{"title":"Index","authors":"","doi":"10.7765/9781526137227.00019","DOIUrl":"https://doi.org/10.7765/9781526137227.00019","url":null,"abstract":"","PeriodicalId":379036,"journal":{"name":"Across the margins","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129108278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Gender and nation","authors":"Aileen Christianson","doi":"10.7765/9781526137227.00010","DOIUrl":"https://doi.org/10.7765/9781526137227.00010","url":null,"abstract":"‘Debatable lands’ and ‘passable boundaries’: both concepts are emblematic of the kind of inevitably shifting, multi-dimensional perspectives that are found in any consideration of nation and gender.1 Homi K. Bhabha writes of the ‘ambivalent margin of the nation-space’ and ‘the ambivalent, antagonistic perspective of nation as narration’ (1990a: 4). These ‘ambivalent margins’ are contained in the Scottish metaphor of the Debatable Land. Originally the term was for that area ‘holdin to be Debateable Lands betwixt the twa nations of Scotland and England’, and very specifically defined as ‘now forming the Parishes of Canonbie in Scotland and Kirk Andrews on Esk in England’ (Carlyle 1868: appendix 33, 1). It became first a term for the Scottish/English borders as a whole, which were fought over and consequently neither static nor entirely definable. Its subsequent manifestation is as a metaphor for any borderline state or idea.2 Women’s writing in particular is often assessed in terms of borders and margins that provide those tropes of liminality used to point up a fluidity and an ambiguity identified with the position of women in society. Maggie Humm, for example, adopts such terms in ways that echo the Scots concept of debatable land:","PeriodicalId":379036,"journal":{"name":"Across the margins","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134272036","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Cool enough for Lou Reed?","authors":"S. Richards","doi":"10.7765/9781526137227.00015","DOIUrl":"https://doi.org/10.7765/9781526137227.00015","url":null,"abstract":"","PeriodicalId":379036,"journal":{"name":"Across the margins","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127166577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘Where do you belong?’","authors":"P. Childs","doi":"10.7765/9781526137227.00009","DOIUrl":"https://doi.org/10.7765/9781526137227.00009","url":null,"abstract":"","PeriodicalId":379036,"journal":{"name":"Across the margins","volume":"30 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116630258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Union and Jack","authors":"Berthold Schoene","doi":"10.7765/9781526137227.00011","DOIUrl":"https://doi.org/10.7765/9781526137227.00011","url":null,"abstract":"","PeriodicalId":379036,"journal":{"name":"Across the margins","volume":"1107 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122922218","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sounding out the margins","authors":"S. Campbell","doi":"10.7765/9781526137227.00014","DOIUrl":"https://doi.org/10.7765/9781526137227.00014","url":null,"abstract":"","PeriodicalId":379036,"journal":{"name":"Across the margins","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132470193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Finding Scottish art","authors":"M. Macdonald","doi":"10.7765/9781526137227.00017","DOIUrl":"https://doi.org/10.7765/9781526137227.00017","url":null,"abstract":"The relationship between nationality and art, or something like it, has been central to the history of art – scholarly or popular – whether in the minimal form of this national school or that national school, or in a more focused way as in ‘the Italian Renaissance’ or ‘French Impressionism’. The art in question is seen as directly related to a national or quasinational set of circumstances, and indeed the art is seen as having some significant link to the nationality of those who carried it out. A question that tends to be begged in such approaches is: what is nationality? It seems to be assumed that words like Scottish, French, English, and so on, do not require any particular analysis before one tacks them on to some body of work. This approach to nationality is often convenient but a little more must be said about the idea of a nation, for it is an easily misunderstood thing. The most common misunderstanding is that a nation is simply a culturally homogeneous group of people who share certain attitudes, traditions and habits due to long historical association within a geographical area. This idea of the nation as depending on some sort of cultural homogeneity is a strongly propagated one, not least by governments in time of war. Yet in fact, nations are intrinsically heterogeneous, and such diversity, far from being a threat to a national identity is a necessary characteristic of it. Cultural diversity is one of the things that defines a nation. Nations are identifiable as meaningful cultural units as a result of their internal cultural diversity, not as a result of an internal homogeneity. Perhaps my view here is coloured by my own experience as a Scot, for in Scotland it is very obviously impossible to make any meaningful claim of cultural homogeneity. For example, for many hundreds of years there have been three","PeriodicalId":379036,"journal":{"name":"Across the margins","volume":"278 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132808621","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Waking up in a different place","authors":"G. Norquay, G. Smyth","doi":"10.7765/9781526137227.00016","DOIUrl":"https://doi.org/10.7765/9781526137227.00016","url":null,"abstract":"","PeriodicalId":379036,"journal":{"name":"Across the margins","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-07-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132337332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}