{"title":"A Closer Look at the Akan Relativiser","authors":"Kofi Busia Abrefa","doi":"10.4314/LJH.V27I1.1","DOIUrl":"https://doi.org/10.4314/LJH.V27I1.1","url":null,"abstract":"This paper provides an alternative viewpoint on the length and tone of the relativiser in Akan. The relativiser has been analysed as a long vowel with either a high-low tone (HL) (Saah, 2010) or a mid-low tone (McCracken, 2013). However, in this paper, we posit an underlying short vowel with a low tone (L) for the relativiser. We further show that it receives a high tone (H) from an adjacent H; making it a syllable with a contour tone at the phonetic level (i.e. a ). The contour tone then affects the length of the relativiser at the phonetic level, making it slightly longer than its original length.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115994500","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
E. Otchere, I. R. Amuah, Margaret Delali Numekevor
{"title":"Affective Wellbeing and the Teaching of Music in Ghanaian Basic Schools: A Reflection","authors":"E. Otchere, I. R. Amuah, Margaret Delali Numekevor","doi":"10.4314/LJH.V27I2.7","DOIUrl":"https://doi.org/10.4314/LJH.V27I2.7","url":null,"abstract":"Any healthy education aims to develop the individual holistically. To help achieve and assess this goal, educational objectives have been categorized under three domains: cognitive, psychomotor and affective. The arts (music particularly), have been identified as being best suited for the training of the affective domain. Using a number of instruments and triangulation methods, we examined this claim. We observed that music teaching in Ghanaian basic schools has, to a large extent, not fulfilled this mandate. We recommend the need to rethink the music program in two main ways: a) reviewing curricula materials and b) providing requisite training for music teachers.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125468456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Media Exposé of Judicial Corruption in Ghana: Ethical and Theological Perspectives","authors":"Adwoa S. Amankwah, Ginn Assibey Bonsu, P. White","doi":"10.4314/LJH.V28I1.1","DOIUrl":"https://doi.org/10.4314/LJH.V28I1.1","url":null,"abstract":"Article 162, subsection 5, of the 1992 Constitution of Ghana states that “all agencies of the mass media shall, at all times, be free to uphold the principles, provisions and objectives of this constitution, and shall uphold the responsibility and accountability of the Government to the people of Ghana”. Using this constitutional provision that gives the media the power to serve as one of the agents to ensure accountability, this article discusses the media expose of judicial corruption in Ghana by using the recent video evidence of the investigative journalist, Anas. The article considers issues of judicial corruption, the causes, consequences as well as their ethical and theological dimensions. It posits that those who pervert justice through corrupt practices, will eventually be named and shamed. The article concludes that when the media play their role by respecting high journalistic standards, the cause of justice will be served.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126493697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Ecology of Gahu: Participatory Music and Health Benefits of Ewe Performance in a Canadian Drum and Dance Ensemble","authors":"Kathy Armstrong","doi":"10.4314/LJH.V27I2.2","DOIUrl":"https://doi.org/10.4314/LJH.V27I2.2","url":null,"abstract":"Ghanaian music and dance provide a rich environment for social interaction, which is a significant contributory factor to health and well-being, both for individuals and the communities in which they live. The vibrant and energetic drumming and dance of the popular Ewe piece Gahu offer numerous opportunities for participatory music-making, not only in Ghana but throughout the world, in performance, educational and community settings. Through video analysis and discussion of cross-disciplinary research, this article identifies the ecological factors present in a Canadian university performance of Gahu that play a positive role in the health of the students involved.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121271203","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Lure of the Image in the Mirror: A Reading of Kwame Nkrumah’s Towards Colonial Freedom","authors":"Atta Britwum","doi":"10.4314/LJH.V28I1.2","DOIUrl":"https://doi.org/10.4314/LJH.V28I1.2","url":null,"abstract":"Nkrumah’s Towards colonial freedom is a statement on the nature of colonialism and imperialism; and a strategy for combating them. The work, cast through a nationalist framework, carries a fixation on the superstructure of colonial society to the exclusion of its economic base. Thus conceived, the anticolonial struggle, at a superficial level, fights colonialism and imperialism. At a fundamental level, it leaves intact the structures—capitalism—that define colonialism and imperialism. Such is the trajectory that Kwame Nkrumah, in this work, traces towards colonial freedom.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124915732","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Poetics of Demythologisation in Kunle Afolayan’s The Figurine","authors":"A. Olayiwola, Pelumi Folajimi","doi":"10.4314/LJH.V28I1.7","DOIUrl":"https://doi.org/10.4314/LJH.V28I1.7","url":null,"abstract":"The paper examines the concept of demythologisation as it is expressed in Kunle Afolayan’s film, The figurine (subtitled Araromire). The paper argues that, though some influences of supernatural forces appear potent in the early parts of the film (Araromire Village around 1908), natural coincidence and human action (human orchestration) are more convincingly projected in the latter part of the film (which is set in Lagos around 2001). Examining how Femi Osofisan’s drama demystifies and demythologises sacred matters, the paper argues that Afolayan adopts the same technique of demythologisation in his film, The figurine (Araromire) the same way Osofisan does in most of his plays. However, deriving its premises from certain revelations in the film, the study concludes that Kunle Afolayan’s attempt at demythologisation is a partial success, as certain occurrences in the film are difficult to completely detach from supernatural influence despite their denotation as coincidences.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121056476","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Colonial Conflicts in Contemporary Northern Ghana: A Historical Prognosis of the British Colonial Factor in the Nawuri-Gonja and Mamprusi-Kusasi Conflicts","authors":"C. Mbowura, F. Longi","doi":"10.4314/LJH.V27I1.8","DOIUrl":"https://doi.org/10.4314/LJH.V27I1.8","url":null,"abstract":"Northern Ghana has witnessed phenomenal increases in armed conflicts over the past three decades. Many of these conflicts are ‘colonial conflicts’ rooted in colonial policies, but some others have no reference to colonialism as they are occasioned by endogenous factors. The Kusasi-Mamprusi and Nawuri-Gonja conflicts are colonial conflicts whose historical roots are traceable to colonialism in Northern Ghana. This paper interrogates the British-sponsored political conferences held prior to the introduction of indirect rule in Northern Ghana, with special focus on the Mamprusi and Gonja conferences. The paper argues that the conferences sowed the seeds of the post-colonial MamprusiKusasi and Gonja-Nawuri conflicts.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114770792","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Music and Wellbeing in Everyday Life: An Exploratory Study of Music Experience in Ghana","authors":"F. Carl, Rosemond Kutsidzo","doi":"10.4314/LJH.V27I2.3","DOIUrl":"https://doi.org/10.4314/LJH.V27I2.3","url":null,"abstract":"In this paper we highlight the experience of music in everyday contexts in Ghana. Using the Experience Sampling Method (ESM) and semi-structured interviews, we examined how people experience and use music in everyday life in potentially beneficial ways to enhance subjective wellbeing. In contrast to previous research where music’s self-regulatory role has been highlighted primarily in the context of solitary music listening, for the participants in our study music also played a crucial role as a form of social and participatory performance practice. This was particularly evident in the strong connection between music, religion, and social dance.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129693017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"On the Empire of Money: The Representation of Money in Arab-Islamic Culture","authors":"O. A. Afis, Abas Mohammed","doi":"10.4314/LJH.V27I1.3","DOIUrl":"https://doi.org/10.4314/LJH.V27I1.3","url":null,"abstract":"This paper is premised on the assumption that scholarly studies on al(money) and its role in human-lives have largely been seen to be the exclusive preserve of social science scholars. This has consequently led to the elision of other perspectives, particularly the cultural, on the category. This paper therefore attempts to fill that gap. It begins with a review of the literal meanings of alin Muslim and non-Muslim cultures, the jurisprudential construction of the concept and insightful perspectives from, among others, C. Turner, W. Muhammad and M. Plessner. Usin A money as a necessity, money as a sociological referent and money as the essence of existence.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123306190","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Discourse of Sustainable Farming and the Environment in Bessie Head’s When Rain Clouds Gather","authors":"D. Goodhead","doi":"10.4314/ljh.v28i1.4","DOIUrl":"https://doi.org/10.4314/ljh.v28i1.4","url":null,"abstract":"Starting with her pioneering novel, When rain clouds gather (1968), Head has left behind an impressive body of eco-literature. In this debut novel, Head tackles some of the most pressing problems of the environment as they affect the lives of poor rural dwellers in Botswana trying to leave hunger and poverty behind and gain a foothold in modernity and self-sufficiency with respect to the basic amenities of existence. Head’s novel gives a global dimension to this project that unambiguously gestures toward a cosmopolitan ecocriticism.","PeriodicalId":377973,"journal":{"name":"Legon Journal of the Humanities","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-06-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117036838","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}