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Alphaville: Journal of Film and Screen Media最新文献

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Home as survival: Seeing Queer archival lives 作为生存的家园：观看同性恋档案生活
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.05
Jennifer Cazenave
{"title":"Home as survival: Seeing Queer archival lives","authors":"Jennifer Cazenave","doi":"10.33178/alpha.26.05","DOIUrl":"https://doi.org/10.33178/alpha.26.05","url":null,"abstract":"As a teenager in the eighties, French filmmaker Sébastien Lifshitz scoured flea markets for amateur photographs. In 2013, he assembled a book titled The Invisibles comprised of snapshots depicting queer lives. He included a pair of Kodachrome images, which replicate a near-identical domestic scene in the 1960s: two aging women in their bourgeois home sit at a table, embracing as they look at the camera. Taking as a point of departure these personal photographs, this article focuses on two documentaries that queer postwar domesticity: Lifshitz’s The Invisibles (2011) and Magnus Gertten’s Nelly and Nadine (2022). In his film, Lifshitz not only includes postwar snapshots and home movies, but also reinvents the amateur dispositif. He interviews queer aging men and women inside their homes, challenging social exclusion and stigma based on gender nonconformity and aging. In Nelly and Nadine, a sexagenarian named Sylvie retrieves home movies from her attic that uncover a lesbian love story between her grandmother Nelly and a fellow survivor of Ravensbrück named Nadine. Decades later, the centrality of the domestic space and the amateur archive in these two documentaries offers a lesson in seeing the home as survival and unlearning the master narratives of the postwar era.","PeriodicalId":378992,"journal":{"name":"Alphaville: Journal of Film and Screen Media","volume":"60 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139797483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Film Audiences: Personal Journeys with Film, by Bridgette Wessels et al. 电影观众：布里奇特-韦塞尔斯等人著的《电影观众：个人电影之旅》（Personal Journeys with Film）。
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.16
M. Sellers Johnson
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引用次数: 0
One More for the Road: Director’s Notes on Exile, Family and Film, by Rajko Grlić 还有一部上路：导演关于流亡、家庭和电影的笔记》，拉杰科-格尔利奇著
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.12
Ana Djordjevic
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引用次数: 0
Jonas Mekas, Shiver of Memory, by Peter Delpeut 约纳斯-梅卡斯，《记忆的颤抖》，彼得-德尔普特著
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.19
Muriel Tinel-Temple
{"title":"Jonas Mekas, Shiver of Memory, by Peter Delpeut","authors":"Muriel Tinel-Temple","doi":"10.33178/alpha.26.19","DOIUrl":"https://doi.org/10.33178/alpha.26.19","url":null,"abstract":"","PeriodicalId":378992,"journal":{"name":"Alphaville: Journal of Film and Screen Media","volume":"17 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139854884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
One More for the Road: Director’s Notes on Exile, Family and Film, by Rajko Grlić 还有一部上路：导演关于流亡、家庭和电影的笔记》，拉杰科-格尔利奇著
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.12
Ana Djordjevic
{"title":"One More for the Road: Director’s Notes on Exile, Family and Film, by Rajko Grlić","authors":"Ana Djordjevic","doi":"10.33178/alpha.26.12","DOIUrl":"https://doi.org/10.33178/alpha.26.12","url":null,"abstract":"","PeriodicalId":378992,"journal":{"name":"Alphaville: Journal of Film and Screen Media","volume":"14 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139797605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The key: Abstraction, embodiment, and proper distance within the virtual home 关键：虚拟家庭中的抽象、体现和适当距离
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.09
C. Holohan
{"title":"The key: Abstraction, embodiment, and proper distance within the virtual home","authors":"C. Holohan","doi":"10.33178/alpha.26.09","DOIUrl":"https://doi.org/10.33178/alpha.26.09","url":null,"abstract":"The emergence of virtual reality (VR) humanitarian filmmaking as a genre over the past ten years has generated a large body of critical debate around the efficacy and ethics of VR as a tool for generating empathy towards marginalised communities. Whilst numerous studies have indicated the potential for VR to impact empathy levels of end users, there have been recurrent critiques of the power dynamics of VR production, as well as the value of empathy as a means of producing social change. Lacking in these discussions has been a detailed consideration of VR aesthetics and the extent to which stylistic strategies impact audience positioning. Through the example of the animated VR experience The Key (Celine Tricart, 2019), this article will explore experience design in the context of ethical debates around humanitarian VR. As an interactive, narrative experience that addresses themes of loss and displacement, The Key can be productively analysed in relation to both VR ethics and wider cultural understandings of home and belonging. Responding to ethical debates around proximity within immersive experiences, the article will examine aesthetic strategies within The Key for ensuring what Roger Silverstone has labelled “proper distance” between the user and the virtually represented space. Through its use of visual abstraction and simplification, as well as the limited physical interaction it affords with its virtual world, the virtual home of The Key will be understood as a site of resistance to universalising narratives of home, one which invites critical reflection on the factors that determine our access to shelter.","PeriodicalId":378992,"journal":{"name":"Alphaville: Journal of Film and Screen Media","volume":"30 S98","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139794571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Marginality, resilience and escape: Home in Ana Rocha de Sousa’s Listen 边缘性、复原力和逃离：安娜-罗查-德索萨《倾听》中的家
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.02
Mariana Liz
{"title":"Marginality, resilience and escape: Home in Ana Rocha de Sousa’s Listen","authors":"Mariana Liz","doi":"10.33178/alpha.26.02","DOIUrl":"https://doi.org/10.33178/alpha.26.02","url":null,"abstract":"Representations of the home are a central point for discussion in contemporary Portuguese cinema. From being a prime site for the understanding of gender inequality, to allowing for examinations of untamed urban expansion, the home has also featured in Portuguese films of the past decades as a proxy for social identity. The significance of the home for marginalised communities is the focus of this article, which examines Ana Rocha de Sousa’s Listen (2020). A Portuguese and British coproduction, Listen tells the story of a Portuguese immigrant family to the UK and their battle against social services, who take their children into custody. By presenting it as their last resource, as the space in which they are attacked but also reorganise for retaliation, Listen values the home not only as built infrastructure, but also as a signifier for unity, family and cultural and linguistic identity. Structured around three key plot points of the film that coincide with keywords featuring in recent feminist scholarship (marginality, resistance and escape), this article argues a discussion about global Portuguese cinema, and this film in particular, illuminates ongoing debates about the significance of the home and its relationship to class and gender in contemporary European film.","PeriodicalId":378992,"journal":{"name":"Alphaville: Journal of Film and Screen Media","volume":"48 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139856135","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Screening the Posthuman, by Missy Molloy, Pansy Duncan, and Claire Henry 筛选后人类》，作者：Missy Molloy、Pansy Duncan 和 Claire Henry
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.20
Karim Townsend
{"title":"Screening the Posthuman, by Missy Molloy, Pansy Duncan, and Claire Henry","authors":"Karim Townsend","doi":"10.33178/alpha.26.20","DOIUrl":"https://doi.org/10.33178/alpha.26.20","url":null,"abstract":"","PeriodicalId":378992,"journal":{"name":"Alphaville: Journal of Film and Screen Media","volume":"71 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139857910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reproducing home as a space of labour: The Great Indian Kitchen and Jaya Jaya Jaya Jaya Hai 再现作为劳动空间的家：印度大厨房》和《贾亚-贾亚-贾亚-海
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.04
Niyathi R. Krishna, P. Sivakumar
{"title":"Reproducing home as a space of labour: The Great Indian Kitchen and Jaya Jaya Jaya Jaya Hai","authors":"Niyathi R. Krishna, P. Sivakumar","doi":"10.33178/alpha.26.04","DOIUrl":"https://doi.org/10.33178/alpha.26.04","url":null,"abstract":"In this article, we analyse home as a site of labour through two Indian films, The Great Indian Kitchen (Jeo Baby, 2021) and Jaya Jaya Jaya Jaya Hai (Vipin Das, 2022). Produced and released in the Malayalam movie industry belonging to the South Indian State, Kerala, the two films received critical attention and generated broader discussion among Malayali audiences in the recent past. While the intricacies of gendered divisions of labour and domestic violence are documented through the day-to-day chronicles of the housewives’ lives in these films, we argue that both The Great Indian Kitchen and Jaya Jaya Jaya Jaya Hai illustrate how home is a different entity for men and women, conceptually and practically, as a space of leisure and labour respectively. Through narrative analysis, we interpret how these two films conceive and depict the disproportionate care work of women, highlight prevailing gender discrimination in a patriarchal setting, and expose new visual sensibilities to the audience.","PeriodicalId":378992,"journal":{"name":"Alphaville: Journal of Film and Screen Media","volume":"128 3-4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139855398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Reproducing home as a space of labour: The Great Indian Kitchen and Jaya Jaya Jaya Jaya Hai 再现作为劳动空间的家：印度大厨房》和《贾亚-贾亚-贾亚-海
Alphaville: Journal of Film and Screen Media Pub Date : 2024-02-07 DOI: 10.33178/alpha.26.04
Niyathi R. Krishna, P. Sivakumar
{"title":"Reproducing home as a space of labour: The Great Indian Kitchen and Jaya Jaya Jaya Jaya Hai","authors":"Niyathi R. Krishna, P. Sivakumar","doi":"10.33178/alpha.26.04","DOIUrl":"https://doi.org/10.33178/alpha.26.04","url":null,"abstract":"In this article, we analyse home as a site of labour through two Indian films, The Great Indian Kitchen (Jeo Baby, 2021) and Jaya Jaya Jaya Jaya Hai (Vipin Das, 2022). Produced and released in the Malayalam movie industry belonging to the South Indian State, Kerala, the two films received critical attention and generated broader discussion among Malayali audiences in the recent past. While the intricacies of gendered divisions of labour and domestic violence are documented through the day-to-day chronicles of the housewives’ lives in these films, we argue that both The Great Indian Kitchen and Jaya Jaya Jaya Jaya Hai illustrate how home is a different entity for men and women, conceptually and practically, as a space of leisure and labour respectively. Through narrative analysis, we interpret how these two films conceive and depict the disproportionate care work of women, highlight prevailing gender discrimination in a patriarchal setting, and expose new visual sensibilities to the audience.","PeriodicalId":378992,"journal":{"name":"Alphaville: Journal of Film and Screen Media","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139795729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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