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Scènes lyriques sans frontières: 抒情场景无国界:
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.2307/j.ctvb6v5bc.16
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引用次数: 0
Scènes lyriques sans frontières: Louis Théodore Gouvy's Le dernier Hymne d'Ossian (1858) and Lucien Hillemacher's Fingal (1880) 抒情场景无国界:路易斯·西奥多·高维的《奥西安的最后赞美诗》(1858)和卢西恩·希勒马赫的《芬格尔》(1880)
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.1017/9781787444621.012
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引用次数: 0
Acknowledgments 致谢
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.2307/j.ctvb6v5bc.4
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引用次数: 0
The Musical Stages of “Darthula”: From Thomas Linley the Younger (ca. 1776) to Arnold Schoenberg (1903) and Armin Knab (1906) 《达拉》的音乐舞台:从小托马斯·林利(约1776年)到阿诺德·勋伯格(1903年)和阿明·克纳布(1906年)
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.1017/9781787444621.014
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引用次数: 0
Provisional List of Musical Compositions Based on the Poems of Ossian 以奥西安诗歌为基础的音乐作品临时表
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.1017/9781787444621.023
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引用次数: 0
Ossian in Symbolic Conflict: Bernhard Hopffer's Darthula's Grabesgesang (1878), Jules Bordier's Un rêve d'Ossian (1885), and Paul Umlauft's Agandecca (1884)
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.1017/9781787444621.013
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引用次数: 0
Modernity, Modernism, and Ossian: Erik Chisholm's Night Song of the Bards (1944–51), James MacMillan's The Death of Oscar (2013), and Jean Guillou's Ballade Ossianique, No. 2: Les chants de Selma (1971, rev. 2005) 现代性、现代主义和奥西安:埃里克·奇泽姆的《吟游诗人之夜》(1944-51)、詹姆斯·麦克米伦的《奥斯卡之死》(2013)、让·吉鲁的《奥西安民谣》第2号:塞尔玛圣歌(1971年，2005年修订)
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.1017/9781787444621.018
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引用次数: 0
Excursus: Mendelssohn Waives the Rules: “Overture to the Isles of Fingal” (1832) and an “Unfinished” Coda 门德尔松放弃规则:“芬格尔群岛序曲”(1832)和“未完成”的尾声
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.1017/9781787444621.010
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引用次数: 0
A Culture without Writing, Settings without a Score, Haydn without Copyright, and Two Oscars on Stage 没有文字的文化，没有配乐的背景，没有版权的海顿，还有两个奥斯卡奖在舞台上
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.2307/j.ctvb6v5bc.8
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引用次数: 0
Symphonic Poem and Orchestral Fantasy: Alexandre Levy's Comala (1890) and Charles Villiers Stanford's Irish Rhapsody No. 2: Lament for the Son of Ossian (1903) 交响诗和管弦乐幻想:亚历山大·列维的《科马拉》(1890)和查尔斯·维利尔斯·斯坦福的《爱尔兰狂想曲第2号:奥西安之子的哀歌》(1903)
Beyond Fingal's Cave Pub Date : 2019-06-15 DOI: 10.1017/9781787444621.016
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引用次数: 0
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