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2 Country Music Becomes Mass Culture, 1940–1958 乡村音乐成为大众文化(1940-1958
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-004
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引用次数: 0
5 Commercialism and Tradition, 1958–1970 5商业主义与传统，1958-1970
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-007
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引用次数: 0
Conclusion: Money Music 结论:金钱音乐
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-009
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引用次数: 0
4 Masses to Classes: The Country Music Association and the Development of Country Format Radio, 1958–1972 从群众到课堂:乡村音乐协会和乡村广播的发展，1958-1972
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-006
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引用次数: 0
Frontmatter
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-fm
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引用次数: 0
Introduction: Commercialism as a Cultural Text 导论:作为文化文本的商业主义
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-002
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引用次数: 0
6 Silent Majorities: The Country Audience as Commodity, Constituency, and Metaphor, 1961–1975 沉默的大多数:作为商品、选民和隐喻的乡村观众，1961-1975
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-008
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引用次数: 0
Acknowledgments 致谢
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-001
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引用次数: 0
Index 指数
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-012
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引用次数: 0
1 Commercialism and the Cultural Value of Country Music, 1920–1947 1商业主义与乡村音乐的文化价值，1920-1947
The Selling Sound Pub Date : 2020-12-31 DOI: 10.1515/9780822390305-003
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引用次数: 0
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