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Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān最新文献

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Favoring Older Poetry over the Modern [fols. 12b–13a; ZY 19] 更喜欢古诗而不是现代诗[页数]。12 b-13a;ZY 19)
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_013
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引用次数: 0
The Meaning of the Word Music [fols. 83a–83b; ZY 93] 音乐这个词的意义[下]。83 - 83 b;ZY 93]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_085
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引用次数: 0
Tricks Used to Bring Throats in Tune with the Strings [fols. 26a–26b; ZY 33] 使喉咙与琴弦合拍的技巧[页]。26 a-26b;ZY 33)
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_027
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引用次数: 0
On the Sophistication of Melodies [fols. 8b–9a; ZY 14] 论旋律的复杂性[续]8 b-9a;ZY 14]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_006
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引用次数: 0
The Genuses of Notes Used at the Beginning of a Piece, and Types of Movements through the Frets [fols. 93a–93b; ZY 103] 一首乐曲开头所用的音符的种类，以及贯穿整个音阶的乐章类型[页]。93 - 93 b;ZY 103]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_092
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引用次数: 0
The Gems of Philosophers’ Aphorisms [fols. 7b–8a; ZY 13] 哲学的回声。7b—8a;ZY 13]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_005
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引用次数: 0
Mention of the Songstresses in the ʿAlawid Era in Egypt [fols. 57a–57b; ZY 66] 提到埃及阿拉维德时代的宋人[下]。57 a-57b;ZY 66]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_059
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引用次数: 0
How to Arrange and Order the Songs in the majālis [fols. 49b–50a; ZY 58–9] 如何安排和排序歌曲在majālis[附录]。49 b-50a;ZY 58-9]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_048
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引用次数: 0
Mention of the Male Singers in the ʿAbbāsid Era [fols. 55a–55b; ZY 64] 提到al - Abbāsid时代的男歌手[下]。55 a-55b;ZY 64]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_054
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引用次数: 0
Tarjīʿ and Its Characteristics [fols. 44b–45a; ZY 53–4] 《塔吉伊》及其特征[下]。44 b-45a;ZY 53-4]
Ḥāwī l-Funūn wa-Salwat al-Maḥzūn, Encompasser of the Arts and Consoler of the Grief-Stricken by Ibn al-Ṭaḥḥān Pub Date : 2021-07-23 DOI: 10.1163/9789004465497_044
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引用次数: 0
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