Oxford Music OnlinePub Date : 2020-10-29DOI: 10.1093/omo/9781561592630.013.90000365163
{"title":"Pambai","authors":"","doi":"10.1093/omo/9781561592630.013.90000365163","DOIUrl":"https://doi.org/10.1093/omo/9781561592630.013.90000365163","url":null,"abstract":"","PeriodicalId":380489,"journal":{"name":"Oxford Music Online","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126297538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oxford Music OnlinePub Date : 2020-10-29DOI: 10.1093/gmo/9781561592630.article.90000366262
Christopher J. Lynch
{"title":"Martin, Ruth and Thomas","authors":"Christopher J. Lynch","doi":"10.1093/gmo/9781561592630.article.90000366262","DOIUrl":"https://doi.org/10.1093/gmo/9781561592630.article.90000366262","url":null,"abstract":"","PeriodicalId":380489,"journal":{"name":"Oxford Music Online","volume":"28 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116686229","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Oxford Music OnlinePub Date : 2020-10-29DOI: 10.1093/omo/9781561592630.013.90000353387
Matthew R. Shaftel
{"title":"Porter, Cole","authors":"Matthew R. Shaftel","doi":"10.1093/omo/9781561592630.013.90000353387","DOIUrl":"https://doi.org/10.1093/omo/9781561592630.013.90000353387","url":null,"abstract":"For more than thirty years, Cole Porter was as well known for the (often scandalously) witty and urbane music that he crafted for Broadway musicals and Hollywood films, as for being one of the leaders of international cafe society. Because he feared that the music-buying public would not take seriously love songs written by a homosexual, he lived the paradoxical life of an openly closeted gay man.","PeriodicalId":380489,"journal":{"name":"Oxford Music Online","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121781519","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}