Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān最新文献

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The Definitions of al-surayjī, al-mākhūrī, al-mujannab, and al-mukhālif [fols. 102a–103b; ZY 111–2]
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引用次数: 0
Mention of the Songstresses in the Umayyad Era [fols. 54b–55a; ZY 63] 提到倭马亚时代的歌女[页2]。54 b-55a;ZY 63]
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引用次数: 0
The Names of the First Male Singers in Early Islam [fol. 18b; ZY 25] 早期伊斯兰教第一批男歌手的名字[假]。18 b;ZY 25)
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引用次数: 0
The Description of the Lute, Its Praise, Preferring It to All Other Instruments That Accompany Singing, What It Resembles, and Poems Composed about It [fols. 97a–98a; ZY 106–7] 琵琶的描述,对它的赞美,与其他伴奏乐器相比,更喜欢它,它的样子,以及为它所作的诗[页]。97 - 98 a;ZY 106 - 7]
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引用次数: 0
Mention of the Umayyad Caliphs Who Sang [fol. 59a; ZY 68] 提到倭马亚哈里发谁唱[傻瓜]。59岁;ZY 68]
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引用次数: 0
The Origin of Arabic Singing [fols. 12a–12b; ZY 18] 阿拉伯歌唱的起源[下]。12 a-12b;ZY 18]
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引用次数: 0
The Dimensions of the Lute, Its Material, Construction, and the Names of Its Various Parts [fols. 85b–88b; ZY 95–8] 琵琶的尺寸,它的材料,结构和它的各个部分的名称[页]。85 b - 88 b;ZY 95 - 8]
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引用次数: 0
The Meanings of Melodies [fols. 9a–9b; ZY 15] 旋律的意义[页]9 a-9b;ZY 15]
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引用次数: 0
Tools to Use to Test the Person Who Pretends to Know the Science of Music [fols. 66b–67a; ZY 78–9] 用来测试假装懂音乐科学的人的工具。66 b - 67 a;ZY 78 - 9)
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引用次数: 0
Who Are Better: The Singers of Persia, India, or Byzantium [fols. 53b–54a; ZY 62] 谁更好:波斯,印度或拜占庭的歌手[页。53 b-54a;ZY 62]
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引用次数: 0
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