Theatre and Performance Design最新文献_第10页

Immersion and participation in Punchdrunk’s theatrical worlds 沉浸和参与Punchdrunk的戏剧世界

Theatre and Performance Design Pub Date : 2020-05-15 DOI: 10.1080/23322551.2020.1782151

A. Alston

引用次数: 0

One hundred and ninety-two thousand, two hundred and forty-eight steps: curating the Site Specific Performance Festival at PQ 2019 十九万二千二百四十八步:策划PQ 2019场地特定表演节

Theatre and Performance Design Pub Date : 2020-05-15 DOI: 10.1080/23322551.2020.1782670

Sophie Jump

引用次数: 0

The scenographic potential of immersive technologies: virtual and augmented reality at the Prague Quadrennial 2019 沉浸式技术的场景潜力:2019年布拉格四年展上的虚拟和增强现实

Theatre and Performance Design Pub Date : 2020-05-15 DOI: 10.1080/23322551.2020.1785178

Lucy Thornett

引用次数: 2

Scenography 2019 in PQ Talks 2019年PQ会谈现场介绍

Theatre and Performance Design Pub Date : 2020-05-15 DOI: 10.1080/23322551.2020.1771943

B. Příhodová, P. Drábek

引用次数: 0

Mixing realities: reflections on presence and embodiment in intermedial performance design of Blue Hour VR 混合现实:对《蓝色时刻》VR中间表演设计中的临在与体现的思考

Theatre and Performance Design Pub Date : 2020-05-15 DOI: 10.1080/23322551.2020.1785710

Paul Cegys, Joris P. Weijdom

引用次数: 4

Porous realities, open scenography: a study of the Lebanese exhibition at PQ 2019 多孔的现实，开放的场景:PQ 2019黎巴嫩展览研究

Theatre and Performance Design Pub Date : 2020-05-15 DOI: 10.1080/23322551.2020.1785230

Hadi Damien

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引用次数: 0

The model as performance: staging space in theatre and architecture 作为表演的模型:剧院和建筑的舞台空间

Theatre and Performance Design Pub Date : 2019-10-02 DOI: 10.1080/23322551.2019.1687901

Douglas Eacho

引用次数: 2

The theatre space as essayistic space: on Infini 1-15 by Decoratelier 作为散文式空间的剧院空间:Infini 1-15由Decoratelier设计

Theatre and Performance Design Pub Date : 2019-10-02 DOI: 10.1080/23322551.2019.1692584

Jasper Delbecke

引用次数: 1

Theory for theatre studies: space 戏剧研究理论:空间

Theatre and Performance Design Pub Date : 2019-10-02 DOI: 10.1080/23322551.2019.1687905

G. DeFrancesco

引用次数: 0

Oren Sagiv: straddling the seam 奥伦·萨吉夫:跨界

Theatre and Performance Design Pub Date : 2019-10-02 DOI: 10.1080/23322551.2019.1688560

E. Shalom

{"title":"Oren Sagiv: straddling the seam","authors":"E. Shalom","doi":"10.1080/23322551.2019.1688560","DOIUrl":"https://doi.org/10.1080/23322551.2019.1688560","url":null,"abstract":"Oren Sagiv refers to himself as an architect, but many would agree he is no less a scenographer. Israeli by origin and currently based in Portugal, Sagiv has been creating structures and spaces for museums, galleries, festivals, and cultural events around the world since 2004. His works can be described as mainly ‘Installation Architecture’ (the name Sagiv has given his design firm): pavilions and experimental structures that can be read within the tradition of ‘light constructed architecture’. Nevertheless, the mutual relations between people, environments, and situations with and within space are the main focus of Sagiv’s work, locating it at the heart of an expanded scenography. He is perhaps best-known for Intersection, a space he created for the 2011 Prague Quadrennial of Performance Design and Space (PQ). Consisting of 30 room-sized black and white boxes (micro ‘ideal theatres’ and ‘ideal galleries’), the construction was located in the city’s Piazzetta (recently renamed Václav Havel Square), between the National Theatre and the Laterna Magika. Each box/room contained a work by a different artist, the ensemble creating a mini ‘art city’ in which people could interact with a variety of performances, installations, and artifacts. On top of the boxes, and open to the sky, Sagiv placed a wooden platform, creating a public space with seats, a bar-café and an open-air cinema. In many ways this work is a harbinger of his later works, and indicates an artistic approach and language in which viewers are invited to take an active part and immerse themselves in a spatial, theatrical, or architectural situation, while at the same time offering possibilities for critical awareness and inviting participants to reflect on art and space, and their own contribution to the situation they find themselves in. I met Sagiv for a conversation on architecture, performance, curation, and design.","PeriodicalId":37207,"journal":{"name":"Theatre and Performance Design","volume":"1 1","pages":"250 - 266"},"PeriodicalIF":0.0,"publicationDate":"2019-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83472337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0