New Labor Forum最新文献

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Beyond Policing: The Problem of Crime in America 超越警察:美国的犯罪问题
New Labor Forum Pub Date : 2022-12-29 DOI: 10.1177/10957960221143526
J. Morín
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引用次数: 0
Mexican Labor’s New Deal and the Promise of North American Worker Solidarity 墨西哥劳工新政和北美工人团结的承诺
New Labor Forum Pub Date : 2022-12-29 DOI: 10.1177/10957960221144973
Jeff Hermanson
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引用次数: 1
The Trump Supreme Court Is Nothing New: A History of the Tyranny of the Supremes 特朗普的最高法院并不新鲜:最高法院暴政的历史
New Labor Forum Pub Date : 2022-12-29 DOI: 10.1177/10957960221145071
Steve Fraser
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引用次数: 0
Travels with Chris: The Evolution of an Internship 与克里斯同行:实习的演变
New Labor Forum Pub Date : 2022-12-29 DOI: 10.1177/10957960221144968
K. Krupat
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引用次数: 0
A Model for Labor’s Renewal? The Starbucks Campaign 劳工复兴的模式?星巴克运动
New Labor Forum Pub Date : 2022-12-29 DOI: 10.1177/10957960221144972
J. Logan
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引用次数: 0
Why We Need Debtors’ Unions 为什么我们需要债务人联盟
New Labor Forum Pub Date : 2022-12-29 DOI: 10.1177/10957960221144963
A. Ross
{"title":"Why We Need Debtors’ Unions","authors":"A. Ross","doi":"10.1177/10957960221144963","DOIUrl":"https://doi.org/10.1177/10957960221144963","url":null,"abstract":"afloat in an economy where they are forced to debt-finance basic social goods such as housing, education, health care, and transportation. Indeed, under these circumstances, increased wages might simply translate into more efficient repayment to the creditor class. In response to the financialization of our daily needs, borrowers need a new kind of bargaining power, rooted in collective organization and action. The time is ripe for debtors’ unions to step into this gap that the labor movement (even the most innovative alt-labor initiatives) cannot fill on its own.","PeriodicalId":37142,"journal":{"name":"New Labor Forum","volume":"32 1","pages":"6 - 13"},"PeriodicalIF":0.0,"publicationDate":"2022-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"65413955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Making Hope and History Rhyme: A New Worker Movement from the Shell of the Old 创造希望与历史的韵律:旧工人运动外壳下的新工人运动
New Labor Forum Pub Date : 2022-12-29 DOI: 10.1177/10957960221144966
Marilyn Sneiderman, S. Lerner
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引用次数: 0
The Case for Linking Green Industrial Policy and Inclusionary Immigration 将绿色产业政策与包容性移民联系起来的案例
New Labor Forum Pub Date : 2022-12-27 DOI: 10.1177/10957960221143511
Andrew Pezzullo
{"title":"The Case for Linking Green Industrial Policy and Inclusionary Immigration","authors":"Andrew Pezzullo","doi":"10.1177/10957960221143511","DOIUrl":"https://doi.org/10.1177/10957960221143511","url":null,"abstract":"","PeriodicalId":37142,"journal":{"name":"New Labor Forum","volume":"32 1","pages":"50 - 58"},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46720648","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Out of the Mainstream: Books and Films You May Have Missed 脱离主流:你可能错过的书和电影
New Labor Forum Pub Date : 2022-12-26 DOI: 10.1177/10957960221143510
M. Witt
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引用次数: 0
“The Soul of This Place”: Dominique Morisseau’s Detroit “这个地方的灵魂”:多米尼克·莫里索的底特律
New Labor Forum Pub Date : 2022-09-01 DOI: 10.1177/10957960221118077
Tyler Grand Pre
{"title":"“The Soul of This Place”: Dominique Morisseau’s Detroit","authors":"Tyler Grand Pre","doi":"10.1177/10957960221118077","DOIUrl":"https://doi.org/10.1177/10957960221118077","url":null,"abstract":"From bop performances in a renowned jazz club and illicit parties hosted in a basement on 12th street, to card games behind the boss’ back in the breakroom of an auto-stamping plant, playwright Dominique Morisseau tells the story of Detroit across three plays that comprise The Detroit Project. Morisseau, the recipient of a MacArthur Genius Grant, describes a social history of rising “the hell up” while going underground. The trilogy has rightfully been compared to August Wilson’s ten-play Pittsburgh Cycle in the way the plays ambitiously set out to tell the intergenerational story of each playwright’s hometown.1 However, unlike Wilson who wrote a play taking place in each decade of the twentieth century, Morisseau sets each play during one of three pivotal moments in the history of Detroit: the beginnings of urban renewal in the 1950s, the Detroit Riots of 1967, and the contemporary economic and infrastructural crisis that accompanies a major decline in the auto industry. Through her use of stage directions, set descriptions, and rhythmic banter that shifts between playful, romantic, and tragic, Morisseau writes in a continuum of spaces that resonates with the presence of Detroit’s Black community and the forces of state and industry that have historically shaped it. Paradise Blue, the award-winning play that opens the trilogy, is set in the same year as the notorious Housing Act of 1949 that would fuel the “urban renewal” campaign of slum clearance in major cities across the United States.2 The play centers on the fate of Paradise Club, owned by a trumpet player called Blue. The club is in the famous jazz town of Paradise Valley at the heart of Black Bottom, a neighborhood branded with the label “blighted,” bearing testimony to the line made famous by James Baldwin: urban renewal “means negro removal.”3 Paradise Blue follows members of a community on the verge of displacement and dispossession by “urban renewal” developers. Individuals in this community have very different plans for the future of the club and, by extension, all of the neighborhood. For Blue, the headstrong club owner and leading trumpet soloist, Paradise Valley and the community it sustains represents a legacy of frustrated ambitions, violence, and poverty that he desperately wants to leave behind. He is haunted by the memory and madness of his father, who killed his mother in a violent fit of anger over the glassceiling limitations of Black life. To escape his memories and his frustrations, Blue is more than happy to sell the place to private developers rather than to those within his own social group. The play thus ends on a note of desperation, betrayal, and violence as all the other businesses in Paradise Valley start selling out and the main characters start to turn on each other, leading to a tragic ending in which Blue is shot. The second play in the trilogy is Detroit ’67, winner of the 2014 Sky Cooper American Play Prize. It picks up eighteen years after Paradise Blue, ","PeriodicalId":37142,"journal":{"name":"New Labor Forum","volume":"31 1","pages":"92 - 96"},"PeriodicalIF":0.0,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46160510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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