Pub Date : 2019-11-01 DOI: 10.1386/nl_00003_1
B. Surace
{"title":"The flesh of the film: The camera as a body in neo-horror mockumentary and beyond","authors":"B. Surace","doi":"10.1386/nl_00003_1","DOIUrl":"https://doi.org/10.1386/nl_00003_1","url":null,"abstract":"Abstract The neo-horror mockumentary, from the 1990s onwards, has been a genre in constant ascent, rejuvenating extremely codified strands. What unites these strands is undoubtedly a formal commonality since the premise of the genre is that of basing oneself on 'lucky' shots,\u0000 which imitate a certain amateurism, while being also extremely corporeal. The neo-horror mockumentary treats the camera as a body in its own right, with its own potential and fragility, an actor like those it films. The body of the camera and the bodies filmed by it generate a dialectic of\u0000 the flesh that makes the neo-horror mockumentary a body-based genre, irrespective of its articulations, which are examined in this essay from a semiotic perspective, which investigates the role of corporeality within the formal components of the genre, a filmographic perspective that through\u0000 case studies identifies the system of variants and invariants around which the body becomes a pivot, and a philosophical perspective that frames the concept of body and its change in the imaginary within this new way of making cinema.","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43090625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Dead but not gone: Female body, surveillance and serial-killing in Alfred Hitchcock's Frenzy 死了但没走:阿尔弗雷德·希区柯克的《疯狂》中的女性尸体、监视和连环杀人
Northern Lights Pub Date : 2019-11-01 DOI: 10.1386/nl_00007_1
Subarna Mondal
{"title":"Dead but not gone: Female body, surveillance and serial-killing in Alfred Hitchcock's Frenzy","authors":"Subarna Mondal","doi":"10.1386/nl_00007_1","DOIUrl":"https://doi.org/10.1386/nl_00007_1","url":null,"abstract":"Abstract Alfred Hitchcock in Psycho (1960) makes the corpse of an ordinary woman both an object of surveillance and a source of active watching. Mrs Bates and Marion in Psycho, Brenda and Babs in Frenzy (1972) may be seen as predecessors to the series\u0000 of dead women figuratively staring back in films such as The Silence of the Lambs (Demme, 1991) and Perfume: The Story of a Murderer (Tykwer, 2006). The corpses do not merely offer themselves up as ciphers to be decoded. They reveal the lack in the perpetrators. Hitchcock's Frenzy\u0000 relies on female bodies for clues to the murders. Hitchcock plays the vital role of bringing about a transition in the way in which women's bodies are to be treated in films, a transition from bodies shrouded by mist and darkness of the noirs to the exhibitionism of naked corpses in brightly\u0000 lit settings. This article shows that abandonment of the usual tropes of visual impediments such as darkness and fog in Hitchcock's later films suggests a continually developing process of urban surveillance that aids in dehumanizing the victims. Further the post-murder masculinist investigative\u0000 gaze forces a kind of mock-life on the victims through the relentless search of a killer's live signs on their dead flesh.","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47984894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Horror body as a bodily manifestation of visibility: 87 ore by Costanza Quatriglio 恐怖的身体作为可见性的身体表现:Costanza Quatriglio的87矿石
Northern Lights Pub Date : 2019-11-01 DOI: 10.1386/nl_00008_1
L. Cesaro
{"title":"Horror body as a bodily manifestation of visibility: 87 ore by Costanza Quatriglio","authors":"L. Cesaro","doi":"10.1386/nl_00008_1","DOIUrl":"https://doi.org/10.1386/nl_00008_1","url":null,"abstract":"Abstract Taking as a starting point the recent surge in film and television narratives constructed around and by surveillance technologies, as a metaphor of an omnipotent observation and dystopian motif in narrating a political and cultural change, this article aims to probe how surveillance movies suggest complex phenomenological dynamics in the relationships between body and device. While recent contributions on surveillance films (Kammerer 2004) focus on the practice of body control as a narrative mode, as an image and a show (Léfait 2013; Zimmer 2015), recent sociological contributions on surveillance recognize the destruction and annihilation of body placed under the aegis of the Great Eye (Haggerty 2011; Murakami Wood 2011). This article examines Costanza Quatriglio's film 87 ore: Gli ultimi giorni di Francesco Mastrogiovanni (2015) to describe the transition from bodies as narrative object to de-naturalizing the human body. The film narrates the night of 4 August 2009 when Mastrogiovanni, a 58-year-old primary school teacher, dies after 87 hours of agony following imprisonment. The film, in the canon of 'reality cinema', consists of 75 minutes of mechanical images recorded from above.","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47370189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hell house or something more? Horror, abjection and mental illness 地狱屋还是其他什么?恐怖、沮丧和精神疾病
Northern Lights Pub Date : 2019-11-01 DOI: 10.1386/nl_00004_1
Zachary Sheldon
{"title":"Hell house or something more? Horror, abjection and mental illness","authors":"Zachary Sheldon","doi":"10.1386/nl_00004_1","DOIUrl":"https://doi.org/10.1386/nl_00004_1","url":null,"abstract":"Abstract Many theorists argue that abjection is at the core of the experience and fascination of the horror genre. Abjection relates to the simultaneous attraction and revulsion that audiences feel around the horrific, gory or disturbing subjects that comprise the focus of\u0000 horror films. Some recent horror media have centred on the gendered components of abject theory, notably the relationship of a mother to her children, as well as the stigma surrounding mental illness. These films transform motherhood into an abjection tied intimately to depression and ultimately\u0000 suggest ways for audiences to make sense of both depression and conceptions of abject motherhood. This article examines Netflix's The Haunting of Hill House (2018) for its contribution to this ongoing discussion, arguing that the series takes advantage of the camera's ability to surveil\u0000 its subjects in order to suggest ways that a mother's abjection and mental illness suffuse the network of familial and social relations that she is caught up in. In this, the series' horrific surveillance of its characters provides varying discursive resources with which the audience may evaluate\u0000 and act regarding their own experiences of depression and abject motherhood.","PeriodicalId":38658,"journal":{"name":"Northern Lights","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43156674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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