Journal of the Australian Early Medieval Association最新文献_第5页

The bishop of Rome in late antiquity [Book Review] 古代晚期罗马的主教[书评]

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Journal of the Australian Early Medieval Association Pub Date : 2019-11-01 DOI: 10.35253/jaema.2019.1.10

J. D'Alton

引用次数: 0

Sigurðr, Þórr and Ragnarök and their Christian Counterparts 胜利，托尔和拉格纳罗克以及他们的基督教对手

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Journal of the Australian Early Medieval Association Pub Date : 2019-11-01 DOI: 10.35253/jaema.2019.1.4

Manu Braithwaite-Westoby

{"title":"Sigurðr, Þórr and Ragnarök and their Christian Counterparts","authors":"Manu Braithwaite-Westoby","doi":"10.35253/jaema.2019.1.4","DOIUrl":"https://doi.org/10.35253/jaema.2019.1.4","url":null,"abstract":"Few scholars would deny that some Old Norse myths have Christian counterparts, a phenomenon first noticed by nineteenth-century archaeologists and antiquarians in their observations of Anglo-Scandinavian stone sculpture in northern England. It is strange, therefore, that despite this long tradition, there is no systematic study on the topic. While this ambition is unfortunately outside the scope of this article, it does seek to address a number of Old Norse myths/legends and place them in conjunction with their Christian counterparts. One of the most important myths for Anglo-Scandinavian craftsmen was probably Sigurðr, who has an obvious parallel in Christ. The apocalyptic narrative in Voluspa known as Ragnarök was also a very popular subject and has a clear cognate in the apocalyptic sections of the Bible. Þórr and the Miðgarðsormr, though less appealing to artists, strongly recalls accounts of the conflict between Christ and Satan or Leviathan. This article uses a theoretical methodology called ‘figural interpretation’ to examine the Old Norse myths and explore how they reflect certain myths from the new religion. While distinctly art historical in approach, this article also invokes some Old Norse texts where relevant, which may themselves have been influenced by Christian thinking.","PeriodicalId":38059,"journal":{"name":"Journal of the Australian Early Medieval Association","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48833746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

English alliterative verse: Poetic tradition and literary history Cambridge studies in medieval literature [Book Review] 英国头韵诗：诗歌传统与文学史剑桥中世纪文学研究[书评]

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Journal of the Australian Early Medieval Association Pub Date : 2019-11-01 DOI: 10.35253/jaema.2019.1.22

Jennifer Hekmeijer

引用次数: 0

Cultural encounters on Byzantiumʹs Northern frontier, c. AD 500 -700 [Book Review] 拜占庭北部边境的文化邂逅，约公元500-700年[书评]

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Journal of the Australian Early Medieval Association Pub Date : 2019-11-01 DOI: 10.35253/jaema.2019.1.12

D. White

引用次数: 1

Ecclesia, monasteria, privilegia. Studia z dziejow Kosciola w sredniowiecznej Polsce [Book Review] 教会，修道院，特权。波兰中世纪教会史研究[书评]

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Journal of the Australian Early Medieval Association Pub Date : 2019-01-01 DOI: 10.35253/jaema.2019.1.9

Darius von Guttner Sporzynski

引用次数: 0

The Musical Enactment of Drama in Sarum Plainsong 萨鲁姆·普莱恩歌戏剧的音乐表演

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Journal of the Australian Early Medieval Association Pub Date : 2019-01-01 DOI: 10.35253/jaema.2019.1.3

Ted Krasnicki

{"title":"The Musical Enactment of Drama in Sarum Plainsong","authors":"Ted Krasnicki","doi":"10.35253/jaema.2019.1.3","DOIUrl":"https://doi.org/10.35253/jaema.2019.1.3","url":null,"abstract":"In the tenth century, a sung dialogue, the 'Quem queritis' trope, appeared as a ceremonial addition to the paschal vigil and morning liturgy of Easter Sunday. It is often appraised as the bridge between liturgical chant and the later full-cast liturgical dramas of the Middle Ages, but what has generally not been considered, is that Franco-Romano (Gregorian) chant, compiled at least a century earlier, already contained the seeds of liturgical drama from which this dialogue naturally grew. This paper shows that some ideomelic chants from the twelfth-century 'Graduale Sarisburiense' from England, a minor variant of earlier graduals from the Continent, enact a vocal drama utilising the words of the biblical personages found in the chant text. Specifically, two types of dramatic representations are examined: the monologue and the dialogue. In the former, the text is spoken by one biblical figure whose ethos is expressed musically. In the latter, more than one voice conveys the words of the biblical text, and these are delineated musically. Employing examples for each type, I discuss the different ways that chant melody makes representational drama possible. Monologues studied are the introits 'Resurrexi, Ad te levavi, Gaudete', and the offertories 'Dextera Domini and Ave Maria'. Of the dialogues studied are the communions, 'Dominus Jesus, Fili, quid fecisti, Dicit Dominus: Implete, and the offertory Precatus est Moyses' which is examined in greater detail.","PeriodicalId":38059,"journal":{"name":"Journal of the Australian Early Medieval Association","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70028130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Translation and authority: Authorities in translation [Book Review] 翻译与权威:翻译中的权威[书评]

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Journal of the Australian Early Medieval Association Pub Date : 2019-01-01 DOI: 10.35253/jaema.2019.1.19

Roderick McDonald

引用次数: 0

East and West in the early middle ages: The Merovingian kingdoms in mediterranean perspective [Book Review] 中世纪早期的东西方:地中海视角下的墨罗温王朝[书评]

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Journal of the Australian Early Medieval Association Pub Date : 2019-01-01 DOI: 10.35253/jaema.2019.1.11

T. Scott

引用次数: 0

"...Went to Rome, and when all had assembled there...": Galla Placidia and the Theodosian retaking of the west in 425 “…去了罗马，当所有人都聚集在那里时……”：加拉·普拉西迪亚和狄奥多西于425年夺回了西部

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Journal of the Australian Early Medieval Association Pub Date : 2018-11-01 DOI: 10.35253/jaema.2018.1.2

Geoffrey D. Dunn

引用次数: 1

Erasing alterity: Gendered characterisation in the different versions of Vita Anastasiae 消除差异性:不同版本的《阿纳斯塔西娅》中的性别特征

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Journal of the Australian Early Medieval Association Pub Date : 2017-01-01 DOI: 10.35253/jaema.2017.1.2

N. Mylonas

{"title":"Erasing alterity: Gendered characterisation in the different versions of Vita Anastasiae","authors":"N. Mylonas","doi":"10.35253/jaema.2017.1.2","DOIUrl":"https://doi.org/10.35253/jaema.2017.1.2","url":null,"abstract":"Despite official declarations against cross-dressing in the fourth century, eleven uitae that praise the ascetic superiority of cross-dressing female saints were produced in late antiquity. Engaging in a practice that was explicitly forbidden by numerous ecclesiastical synods, women who cross-dressed were often labelled as 'others' because they resisted social expectations and gender norms and trespassed into the masculine realms of independence and holiness. This study examines the gendered representation of one of these cross-dressing female saints named Anastasia. It traces her gendered representation across three versions of her Greek uita, two of which are preserved in Vita Danielis and one in the Greek 'Menaion'. These texts are fascinating because of the differing degrees to which they tolerate and promote the gender ambiguity of the heroine. While the former versions allow Anastasia a degree of gender ambiguity, the 'Menaion' version suppresses much of this ambiguity. I will demonstrate this by exploring three aspects of Anastasia's gendered characterisation in the texts: 1) designations for her throughout each narrative; 2) her identification as a eunuch; and 3) the degree of agency attributed to her. I conclude by offering some thoughts about how alterity theory can help account for these different representations, which I argue are responses to the perceived alterity of the saint.","PeriodicalId":38059,"journal":{"name":"Journal of the Australian Early Medieval Association","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73192287","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1