{"title":"La entrada de la IA en la querelle de lo falso. Una aproximación al arte generativo y al estatus de la ficción","authors":"Jorge Luis Marzo, Roc Albalat","doi":"10.15366/anuario2021.33.004","DOIUrl":"https://doi.org/10.15366/anuario2021.33.004","url":null,"abstract":"Los actuales sistemas de inteligencia artificial (IA) están catalizando el proceso de transformación de los regímenes de verdad que regulan difusamente la sinceridad y veracidad de los enunciados públicos. La crisis en los formatos homologados de credibilidad ha venido acompañada de un influyente relato de gobernanza matemática, en un escenario permanente de incertidumbre y volatilidad. En el ámbito de la producción artística, este proceso está siendo redirigido en busca de nuevas posibilidades de reflexión o de activación de las viejas cuitas de lo falso, lo aparente y lo probable. Paralelamente, los avances en la computación generativa cuestionan el estatus tradicional de la propia idea de ficción y de su condición estética. Aquí se verán algunos efectos de la adopción de la IA en la exploración de los regímenes de verdad y de sus instrumentos de validación.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133070085","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Desaparición, archivo y posverdad: Ayotzinapa en Rafael Lozano-Hemmer","authors":"Isis Mariana Yépez Rodríguez","doi":"10.15366/anuario2021.33.003","DOIUrl":"https://doi.org/10.15366/anuario2021.33.003","url":null,"abstract":"El presente artículo plantea una revisión de un modo de representación de la desaparición forzada de los 43 estudiantes de la Escuela Normal Rural “Raúl Isidro Burgos” de Ayotzinapa desde el arte contemporáneo a través de la pieza Nivel de confianza (2015) de Rafael Lozano-Hemmer. Las nociones de “archivo”, “posverdad” y “capitalismo gore” se vuelven un elemento imprescindible para el análisis de la pieza y la comprensión del acto de desaparición.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"67 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125061092","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Maruja Mallo: transformación, máscara e identidad. Breve análisis de su cuaderno América Aborigen (1959)","authors":"Ana Belén Feijoó Valencia","doi":"10.15366/anuario2021.33.001","DOIUrl":"https://doi.org/10.15366/anuario2021.33.001","url":null,"abstract":"El presente artículo aborda el estudio de la figura de Maruja Mallo centrándose en el análisis del proceso de construcción de su identidad artística, sobre todo en lo que refiere al periodo de los años cincuenta, muy levemente estudiados hasta ahora. Analizamos el cuaderno de su archivo personal titulado América Aborigen (1959), en el cual la pintora reflexiona acerca de diferentes cuestiones relacionadas con la cultura popular americana, esenciales para comprender el desarrollo de la artista en este momento. Examinamos también el gusto por diferentes elementos fundamentales en su vida, como son la mentira, el disfraz y, sobre todo, la máscara, que encontraremos a lo largo de su trayectoria en contextos muy diferentes, pero siempre con simbolismos asociados a la transformación de la realidad o mutabilidad. Después de desarrollar las ideas planteadas anteriormente, reflexionaremos en torno a la indumentaria y los maquillajes tan exagerados de los que Mallo hizo gala durante los años setenta y ochenta, y su relación con su pensamiento artístico.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133835157","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Experiencias artísticas a finales de la última dictadura argentina: entre lo local y lo internacional","authors":"Alejandra Soledad González","doi":"10.15366/ANUARIO2017-2018.29-30.09","DOIUrl":"https://doi.org/10.15366/ANUARIO2017-2018.29-30.09","url":null,"abstract":"At the beginning of the 1980s, while the exhaustion of the last Argentine dictatorship began, some groups of artists whose material and symbolic practices questioned the artistic field and, in certain cases, the social macro- cosm, gained visibility. In this article a slightly studied case is reconstructed: the Grouping for the Development of Visual Experiences. In the first three sections, the ges- tation of the group in the city of Cordoba is investigated, within the context of national cultural policy, when they achieved a workshop and made a foundational exhibi- tion. Afterwards, a reading is rehearsed, in a sociological key of “structures of feelings”, of experiences where they converged: crafts, cinema, sculpture, photography, environment, literature and painting. Finally, nine trajec- tories of artists accrediting local and international net- works are explored. To undertake this research, a trans- disciplinary approach to Cultural History was used, as well as the analysis of various written, oral and visual documents.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115036195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mil mundos en un mundo: imagen e imaginación política en la prensa marginal madrileña, 1968-1978","authors":"I. Agudo","doi":"10.15366/ANUARIO2017-2018.29-30.04","DOIUrl":"https://doi.org/10.15366/ANUARIO2017-2018.29-30.04","url":null,"abstract":"The present article examines the phenomenon of the Madrilenian marginal press, the clandestine editorial productions circulating in Madrid during the first years of the democratic transition. Starting from the Global Sixties and the reflections on the mass media motivated by the new movements, this paper traces a genealogy of practices, perspectives and strategies of subversion that shape the free press, linking it with the development of the Madrilenian marginal press during the 70s. At the same time, this work is presen- ted as a theoretical-methodological attempt that takes the look and the image as analytical tools of great epistemological potential for the study of the Spanish Transition.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128582612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nuevos modelos de mujer en la fotonovela del tardofranquismo","authors":"I. Gómez","doi":"10.15366/ANUARIO2017-2018.29-30.03","DOIUrl":"https://doi.org/10.15366/ANUARIO2017-2018.29-30.03","url":null,"abstract":"El presente trabajo es el resultado del analisis visual de fotonovelas publicadas en los ultimos anos del regimen franquista. Su objetivo es ver de que manera la fotono- vela construyo, junto a otros muchos mecanismos, la identidad de la mujer durante el tardofranquismo. Hay que tener en cuenta que a partir de los anos cincuenta la mujer se esta empezando a introducir en la sociedad de consumo y en el mercado laboral. Debido a esto, la foto- novela constituye un buen ejemplo de las paradojas que se dan en la emancipacion de la mujer dentro de la sociedad de consumo. Se han seleccionado dos casos de estudio significativos: la coleccion Corin Tellado (1966-1974) y Simplemente Maria (1972-1973). Ambas fotonovelas se analizaran con un enfoque critico feminista y se examinaran comparativamente para sacar las conclusiones finales.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122874780","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El octavo espejo: Las Meninas en el despacho de verano del Alcázar de Madrid","authors":"J. M. Yábar","doi":"10.15366/ANUARIO2017-2018.29-30.07","DOIUrl":"https://doi.org/10.15366/ANUARIO2017-2018.29-30.07","url":null,"abstract":"After contributing with our vision based on Palomino and some doctrinal debates about the Meninas , we propose a new interpretation of the painting from its original loca- tion, Philip IV’s summer study in the Alcazar of Madrid. We reconstruct this space with its mirrors, writing desks and paintings and we reveal an iconographic program in it, but above all the ingenious visual plays which took pla- ce between these ornamental elements and the canvas, which served as the eighth mirror of the room.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126530222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Espectadoras privilegiadas en la convivencia de María de Mendoza y su hija María Sarmiento con las comunidades religiosas de su patronato","authors":"Sergio Ramiro Ramírez","doi":"10.15366/ANUARIO2017-2018.29-30.05","DOIUrl":"https://doi.org/10.15366/ANUARIO2017-2018.29-30.05","url":null,"abstract":"The increase in the number of noble patronage of monasteries and burial chapels in Sixteenth Century Castile allowed funders families to gain privileged position for attending church services, specially galleries or rooms with a proper view of the main altar. This paper analyzes the problems of coexis- tences arisen between both sides concerned and how this preeminence modified the architecture of these building. It also studies the impact of convent daily life in Maria de Mendoza (1508-1587) and in his daughter Maria Sarmiento’s (1526-1604) thoughts, both foundresses of monasteries in their own resi- dences.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122740886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Un camino a la modernidad: Miguel Fisac y la estética de lo popular","authors":"Ramón Vicente Díaz del Campo Martín Mantero","doi":"10.15366/ANUARIO2017-2018.29-30.01","DOIUrl":"https://doi.org/10.15366/ANUARIO2017-2018.29-30.01","url":null,"abstract":"Miguel Fisac (1913-2006) fue uno de los protagonistas de la recuperacion del movimiento moderno en la arquitectura espanola. Durante la decada de los cincuenta su trayectoria profesional destaco, entre otras cuestiones, por la construccion de varios edificios inspirados en la arquitectura tradicional. Estas obras pusieron sobre la mesa diversos elementos para la gestacion de una nueva tipologia arquitectonica que fue ampliamente utilizada en los anos siguientes y desperto un gran interes entre sus companeros de profesion. La obra de Miguel Fisac es poliedrica, configurada por una intensa actividad constructiva, pero al mismo tiempo rica en aspectos teoricos, en ambas facetas lo popular estuvo muy presente.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133209498","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Artífices de la reforma exterior del monasterio toledano de Santa Fe a finales del siglo XVIII","authors":"Jesús Ángel Sánchez Rivera","doi":"10.15366/ANUARIO2017-2018.29-30.08","DOIUrl":"https://doi.org/10.15366/ANUARIO2017-2018.29-30.08","url":null,"abstract":"We present an unpublished documentation which allows to know when was made the reform of the two main fronts of the monastery of Santa Fe de Toledo –that was belonging to Comendadoras of Santiago and today is incorporated into the Museo de Santa Cruz– and know who intervened therein. We also analyze both works (main front of the church and of the monastery) in the historical and artistic context of his time, with particular emphasis on the activity of its artists. Among them, stands out the participation of Jose Antonio Vina- cer, sculptor from the Tirol who worked in Toledo in the last quarter of the eighteenth century.","PeriodicalId":384464,"journal":{"name":"Anuario del Departamento de Historia y Teoría del Arte","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134634363","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}